Oakland Tribune, March 23, 1986

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'Mature' Costello takes power in album strong on communication


Larry Kelp

Elvis Costello
King Of America
4 stars (out of 4) reviews4 stars (out of 4) reviews4 stars (out of 4) reviews4 stars (out of 4) reviews

English rock star Costello (who lately has been going more by his real name, Declan MacManus) emerged at the time of Elvis Presley's death, claiming that although they both had the same first name there was only one king, and it was Presley.

Eight years later Costello has taken power, and immersed his probing lyrics into a series of strictly American indigenous styles from blues to rockabilly to ballads. Using his Attractions band on some tracks, Presley's rhythm section on others, and even jazz bass great Ray Brown and cajun accordionist Jo-El Sonnier on a couple, Costello has created a work that holds together musically and thematically, from the opening "Brilliant Mistake" to the finale, "Sleep of the Just." In two non-originals he covers the Animals' '60s hit "Don't Let Me Be Misunderstood" and late American bluesman J.B. Lenoir's "Eisenhower Blues."

This album is neither as focused and pointed as some of his early angry records, nor as scatter-shot as his mid-period work. It is rock as a form that communicates on many levels, sometimes blatantly, sometimes subtly, always with a depth and spirit missing from today's mainstream.


Tags: King Of AmericaBrilliant MistakeSleep Of The JustEisenhower BluesDon't Let Me Be MisunderstoodRay BrownJo-El SonnierThe AttractionsDeclan MacManusElvis PresleyThe AnimalsJ.B. Lenoir

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Oakland Tribune, March 23, 1986


Larry Kelp reviews King Of America.

Images

1986-03-23 Oakland Tribune, Calendar page 22 clipping 01.jpg
Clipping.

Page scan.
1986-03-23 Oakland Tribune, Calendar page 22.jpg

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