Review of "All This Useless Beauty" The Atlanta Journal / The Atlanta Constitution May 16, 1996 Rated 3 Stars (4-Great 3-Good 2-Fair 1-Poor) CD OF THE WEEK "The singer's reunion with his classic combo is predictable but pleasurable" Elvis Costello's sound still holds strong attraction Songs don't matter much as the sound Elvis Costello creates when he colludes with his on-again, off-again bandmates of nearly 20 years, the three musicians known as the Attractions. Collectively, even though the iron man Elvis took most of the credit, the group once forged deliriously inventive pop songs that were encyclopedic and trash-compacted: the dense, complex arrangements on the late '70s/ early '80s classics "This Year's Model" and "Get Happy!!" were perfect foil to Costell's verbose rage and motor-mouthed punning. "All This Useless Beauty" is EC's second album with the Attractions since a 1994 reunion, and while it's clearly secondary to his (and their) best work together, there's pleasure in hearing how the music meshes against Costello's gallery of crooner gestures. Lyrics about love's faded glories ("The Other End of the Telescope") and deaths worse than fate ("Shallow Grave") unfold at a luxurious pace, while the music shimmers with funhouse-mirror R&B licks, spectral organ timbers, shock wave guitar, stately bass lines and the majestic crescendos of Steve Nieve's piano. Fault Costello for breaking no new ground, but don't begrudge him a nimble tongue. Next time you're in the shower, just try this line: " Cause late in the evening as I sit here mopin' / With a bamboo needle on a shellac of Chopin / And the cast-iron heart you failed to tear open." Steve Dollar