From The Elvis Costello Wiki
Jump to navigationJump to search
|
|
Line 4: |
Line 4: |
| {{magazine index}} | | {{magazine index}} |
| {{Bibliography article header}} | | {{Bibliography article header}} |
| <center><h3> 1977 Rolling Stone Critics' Awards </h3></center> | | <center><h3> 1977 Critics' Awards </h3></center> |
| ---- | | ---- |
| <center> ''Rolling Stone </center> | | <center> ''Rolling Stone </center> |
Line 33: |
Line 33: |
| '''Rolling Stone, No. 255, December 29, 1977 | | '''Rolling Stone, No. 255, December 29, 1977 |
| ---- | | ---- |
| ''[[My Aim Is True]]'' is included in the ''Albums Of The Year''. | | ''[[My Aim Is True]]'' is included in the Albums Of The Year. |
|
| |
|
| {{Bibliography images}} | | {{Bibliography images}} |
Revision as of 04:13, 26 July 2013
Template:Rolling Stone index
Template:Magazine index
—
|
1977 Critics' Awards
Rolling Stone
Albums Of The Year
Never Mind the Bollocks, Here's the Sex Pistols — An LP that blew away all charges of hype. In a year when almost nothing happened, the Sex Pistols were action incarnate.
Hotel California, The Eagles — Rock's L.A. cowboys, coming of age, cut tbrough the smog to take their toughest and most incisive look at California.
Rumours, Fleetwood Mac — From the diversity of the writing and singing to the punch of the rhythm section it's impossible not to think of the Beatles.
JT, James Taylor — Recoupled with producer Peter Asher, Taylor turned in his bluesiest, most openly emotional album.
My Aim Is True, Elvis Costello — A former computer programmer, who left the synthesizer at the office. Dangerous music for our time.
Hard Again, Muddy Waters — Rebirth of the blues. The last of the Chicago masters returns to the gimmick-free sound that made him great.
|
|
Rolling Stone, No. 255, December 29, 1977
My Aim Is True is included in the Albums Of The Year.
|
Cover and page scan.
File:1977-12-29 Rolling Stone photo 01 re.jpg
Photo by Retna.
|
|
|
|
External links