Creem, March 1979: Difference between revisions

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<center><h3> '78 Readers' Poll </h3></center>
<center><h3> Radio, Radio </h3></center>
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<center> . </center>
<center> Creem </center>
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[[image:1979-03-00 Creem page 37.jpg|400px]]
OK: The results are in, we can officially kiss off 1978 and be one year closer to what everyone hopes will be a real decade, the 80's. Right?
 
Wrong. First you've got to sit still while we, in the best ''Creem'' tradition, tell you how half-assed we all are.
 
First, despite record company and radio apathy, some new music entered the mainstream, or established itself more solidly therein; this is reflected in the polls by Elvis Costello's strong showing, Patti Smith's first Number One (Best New Wave Single), Cheap Trick's rocketing to the #3 album of the year, The Cars coming out of nowhere to become Best New Group, Blondie's strong showing for the first year, Nick Lowe's respectable showings in the Producer and Songwriter categories.
 
Well, it's about time. And, to give credit, you sure as hell didn't hear them on any but the most enlightened radio stations (WMMS in Cleveland, KSAN in San Francisco — you know who you are). Not ''until'' they hit. Typically, radio got on Costello when they knew they had a sure hit; again in 1978, nobody took any chances, nobody gave any but the most established artists a shot.
 
Simon Frith writes in his column this month of his deepening conviction that American tastes are inexorably set in their MOR ways; we're discouraged too — what, Linda Ronstadt was the ''best'' female singer of '78? Compared to what? — but if our poll can show some shift
away from the Kiss/Foreigner/Aerosmith/Styx axis, when it shows that people are buying records and supporting artists other than the bloated supergroups the big guns at the record companies and radio stations are pushing — well, maybe it'll get through to somebody. There are enlightened disc jockeys still programming innovative radio; all you and we can do is support them, support new acts in concert, let the record companies know your tastes can't be bought.
 
Obviously, Britain being an island, record buyers over there are a smaller, more enlightened group, and new acts break frequently and in a big way. (How many American bands — Blondie, Pere Ubu, Devo, Johnny Thunders — were first established stars in the U.K.?) But the whopping majority of the music is still derived from here. Why can't we appreciate our own heritage? Not just new bands, but ''overlooked'' bands, sleepers, genuine comebacks — whatever.
 
Obviously, in 1979, anything in the groove like Costello or the Cars is going to make it; let's just hope other "outsiders'" are given the chance to blast the apathetic pants off the cocky megagroups playing your local coliseum; let's just hope all of you straight ticket Foreigner/Pablo Cruise/Heart/Queen fans hear some more passion in your music. But if it ain't on your radio, you'll probably stay in your multi-tracked womb. To the ''Creem'' loyalists who won't take it any more: Get outta here, we mean it! We love you.  


{{cx}}
{{cx}}
<center><small>Cover inset photo by [[Lynn Goldsmith]].</small></center>
[[image:1979-03-00 Creem photo 01 lg.jpg|310px|border|center]]
<center><small>Photo by [[Chuck Pulin]].</small></center>
[[image:1979-03-00 Creem photo 02 cp.jpg|310px|border|center]]


{{Bibliography notes header}}
{{Bibliography notes header}}


{{Bibliography notes}}
{{Bibliography notes}}
{{Bibliography next
|prev = Creem, August 1978
|next = Creem, April 1979
}}
'''Creem, March 1979
'''Creem, March 1979
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Elvis Costello & The Attractions place in the '78 Readers' Poll.  
Elvis Costello and [[Nick Lowe]] place in the 1978 Readers' Poll.  


{{Bibliography images}}
{{Bibliography images}}
[[image:1979-03-00 Creem cover.jpg|900x120px]]
 
[[image:1979-03-00 Creem page 36.jpg|900x120px]]
[[image:1979-03-00 Creem cover.jpg|x240px|border]]{{t}}
[[image:1979-03-00 Creem page 38.jpg|900x120px]]
[[image:1979-03-00 Creem page 36.jpg|x240px|border]]
<br><small>Cover and page scans.</small>
<br><small>Cover and page scan.</small>
<br><br>
 
[[image:1979-03-00 Creem photo 01 lg.jpg|290px]]
 
<br><small>Cover photo by Lynn Goldsmith.</small>
{{Bibliography box}}
<br><br>
<center><h3>  '78 Readers' Poll </h3></center>
[[image:1979-03-00 Creem photo 02 cp.jpg|290px]]
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<br><small>Photo by Chuck Pulin.</small>
<center> Creem </center>
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'''EC and Nick placed in the following categories:
 
