Austin Chronicle, August 22, 2008: Difference between revisions

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<center><h3> Momofuku </h3></center>
<center><h3> Momofuku </h3></center>
<center>''' Elvis Costello & the Imposters </center>
<center>''' Elvis Costello & the Imposters </center>
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<center>Jim Caligiuri</center>
<center> Jim Caligiuri </center>
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The latest batch of Elvis Costello songs is characteristically mysterious. At one point, the prolific song shape-shifter claimed to have sworn off recording, but ''Momofuku'''s appearance materializes as if out of a ramen package: instantaneous. (Momofuku Ando invented the noodle convenience.) Unlike recent Costello discs, there's no theme or concept, just 12 tunes in a familiar style, some mad rock with a dash of soul and country, and wordplay so furious it's difficult to keep up. The swirling "[[Stella Hurt]]" is fascinating, although the abrupt ending docks it half a point. In an unusual turn, there are two co-writes: the modern country "[[Song With Rose]]," a collaboration with [[Rosanne Cash]], and the funny, creepy "[[Pardon Me, Madam, My Name Is Eve]]" pairing with [[Loretta Lynn]]. Like some of his best work, Momofuku feels thrown together, loose and natural. That he can produce meaningful, listenable work in such situations has always been Elvis Costello's forte.
The latest batch of Elvis Costello songs is characteristically mysterious. At one point, the prolific song shape-shifter claimed to have sworn off recording, but ''Momofuku'''s appearance materializes as if out of a ramen package: instantaneous. (Momofuku Ando invented the noodle convenience.) Unlike recent Costello discs, there's no theme or concept, just 12 tunes in a familiar style, some mad rock with a dash of soul and country, and wordplay so furious it's difficult to keep up. The swirling "Stella Hurt" is fascinating, although the abrupt ending docks it half a point. In an unusual turn, there are two co-writes: the modern country "Song With Rose," a collaboration with Rosanne Cash, and the funny, creepy "Pardon Me, Madam, My Name Is Eve" pairing with Loretta Lynn. Like some of his best work, ''Momofuku'' feels thrown together, loose and natural. That he can produce meaningful, listenable work in such situations has always been Elvis Costello's forte.


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{{tags}}[[Momofuku]] {{-}} [[The Imposters]] {{-}} [[Stella Hurt]] {{-}} [[Song With Rose]] {{-}} [[Rosanne Cash]] {{-}} [[Pardon Me, Madam, My Name Is Eve]] {{-}} [[Loretta Lynn]]
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[[Jim Caligiuri]] reviews ''[[Momofuku]]''.
[[Jim Caligiuri]] reviews ''[[Momofuku]]''.


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Momofuku

Elvis Costello & the Imposters

Jim Caligiuri

3 stars (out of 5) reviews3 stars (out of 5) reviews3 stars (out of 5) reviews3 stars (out of 5) reviews3 stars (out of 5) reviews

The latest batch of Elvis Costello songs is characteristically mysterious. At one point, the prolific song shape-shifter claimed to have sworn off recording, but Momofuku's appearance materializes as if out of a ramen package: instantaneous. (Momofuku Ando invented the noodle convenience.) Unlike recent Costello discs, there's no theme or concept, just 12 tunes in a familiar style, some mad rock with a dash of soul and country, and wordplay so furious it's difficult to keep up. The swirling "Stella Hurt" is fascinating, although the abrupt ending docks it half a point. In an unusual turn, there are two co-writes: the modern country "Song With Rose," a collaboration with Rosanne Cash, and the funny, creepy "Pardon Me, Madam, My Name Is Eve" pairing with Loretta Lynn. Like some of his best work, Momofuku feels thrown together, loose and natural. That he can produce meaningful, listenable work in such situations has always been Elvis Costello's forte.


Tags: MomofukuThe ImpostersStella HurtSong With RoseRosanne CashPardon Me, Madam, My Name Is EveLoretta Lynn

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The Austin Chronicle, August 22, 2008


Jim Caligiuri reviews Momofuku.

Images

2008-08-22 Austin Chronicle page 60 clipping 01.jpg
Clipping.

Cover and page scan.
2008-08-22 Austin Chronicle cover.jpg 2008-08-22 Austin Chronicle page 60.jpg

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