Alameda Times-Star, March 13, 2004: Difference between revisions

From The Elvis Costello Wiki
Jump to navigationJump to search
(create page for Alameda Times-Star review of Concert 2004-03-11 San Francisco)
 
 
(2 intermediate revisions by the same user not shown)
Line 1: Line 1:
{{Bibliography header}}
{{Bibliography header}}
{{Bibliography index}}
{{:Bibliography index}}
{{:Alameda Times-Star index}}
{{:Alameda Times-Star index}}
{{:Newspaper index}}
{{:California publications index}}
{{:US publications by state index}}
{{Bibliography article header}}
{{Bibliography article header}}
<center><h3>Is it a library? No, it's a Costello concert   </h3></center>
<center><h3> Is it a library? No, it's a Costello concert </h3></center>
----
----
<center> Jim Harrington</center>
<center> Jim Harrington </center>
----
----
{{Bibliography text}}
{{Bibliography text}}
ELVIS Costello brings many things to mind. Turning off the cell phone isn't usually one of them. But that's  
Elvis Costello brings many things to mind. Turning off the cell phone isn't usually one of them. But that's exactly the situation a capacity crowd found itself in Thursday as Costello brought his hushed, subdued and mostly acoustic act to the Warfield in San Francisco.  
exactly the situation a capacity crowd found itself in Thursday as Costello brought his hushed, subdued and  
mostly acoustic act to the Warfield in San Francisco.  


In all, it was a fairly enjoyable night of music that focused on Costello's latest release, ''[[North]]'', as well as many obscure tracks. But it could have been much more than it was. It was probably the wrong setting  
In all, it was a fairly enjoyable night of music that focused on Costello's latest release, ''North'', as well as many obscure tracks. But it could have been much more than it was. It was probably the wrong setting for the show. The concert was a soft evening of sentimental songs performed with voice, guitar and piano and would have been better suited for a more intimate venue such as Yoshi's. As it was, those with the best seats near the stage received a far better experience than those at the back of the venue. Costello performed as if he were playing a small nightclub, often moving away from the microphone and allowing his words to drift softly into the night. For their part, the audience members fervently tried to keep the venue as quiet as a place of worship. It worked fairly well but, at times, the extreme shushes rang out more loudly than the music. To the few noisemakers' defense, this was a tough show to remain quiet through. Clocking in at roughly 140 minutes, the concert was too long for the type of low-key material presented. Also, an opening act would have helped break up the monotony.  
for the show. The concert was a soft evening of sentimental songs performed with voice, guitar and  
piano and would have been better suited for a more intimate venue such as Yoshi's. As it was, those with  
the best seats near the stage received a far better experience than those at the back of the venue.  
Costello performed as if he were playing a small nightclub, often moving away from the microphone and  
allowing his words to drift softly into the night. For their part, the audience members fervently tried to  
keep the venue as quiet as a place of worship. It worked fairly well but, at times, the extreme shushes  
rang out more loudly than the music. To the few noisemakers' defense, this was a tough show to remain  
quiet through. Clocking in at roughly 140 minutes, the concert was too long for the type of low-key material  
presented. Also, an opening act would have helped break up the monotony.  


Costello, 49, was in perfect voice. He sounded strong and clear -- at least when he was standing near the mic -- as he crooned his way through "[[Green Shirt]]," "[[You Left Me In The Dark|You Left Me in the Dark]]" and "[[Brilliant Mistake]]." Those who came out expecting a run through Costello's greatest hits were definitely in the wrong building. The singer-guitarist basically ignored his old singles in favor of more mature efforts and tracks from ''North'', which can be seen as a love letter to his new wife, jazz-star [[Diana Krall]], as well as a direct extension from his work with [[Burt Bacharach]]. The crowd had to endure an hour of mostly unknown songs before Costello finally dusted off a classic. Luckily, it was worth the wait. Twenty-five years after its release, "[[(What's So Funny 'Bout) Peace, Love And Understanding?|(What's so Funny'Bout) Peace, Love and Understanding]]" is as relevant and as poignant as ever.  
Costello, 49, was in perfect voice. He sounded strong and clear at least when he was standing near the mic as he crooned his way through "Green Shirt," "You Left Me In The Dark" and "Brilliant Mistake." Those who came out expecting a run through Costello's greatest hits were definitely in the wrong building. The singer-guitarist basically ignored his old singles in favor of more mature efforts and tracks from ''North'', which can be seen as a love letter to his new wife, jazz-star Diana Krall, as well as a direct extension from his work with Burt Bacharach. The crowd had to endure an hour of mostly unknown songs before Costello finally dusted off a classic. Luckily, it was worth the wait. Twenty-five years after its release, "(What's So Funny 'Bout) Peace, Love And Understanding?" is as relevant and as poignant as ever.  


