Review of concert from 1987-01-28: with Confederates; London,
Royal Albert Hall w./Van Morrison & T-Bone Burnett
Sunday Tribune, 1987-02-01
- BP Fallon
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The new combo: T-Bone Wolk, Benmont Tench, Jim
Keltner, Elvis Costello, Jerry Scheff and James Burton |
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The Confederacy rises
BP FALLON listens to the new Elvis Costello combo live in London last
week
THE first sighting is a joy. Elvis and some chums are sitting clustered
together in a small bunch of seats in the wide empty vastness that is
the Royal Albert Hall, London at 5 pm last Monday afternoon. Elvis is
wearing a black coat and the other four chaps are wrapped against possible
English cold. It's quite warm, actually.
And they're sitting there, listening to a cassette playing over the
pa of stuff Elvis has compiled, tracks by Ray Charles and Aretha Franklin.
Elvis does the introducing: "James Burton". "Benmont
Trench". "Jerry Scheff". "Jim Keltner". Good
Lord.
Jim Keltner: used to know each other a little bit some 15 years back,
when he was drumming with Joe Cocker. He's played with John Lennon to
George Harrison to Ry Cooder to just about everybody. Brilliant drummer.
Benmont Tench... well, we had our differences ten years ago, when this
new group from Ireland called the Boomtown Rats supported Benmont's
group Tom Petty And The Heartbreakers and vicious competitive hostilities
broke out between the Paddies and the Yanks.
Scraggle
All forgiven now. Last time Benmont toured was all over America and
Japan and Australia, backing Bob Dylan. Now this lanky bloke comes over
with his hat on backwards and a straggle of a beard: T Bone Wolk. He
looks cut from a mould not dissimilar to Tom Waits. Normally, he plays
bass with Hall and Oates.
James Burton started off playing his guitar way back when in the Fifties
with countrybilly star Bob Luman, then went to work twanging behind
pop rocker Ricky Nelson. But he's best known for playing with Elvis
- Elvis Presley, that is - from 1969 until Elvis' death. Plus James
Burton guitared with one of the greatest country artists of all time,
the late Gram Parsons.
This is Elvis Costello and the Confederates, his American band. I had
the privilege of watching them for three consecutive nights at the Albert
Hall and heard some of the finest music that's been my pleasure to come
across. Ever.
The set, which varies from night to night, contains most of the material
from Elvis Costello's King of America LP, on which all the chaps
- apart from Benmont - played. Plus there's a hefty dose of r 'n' b
covers from people like Ray Charles and Mose Allison and a dash of Buddy
Holly. And Elvis does a bunch of stuff solo, just him and acoustic guitar,
harmonica and voice.
James Burton leads into 'The Big Light', that same pickin' sound that
he used on Presley's live stuff, the same sound as 'Mystery Train' or
'My Baby Left Me' or 'Suspicious Minds' on one of those live LPs. And
round his neck he wears his gold pendant that reads 'TCB' - Takin' Care
of Business' - that Presley gave him.
Jim Keltner sits behind an unassuming drum kit, not even on a podium
and flicks out the beat seemingly effortlessly. No wonder George Harrison
formed 'The Jim Keltner Fan Club'.
T Bone, still with his porkpie hat on backwards ("If it was good
enough for Count Basie it's good enough for me") plays mandolin,
acoustic guitar, accordion, dobro, piano and organ and does backing
vocals, too. Benmont can't believe him: "When I heard there was
going to be someone from Hall and Oates, I thought 'Oh God.' But he's
incredible."
And Jerry Scheff, without so much as a blink, switches from standup
acoustic bass to electric bass. This is skilled music, mature,
yet bursting with controlled vitality.
Wednesday at 6.00 pm in the Albert Hall and Elvis and the Confederates
are rehearsing with their special guest. Benmont Tench tells Van Morrison
that he doesn't know the old Sonny Boy Williamson song 'Help Me', so
Van tells him to play the intro to Booker T and the MG's 'Green Onions'
instead. It sounds great.
When Elvis introduces Van that evening, the place erupts even more.
They do 'Jackie Wilson Says' and it's such a thrill to see Elvis and
Van singing together, Van being pushed to his proper heights by these
great players. And then it's into 'Help Me' with Benmont on the organ
and Elvis on harmonica riffin' off each other. Everyone's grinning.
Ooh, my soul.
"I started in music to make a few bucks and meet a Beatle,"
T Bone is saving. "Tonight I did both." The object of T Bone's
second ambition stands there, reeling at the strength of the band. "Those
people don't know what they're getting" says George Harrison,
and when he's asked to explain he says that none of the audience know
about James Burton, Jim Keltner and co. Actually, George, all that
track record stuff doesn't matter a damn as long as their music is brilliant.
Which it is, folks.
But in the end, Elvis Costello is The Man. His performances are mesmeric,
his singing so passionate and soulful, so damn moving. He's got a great
new song called 'Any King's Shilling', about his grandfather. You'll
hear it.
In the wee hours of Thursday morning we're in the apartment of Steve
Neive, the keyboard player of Elvis' great group of the last ten years
The Attractions. For the past few nights, Steve - like fellow-Attractions
Pete Thomas and Bruce Thomas - has been in the audience, watching and
learning ... and enjoying. "You know," Steve is telling Jerry
Scheff, "Elvis is ... well, he's the best." And Jerry
nods cos' he knows it too...
...Elvis Costello and the Confederates play in Ireland next Saturday
(7 February) at the National Stadium' Dublin.