South Wales Echo, June 10, 1989

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South Wales Echo

UK & Ireland newspapers

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King of America (and Cardiff)


Mike Arnold

Elvis Costello, Nick Lowe
St David's Hall

This year's Elvis Costello is a completely new model.

Alone on stage the beloved entertainer shouted, screamed, spat and at times even sang his way through a collection of songs that represent the best in the last decade of pop music.

The one song he did not sing was "I'm Not Angry."

The scene was set at the St Davids Hall on Thursday night by Nick Lowe.

Playing like the superb busker he is, Lowe, strumming alone on a semi acoustic guitar, gave the impression that he had a five-piece backing band.

The man who Johnny Cash says taught him how to put rhythm into some of his songs disparagingly referred to himself as Elvis's "warm up act."

He was much more than that, and the capacity Cardiff audience knew it.

Costello took the stage, his face clenched, and gave a complete reworking of an encyclopaedia of songs.

Accompanying himself on acoustic guitar, this was Costello cut down to the bone.

The sparse essential versions would not be to everyone's taste. But a confident and lean Costello was preaching to the converted.

He was good in spite of that.

Proving himself to be a remarkably adept guitarist his set encompassed such oldies as "Watching the Detectives" and "Alison" and songs from his new LP Spike.

The versions displayed new venom and even at times despair.

He also achieved real melody — in particular with a running together of "New Amsterdam" with the Beatles' "You've Got To Hide Your Love Away" and on to "American Without Tears."

In a Costello-meets-Loudon Wainwright version of "God's Comic" he gave his own vision of hell in which Esther Rantzen featured prominently.

By the time he sang Van Morrison's "Jackie Wilson Said" his roots were beginning to show.

The only fully electric song he played was a manic acid house version of "Pump It Up."

The audience loved it, and he was called back for encore after encore.


Macca in Beatles shock!


Jacqui Bowen

1989-06-10 South Wales Echo, PEP page 04 clipping 01.jpg

Paul McCartney is planning to sing some old Beatles numbers on his forthcoming world tour.

For the first time since the Fab Four split 20 years ago, songs like "Let It Be" and "I Saw Her Standing There" will be included in his set.

Macca, whose new album Flowers In the Dirt was released last week, has a new band which includes Abergavenny session musician Chris Whitten on drums!

The rest of the line up is: ex Pretender Robbie McIntosh on guitar and bassist Hamish Stuart of the Average White Band, plus of course wife Linda.

Four of the songs on the LP were co-written with Elvis Costello (the unlikely duo also worked together on Costello's last album) and there are guest appearances from Dave Gilmour of Pink Floyd and Peter Gabriel's guitarist David Rhodes.

One track is orchestrated by George Martin, the man behind so much Beatles music, and Trevor Horn has produced four tracks.

In a 50-minute documentary to be shown on BBC1 tonight, Put It There, McCartney talks about the LP, the Beatles and the environment. Don't miss it!



Tags: St David's HallCardiffWalesNick LoweSpikeWatching The DetectivesAlisonNew AmsterdamThe BeatlesYou've Got To Hide Your Love AwayAmerican Without TearsGod's ComicJackie Wilson SaidVan MorrisonPump It UpAccidents Will HappenBrilliant MistakeLet Him DangleIndoor FireworksShipbuildingTramp The Dirt DownMargaret ThatcherLoudon Wainwright IIIJohnny CashI'm Not AngryPaul McCartneyFlowers In The DirtMy Brave FaceDon't Be Careless LoveYou Want Her TooThat Day Is DoneLet It BeI Saw Her Standing ThereChris WhittenThe PretendersRobbie McIntoshHamish StuartLinda McCartneyGeorge MartinTrevor Horn

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South Wales Echo, June 9 & 10, 1989


Mike Arnold and Mick Tems review Elvis Costello and Nick Lowe, Thursday, June 8, 1989, St David's Hall, Cardiff, Wales.


Jacqui Bowen's preview of Paul McCartney's world tour mentions EC and Flowers In The Dirt.

Images

June 10, 1989 — review by Mike ArnoldJune 9, 1989 — review by Mick Tems
June 10 and June 9 clippings.


South Wales Echo, June 9, 1989

Sharp edge of Costello lost in his volume


Mick Tems

South Wales Echo, June 9, 1989

The capacity audience gave Elvis Costello a well-deserved standing ovation when he finally left the stage at St David's Hall in Cardiff last night, after his fourth set of encores.

He certainly earned every last ounce of their adulation for a packed set of songs old and new spiced even further by the appearance of the grand old fella of indie rock, Nick Lowe, as his support.

But I'd gone there hoping to convert someone to Costello — and failed completely. The reason? Costello's main strength, his biting, razor-sharp lyrics, were swallowed up and lost in his shouting, snarling delivery and the booming volume.

That's the way it was up in the tiers — and a few protesting shouts from downstairs indicated that not everyone down there was happy either.

Some say Costello's way of putting over a song is his trademark, but my companion left the hall completely unenlightened.

Still, Costello bestrode the stage like a mini-Colossus, aided only by guitar and electric piano. Classics and the latest songs blended in a set which started in fiery style with "Accidents Will Happen" and "Brilliant Mistake" — and even "Watching The Detectives" came up fresh and alert in its solo interpretation.

Songs from the new album, Spike, included the hilarious "God's Comic," which Costello built into the context of an interview between the Almighty and Esther Rantzen, and the bitter invective of "Let Him Dangle," about the hanging of Timothy Evans.

Lowe returned to share the stage for a delightful duet on "Indoor Fireworks," but Costello saved his strongest firepower for last.

Then we had the Falklands War song "Shipbuilding" with its sad, confused pictures of depressed people looking forward to the reopening of their shipyard.

And Costello also gave us "Tramp the Dirt Down," his personal contribution to the 10-year tenant of Number 10 — a song packed with anger and vitriol and yet so carefully crafted that it stands as one of the pinnacles of Costello's writing career.


June 10 section front and page scans.
South Wales Echo, June 10, 1989 South Wales Echo, June 10, 1989 South Wales Echo, June 10, 1989

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