You can e-mail Jim Harrington at jimthecritic@yahoo.com .
{{cx}}
 
{{tags}}[[Warfield Theatre]] {{-}} [[San Francisco]] {{-}} [[Steve Nieve]] {{-}} [[North]] {{-}} [[Green Shirt]] {{-}} [[You Left Me In The Dark]] {{-}} [[Brilliant Mistake]] {{-}} [[Diana Krall]] {{-}} [[Burt Bacharach]] {{-}} [[(What's So Funny 'Bout) Peace, Love And Understanding?]]
{{cx}}
{{cx}}


Line 34: Line 26:
'''Alameda Times-Star, March 13, 2004
'''Alameda Times-Star, March 13, 2004
----
----
[[Jim Harrington]] reviews Elvis Costello and [[Steve Nieve]] on Thursday, [[Concert 2004-03-11 San Francisco|March 11, 2004]] at [[Warfield Theatre]], San Francisco, CA
[[Jim Harrington]] reviews Elvis Costello and [[Steve Nieve]], Thursday, [[Concert 2004-03-11 San Francisco|March 11, 2004]], Warfield Theatre, San Francisco.


{{Bibliography no images}}
{{Bibliography no images}}
Line 48: Line 40:


{{DEFAULTSORT:Alameda Times-Star 2004-03-13}}
{{DEFAULTSORT:Alameda Times-Star 2004-03-13}}
[[Category:Bibliography|Alameda Times-Star 2004-03-13]]
[[Category:Bibliography]]
[[Category:Bibliography 2004|Alameda Times-Star 2004-03-13]]
[[Category:Bibliography 2004]]
[[Category:Alameda Times-Star| Alameda Times-Star 2004-09-19]]
[[Category:Alameda Times-Star| Alameda Times-Star 2004-09-19]]
[[Category:Newspaper articles|Alameda Times-Star 2004-03-13]]
[[Category:Newspaper articles]]
[[Category:Concert reviews|Alameda Times-Star 2004-03-13]]
[[Category:2004 concert reviews]]
[[Category:2004 North Tour|~Alameda Times-Star 2004-09-19]]

Latest revision as of 03:37, 14 February 2020

... Bibliography ...
727677787980818283
848586878889909192
939495969798990001
020304050607080910
111213141516171819
202122232425 26 27 28


Alameda Times-Star

California publications

Newspapers

University publications

Magazines and alt. weeklies


US publications by state
  • ALAKARAZCA
  • COCTDCDEFL
  • GAHI   IA      ID      IL
  • IN   KSKYLA   MA
  • MDME   MIMNMO
  • MSMTNC  ND  NE
  • NHNJNMNVNY
  • OHOKORPARI
  • SCSDTNTXUT
  • VAVTWAWIWY

-

Is it a library? No, it's a Costello concert


Jim Harrington

Elvis Costello brings many things to mind. Turning off the cell phone isn't usually one of them. But that's exactly the situation a capacity crowd found itself in Thursday as Costello brought his hushed, subdued and mostly acoustic act to the Warfield in San Francisco.

In all, it was a fairly enjoyable night of music that focused on Costello's latest release, North, as well as many obscure tracks. But it could have been much more than it was. It was probably the wrong setting for the show. The concert was a soft evening of sentimental songs performed with voice, guitar and piano and would have been better suited for a more intimate venue such as Yoshi's. As it was, those with the best seats near the stage received a far better experience than those at the back of the venue. Costello performed as if he were playing a small nightclub, often moving away from the microphone and allowing his words to drift softly into the night. For their part, the audience members fervently tried to keep the venue as quiet as a place of worship. It worked fairly well but, at times, the extreme shushes rang out more loudly than the music. To the few noisemakers' defense, this was a tough show to remain quiet through. Clocking in at roughly 140 minutes, the concert was too long for the type of low-key material presented. Also, an opening act would have helped break up the monotony.

Costello, 49, was in perfect voice. He sounded strong and clear — at least when he was standing near the mic — as he crooned his way through "Green Shirt," "You Left Me In The Dark" and "Brilliant Mistake." Those who came out expecting a run through Costello's greatest hits were definitely in the wrong building. The singer-guitarist basically ignored his old singles in favor of more mature efforts and tracks from North, which can be seen as a love letter to his new wife, jazz-star Diana Krall, as well as a direct extension from his work with Burt Bacharach. The crowd had to endure an hour of mostly unknown songs before Costello finally dusted off a classic. Luckily, it was worth the wait. Twenty-five years after its release, "(What's So Funny 'Bout) Peace, Love And Understanding?" is as relevant and as poignant as ever.


Tags: Warfield TheatreSan FranciscoSteve NieveNorthGreen ShirtYou Left Me In The DarkBrilliant MistakeDiana KrallBurt Bacharach(What's So Funny 'Bout) Peace, Love And Understanding?

-

Alameda Times-Star, March 13, 2004


Jim Harrington reviews Elvis Costello and Steve Nieve, Thursday, March 11, 2004, Warfield Theatre, San Francisco.


-



Back to top

External links