 
[[image:1979-03-00 Creem page 37.jpg|120px|border|right]]
'''BEST ALBUM
# Some Girls (Rolling Stones) <br>
# Who Are You (The Who) <br>
# Heaven Tonight (Cheap Trick) <br>
# Live Bootleg (Aerosmith) <br>
# Van Halen (Van Halen)  <br>
# Darkness on the Edge of Town (Bruce Springsteen)  <br>
# Double Vision (Foreigner)  <br>
# The Cars (The Cars)  <br>
# Dog & Butterfly (Heart)  <br>
# Easter (Patti Smith)  <br>
# Double Live Gonzo (Ted Nugent)  <br>
# '''This Year's Model (Elvis Costello)  <br>
# Don't Look Back (Boston)  <br>
# Tormato (Yes)  <br>
# Road to Ruin (Ramones)  <br>
# Stranger in Town (Bob Seger)  <br>
# Jazz (Queen)  <br>
# Ace Frehley  <br>
# Draw the Line (Aerosmith)  <br>
# Are We Not Men? (Devo)  <br>
# Stage (David Bowie)  <br>
# Paul Stanley  <br>
# Hemispheres (Rush)  <br>
# David Johansen <br>
# Lynyrd Skynyrd's First and Last
 
 
'''BEST NEW WAVE SINGLE 
# Because The Night (Patti Smith)  <br>
# Jocko Homo (Devo)  <br>
# Satisfaction (Devo)  <br>
# ''' Radio, Radio (Elvis Costello)  <br>
# My Way (Sid Vicious)
 
 
'''BEST NEW WAVE ALBUM
# Are We Not Men? (Devo)  <br>
# Road to Ruin (Ramones)  <br>
# '''This Year's Model (Elvis Costello)  <br>
# Easter (Patti Smith)  <br>
# Parallel Lines (Blondie)
 
 
[[image:1979-03-00 Creem page 38.jpg|120px|border|right]]
'''BEST NEW WAVE BAND / PERFORMER
# '''Elvis Costello <br>
# Devo <br>
# The Ramones <br>
# Blondie <br>
# Patti Smith <br>
# Sex Pistols / Johnny Rotten <br>
# Talking Heads <br>
# The Clash <br>
# '''Nick Lowe <br>
# Iggy Pop <br>
 
 
'''BEST NEW WAVE SINGER
# Debbie Harry <br>
# '''Elvis Costello <br>
# Patti Smith <br>
# Johnny Rotten <br>
# Joey Ramone <br>
# David Johansen <br>
# David Byrne <br>
# '''Nick Lowe <br>
# Iggy Pop <br>
# Sid Vicious <br>
 
 
'''BEST SONGWRITER
# Mick Jagger / Keith Richards <br>
# Jimmy Page / Robert Plant <br>
# Bruce Springsteen <br>
# Steven Tyler / Joe Perry <br>
# Pete Townshend <br>
# Paul Stanley / Gene Simmons <br>
# '''Elvis Costello <br>
# Freddie Mercury / Brian May <br>
# Rick Nielsen <br>
# '''Nick Lowe <br>
 
 
'''BEST PRODUCER
# Glimmer Twins <br>
# Jimmy Page <br>
# Todd Rundgren <br>
# Brian Eno <br>
# Roy Thomas Baker <br>
# Jack Douglas <br>
# Eddie Kramer <br>
# '''Nick Lowe <br>
# Bob Ezrin <br>
# Alan Parsons <br>
 
{{cx}}
 


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*[http://en.wikipedia.org/wiki/Creem Wikipedia: Creem]
*[http://en.wikipedia.org/wiki/Creem Wikipedia: Creem]


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Creem

US rock magazines

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Radio, Radio


Creem

OK: The results are in, we can officially kiss off 1978 and be one year closer to what everyone hopes will be a real decade, the 80's. Right?

Wrong. First you've got to sit still while we, in the best Creem tradition, tell you how half-assed we all are.

First, despite record company and radio apathy, some new music entered the mainstream, or established itself more solidly therein; this is reflected in the polls by Elvis Costello's strong showing, Patti Smith's first Number One (Best New Wave Single), Cheap Trick's rocketing to the #3 album of the year, The Cars coming out of nowhere to become Best New Group, Blondie's strong showing for the first year, Nick Lowe's respectable showings in the Producer and Songwriter categories.

Well, it's about time. And, to give credit, you sure as hell didn't hear them on any but the most enlightened radio stations (WMMS in Cleveland, KSAN in San Francisco — you know who you are). Not until they hit. Typically, radio got on Costello when they knew they had a sure hit; again in 1978, nobody took any chances, nobody gave any but the most established artists a shot.

