Salina Journal, September 28, 1994

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Blue Elvis

Elvis Costello's country album gets another chance

Jim Patterson

NASHVILLE, Tenn. — Thanks to his one and only country music album, Elvis Costello knows what it's like to be Engelbert Humperdinck. "There I am (at the supermarket) with the fish-fingers and there's some woman saying what a great romantic sound it was, and really giving me the twinkle," Costello said.

"It was really funny, 'cause I never would be with the music I wrote myself, but suddenly, I was kind of a minor heartthrob for about 20 minutes."

Costello and his band, The Attractions, recorded and partied hard in Nashville for 10 days in 1981, resulting in Almost Blue, an album that stands in stark contrast to the pop masterpieces Trust and Armed Forces that preceded it.

It is Costello's lowest-selling album in the United States by a longshot, and has just been reissued here as part of a reissue program by Rykodisc.

"Originally, it was a real 'I am depressed and I'm gonna make you depressed' album," Costello said in an interview from his London office.

It evolved into a country album, complete with production by Nashville Sound purveyor Billy Sherrill, whose penchant for sugary strings made him an odd choice for a guy who learned his country music from listening to the Byrds and Gram Parsons.

'I suppose a slightly wiser, older person .might have maybe gone with Cowboy Jack Clement or somebody like that who's a little closer to the rawer part of music," Costello said. But I just didn't know that then, and it was a great adventure."

Adding to the whole shebang was an English documentary film crew and an ongoing battle of. cultures wherein the limey bank] and good ol' boy crew struggled to unnerve each other.

"We didn't see much sleep the whole time we were there," Costello recalls. "We had a pretty wild time away from the studio, and we got ourselves pretty much in the frame of mind of most of those sad songs by the time the day came around."

Costello says Sherrill, writer of classic country songs such as "Stand by Your Man," called him "Elvis Costellar," and struck a disinterested pose to the recording sessions. He talked more about his love of guns and speedboats than music during the Almost Blue sessions. At one point in the British South Bank Show documentary, Sherrill says, "I hope it's a hit, I could get another boat!"

"The engineer said to me that if Billy had really been disinterested in what we were doing he would have listened to the recording session from his office," Costello said, " 'cause he had an intercom, and sometimes he would mix over the intercom and just make suggestions."

For their part, Costello and The Attractions played punkish versions of country standards to get the attention of Sherrill and company.

One of those, a furious version of the Hank Williams Sr. classic "Why Don't You Love Me," is the first song on Almost Blue.

But what got the attention of some women was Costello's crooning, backed by Sherrill's trademark swirling strings, on such standards as "A Good Year for the Roses."

"I do believe that some of the best records he's (Sherrill) produced were because of the very, very sugary backings kind of rub up against the real truthfulness of the singing," Costello said.


The Salina Journal, September 28, 1994

Jim Patterson interviews Elvis Costello about Almost Blue.


1994-09-28 Salina Journal clipping 01.jpg


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