DownBeat, March 2005

Bibliography   72 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 00 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 UK & Ireland weeklies UK & Ireland magazines UK & Ireland newspapers US newspapers US rock magazines US music magazines US magazines US alternative weeklies European magazines European newspapers Canada  •  Mexico  •  Asia Australia  •  New Zealand South America  •  Africa Blogs  •  Fanzines  •  Books Online publications Down Beat   1978 July 13 1980 July 1981 September 1986 June 1987 February 1991 June 1993 April 1994 November 2000 February 2003 November 2005 March 2006 March 24 2006 June 2016 May US music magazines  Absolute Sound Acoustic Guitar Alternative Press American Songwriter Amplifier Audio Bass Magazine Bass Player The Beat Billboard Blender BMG Discovery Cash Box CBS Broadcast Newsletter CD Review CMJ New Music Monthly Columbia House Discoveries DownBeat Drum! Elmore Magazine Filter Gavin Report Goldmine Guitar Player Guitar World Harp High Fidelity Hits Hot Wacks Quarterly ICE International Bluegrass Jazziz JazzTimes Keyboard M Music & Musicians Mix Modern Drummer Modern Recording & Music Music Connection Music Market Music World New Music Scene No Depression OffBeat Option Performing Songwriter Playback Pulse! The Quake Radio & Records Ray Gun Record Review Record World R.E.P. Seattle Sound Magazine Songwriter Connection SoundWaves Stereo Review Stereophile Stomp And Stammer The Street Sweet Potato Under The Radar Vibe Vinyl Propaganda — Almost Blue Elvis Costello DownBeat Almost Blue opened the doors for several generations to dig deep into the heart and soul of American traditional music and understand that purism has the integrity that the next big thing generally lacks. Moreover, the weight of Costello's emotion is so intense that on songs such as Hank Williams' "Why Don't You Love Me (Like You Used To Do)" his anger and frustration is palpable. But Costello presciently recognizes the importance of singers like Gram Parsons while paying close heed to the country classics of "Sweet Dreams" and "Tonight The Bottle Let Me Down." The bonus CD contains a number of live tracks from three separate gigs at the influential Palomino Club in North Hollywood, Calif., The Mean Machine in Aberdeen and one from London's Royal Albert Hall. Tags: Almost Blue  •  Kojak Variety  •  Hank Williams  •  Why Don't You Love Me (Like You Used To Do)?  •  Gram Parsons  •  Sweet Dreams  •  Tonight The Bottle Let Me Down  •  Palomino Club  •  Aberdeen  •  Royal Albert Hall  •  James Burton  •  Marc Ribot  •  Dan Penn  •  Chips Moman  •  Dark End Of The Street  •  My Resistance Is Low  •  John Lennon  •  Paul McCartney  •  You've Got To Hide Your Love Away  •  Step Inside Love << >> DownBeat, March 2005 DownBeat reviews the Rhino / Edsel reissues of Almost Blue and Kojak Variety. Images Cover. Kojak Variety Elvis Costello DownBeat Featuring a crack session team of guitarists James Burton and Marc Ribot, Kojak Variety was recorded in 1995 and much of the material revealed Costello's unresolved and under-exploited penchant for obscure r&b songs from the '50s. The bonus CD includes Dan Penn and Chips Moman's "Dark End Of The Street," that hardy perennial of the American songbook "My Resistance Is Low" and Lennon/ McCartney's "You've Got To Hide Your Love Away." There are some curious choices too: Lennon/ McCartney's mawkish "Step Inside Love" is a perfect example of the fine line between good taste and post-modern irony.

External links

• Downbeat.com
• Wikipedia: Down Beat
• elviscostello.info