Simon Frith writes in his column this month of his deepening conviction that American tastes are inexorably set in their MOR ways; we're discouraged too — what, Linda Ronstadt was the best female singer of '78? Compared to what? — but if our poll can show some shift away from the Kiss/Foreigner/Aerosmith/Styx axis, when it shows that people are buying records and supporting artists other than the bloated supergroups the big guns at the record companies and radio stations are pushing — well, maybe it'll get through to somebody. There are enlightened disc jockeys still programming innovative radio; all you and we can do is support them, support new acts in concert, let the record companies know your tastes can't be bought.

Obviously, Britain being an island, record buyers over there are a smaller, more enlightened group, and new acts break frequently and in a big way. (How many American bands — Blondie, Pere Ubu, Devo, Johnny Thunders — were first established stars in the U.K.?) But the whopping majority of the music is still derived from here. Why can't we appreciate our own heritage? Not just new bands, but overlooked bands, sleepers, genuine comebacks — whatever.

Obviously, in 1979, anything in the groove like Costello or the Cars is going to make it; let's just hope other "outsiders'" are given the chance to blast the apathetic pants off the cocky megagroups playing your local coliseum; let's just hope all of you straight ticket Foreigner/Pablo Cruise/Heart/Queen fans hear some more passion in your music. But if it ain't on your radio, you'll probably stay in your multi-tracked womb. To the Creem loyalists who won't take it any more: Get outta here, we mean it! We love you.


Cover inset photo by Lynn Goldsmith.
1979-03-00 Creem photo 01 lg.jpg


Photo by Chuck Pulin.
1979-03-00 Creem photo 02 cp.jpg


-
<< >>

Creem, March 1979


Elvis Costello and Nick Lowe place in the 1978 Readers' Poll.

Images

1979-03-00 Creem cover.jpg1979-03-00 Creem page 36.jpg
Cover and page scan.


'78 Readers' Poll


Creem

EC and Nick placed in the following categories:


1979-03-00 Creem page 37.jpg

BEST ALBUM

  1. Some Girls (Rolling Stones)
  2. Who Are You (The Who)
  3. Heaven Tonight (Cheap Trick)
  4. Live Bootleg (Aerosmith)
  5. Van Halen (Van Halen)
  6. Darkness on the Edge of Town (Bruce Springsteen)
  7. Double Vision (Foreigner)
  8. The Cars (The Cars)
  9. Dog & Butterfly (Heart)
  10. Easter (Patti Smith)
  11. Double Live Gonzo (Ted Nugent)
  12. This Year's Model (Elvis Costello)
  13. Don't Look Back (Boston)
  14. Tormato (Yes)
  15. Road to Ruin (Ramones)
  16. Stranger in Town (Bob Seger)
  17. Jazz (Queen)
  18. Ace Frehley
  19. Draw the Line (Aerosmith)
  20. Are We Not Men? (Devo)
  21. Stage (David Bowie)
  22. Paul Stanley
  23. Hemispheres (Rush)
  24. David Johansen
  25. Lynyrd Skynyrd's First and Last


BEST NEW WAVE SINGLE

  1. Because The Night (Patti Smith)
  2. Jocko Homo (Devo)
  3. Satisfaction (Devo)
  4. Radio, Radio (Elvis Costello)
  5. My Way (Sid Vicious)


BEST NEW WAVE ALBUM

  1. Are We Not Men? (Devo)
  2. Road to Ruin (Ramones)
  3. This Year's Model (Elvis Costello)
  4. Easter (Patti Smith)
  5. Parallel Lines (Blondie)


1979-03-00 Creem page 38.jpg

BEST NEW WAVE BAND / PERFORMER

  1. Elvis Costello
  2. Devo
  3. The Ramones
  4. Blondie
  5. Patti Smith
  6. Sex Pistols / Johnny Rotten
  7. Talking Heads
  8. The Clash
  9. Nick Lowe
  10. Iggy Pop


BEST NEW WAVE SINGER

  1. Debbie Harry
  2. Elvis Costello
  3. Patti Smith
  4. Johnny Rotten
  5. Joey Ramone
  6. David Johansen
  7. David Byrne
  8. Nick Lowe
  9. Iggy Pop
  10. Sid Vicious


BEST SONGWRITER

  1. Mick Jagger / Keith Richards
  2. Jimmy Page / Robert Plant
  3. Bruce Springsteen
  4. Steven Tyler / Joe Perry
  5. Pete Townshend
  6. Paul Stanley / Gene Simmons
  7. Elvis Costello
  8. Freddie Mercury / Brian May
  9. Rick Nielsen
  10. Nick Lowe


BEST PRODUCER

  1. Glimmer Twins
  2. Jimmy Page
  3. Todd Rundgren
  4. Brian Eno
  5. Roy Thomas Baker
  6. Jack Douglas
  7. Eddie Kramer
  8. Nick Lowe
  9. Bob Ezrin
  10. Alan Parsons


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