New Musical Express, July 2, 1983

From The Elvis Costello Wiki
Jump to: navigation, search
- Bibliography -
7475761977787980
8182838485868788
8990919293949596
9798990001020304
0506070809101112
13141516171819 20


NME

-

Costello uncloaked


NME

Elvis Costello flings aside his cloak of anonymity as The Imposter, and re-emerges under his true colours with a new single and album.

This is the immediate result of a new licensing deal just finalised by F-Beat Records with RCA, following the ending of their association with WEA — the agreement is worldwide, apart from North America and Scandinavia.

Released on July 29, the new album is titled Punch The Clock and — in addition to The Attractions — it features the Afrodiziak singers and the TKO horns. It was produced by the team of Clive Langer and Alan Winstanley, known for their work with Madness and Dexys, among others.

Highlights of the set are a remodelled version of "Pills And Soap," his now-deleted chart hit as The Imposter; Costello and The Attractions' styling of "Shipbuilding," the Robert Wyatt hit written for him by Elvis and Clive Langer, and here featuring the trumpet playing of jazz star Chet Baker; and the new Costello single "Everyday I Write The Book." The LP contains 13 tracks.

The single is released this weekend, and features the backing vocals of Afrodiziak. The B-side "Heathen Town" is not on the album, although it was recorded during the same sessions.

-
<< >>

New Musical Express, July 2, 1983


NME previews Punch The Clock.


Chris Bohn reviews the single for "Everyday I Write The Book."

Images

1983-07-02 New Musical Express page 02 clipping 01.jpg
Clipping.


Everyday I Write The Book

Elvis Costello & The Attractions

Chris Bohn

1983-07-02 New Musical Express page 17 clipping 01.jpg

The storyline's a familiar enough one of a lover's deceit and the other partner's reticence — just the sort of thing suited to Costello's lugubrious post Get Happy depressive pop voice. Personally I can take it or leave it, but this time the song is so perfectly shaped, the central book metaphor carried through with such style and wit — "You said you'd stand by me in the middle of Chapter Three / But you were up to your old tricks in Chapters Four, Five and Six" — I find myself falling for all its hooks.



1983-07-02 New Musical Express cover.jpg 1983-07-02 New Musical Express pages 02-03.jpg 1983-07-02 New Musical Express page 17.jpg
Cover and page scans.

-



Back to top

External links