Nylon, June 2002

Bibliography   72 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 00 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 UK & Ireland weeklies UK & Ireland magazines UK & Ireland newspapers US newspapers US rock magazines US music magazines US magazines US alternative weeklies European magazines European newspapers Canada  •  Mexico  •  Asia Australia  •  New Zealand South America  •  Africa Blogs  •  Fanzines  •  Books Online publications Nylon   2002 June US magazines  Artforum International Bop magazine Comics Journal Details Enlisted Times Entertainment Weekly Esquire Forbes GQ Hollywood Reporter High Times Interview Life Maxim Modern People The Nation New York New Yorker Newsweek Oxford American People Playboy Playgirl Spy Time Vanity Fair Variety Vogue Washingtonian Wet — High Fidelity Shelly Ridenour He's been a poet, a pirate, and a straight-shooting icon. And with his new record, Elvis Costello proves he is forever true to the rhythm. We've all seen him. The guy at the record store or the library. The one at Enid's in Brooklyn, or the Rainbow in Chicago or Lucky 13 in San Francisco. And of course at Elvis Costello concerts. He is of indeterminate age (25-40), clad in thrift-store highwaters and creepers (skinny tie optional). The one with the not-too spiky hair, the wash-out pallor, and, always, the glasses. Not thick-rimmed, squared-off Buddy Holly numbers mind you, these are over-sized, tear-drop shaped specs that take up near half his face. They are, best said, Elvis Costello glasses. "It's when they bring the full-scale re-creation that it gets unnerving. It's disconcerting when someone stands right in front of the microphone and holds the pose from the cover of Get Happy or This Year's Model without blinking," Elvis Costello sighs. Remaining text to come... Nylon, June / July 2002 Shelly Ridenour profiles Elvis Costello. Images Cover and contents page.

External links

• Wikipedia: Nylon (magazine)