Albany Student Press, September 23, 1983: Difference between revisions
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{{:Albany Student Press index}} | {{:Albany Student Press index}} | ||
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{{Bibliography article header}} | {{Bibliography article header}} | ||
<center><h3> Elvis | <center><h3> Elvis punches in </h3></center> | ||
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<center> David Singer </center> | <center> David Singer </center> | ||
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{{Bibliography text}} | {{Bibliography text}} | ||
I remember when Elvis Costello and the Attractions' 5th album ''Taking Liberties'' came out | I remember when Elvis Costello and the Attractions' 5th album ''Taking Liberties'' came out — a compilation of B sides and UK singles — and received a mediocre to bad review in ''The New York Times''. A friend of mine convinced me to buy the LP without my having heard it. He said, "Look, Elvis Costello and Bob Dylan don't write bad songs." I had to agree. Elvis Costello had been my favorite for about 7 or 8 months and ''Taking Liberties'' only helped to solidify that position. | ||
Three years later Elvis has yet to write a bad song. His latest release, ''Punch the Clock'', is wonderful. While the music seems to flow logically from the last album, ''Imperial Bedroom'', it also explores new sounds, featuring the TKO horn section, and female background vocalists called Afrodiziak (you know, like green M&M's). Elvis has never had any background vocals besides himself, and these women are a great new touch. While Elvis has never had a horn section, his new album relies heavily on TKO – formerly Dexy's Midnite Runners. | Three years later Elvis has yet to write a bad song. His latest release, ''Punch the Clock'', is wonderful. While the music seems to flow logically from the last album, ''Imperial Bedroom'', it also explores new sounds, featuring the TKO horn section, and female background vocalists called Afrodiziak (you know, like green M&M's). Elvis has never had any background vocals besides himself, and these women are a great new touch. While Elvis has never had a horn section, his new album relies heavily on TKO – formerly Dexy's Midnite Runners. | ||
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Interestingly, Elvis' old material also generally goes great with the horns. In concert this summer, the horn section played for about two-thirds of the show and was a superb addition. Imagine the riff of "Pump it Up" done with horns, or any of the soulful ''Get Happy'' songs perked up by a horn section. The results were great. | Interestingly, Elvis' old material also generally goes great with the horns. In concert this summer, the horn section played for about two-thirds of the show and was a superb addition. Imagine the riff of "Pump it Up" done with horns, or any of the soulful ''Get Happy'' songs perked up by a horn section. The results were great. | ||
The first song on ''Punch the Clock'', "[[Let Them All Talk]]," is a perfect demonstration of the powerful new horn sound as well as the female background vocalists, Elvis probably recognized this, as he not only opened the album but also his concerts, with this tune. The thing I found puzzling about the live shows was that he didn't include Afrodiziak . In his past shows, the vocals were always a little peculiar, because certain things that Elvis could do in the studio on vocals were impossible live, so it would have been worthwhile to bring the ladies along on tour. | The first song on ''Punch the Clock'', "[[Let Them All Talk]]," is a perfect demonstration of the powerful new horn sound as well as the female background vocalists, Elvis probably recognized this, as he not only opened the album but also his concerts, with this tune. The thing I found puzzling about the live shows was that he didn't include Afrodiziak. In his past shows, the vocals were always a little peculiar, because certain things that Elvis could do in the studio on vocals were impossible live, so it would have been worthwhile to bring the ladies along on tour. | ||
It seems that Elvis Is very pleased with the popular single "[[Everyday I Write The Book|Every Day I Write the Book]]," because I've never seen him smile while singing any other song. He might be smiling even more if this breaks as the first big hit by Elvis Costello and the Attractions. It's presently in the Top 50. It's also their first song made into a video since MTV and, get this, a 12 inch extended dance remix has been released, although I haven't seen it or heard it yet. I happen to think that the next song on the LP, "[[The Greatest Thing]]," is a more danceable cut. | It seems that Elvis Is very pleased with the popular single "[[Everyday I Write The Book|Every Day I Write the Book]]," because I've never seen him smile while singing any other song. He might be smiling even more if this breaks as the first big hit by Elvis Costello and the Attractions. It's presently in the Top 50. It's also their first song made into a video since MTV and, get this, a 12 inch extended dance remix has been released, although I haven't seen it or heard it yet. I happen to think that the next song on the LP, "[[The Greatest Thing]]," is a more danceable cut. | ||
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Like the style he moved towards on ''Imperial Bedroom'', Elvis' songs lack the strict structure they once had with the traditional verse-chorus-verse chorus setup. My current favorite on the album "[[TKO (Boxing Day)]]" is another great performance by the horns and Afrodiziak, with an unusual chorus or horn riff, and then ''"TKO"'' sung by the women. The nasty lyrics in this one are pretty slick too: ''"They put the numb into number / They put the cut in cutie / They put the slum into slumber / And the boot into beauty."'' | Like the style he moved towards on ''Imperial Bedroom'', Elvis' songs lack the strict structure they once had with the traditional verse-chorus-verse chorus setup. My current favorite on the album "[[TKO (Boxing Day)]]" is another great performance by the horns and Afrodiziak, with an unusual chorus or horn riff, and then ''"TKO"'' sung by the women. The nasty lyrics in this one are pretty slick too: ''"They put the numb into number / They put the cut in cutie / They put the slum into slumber / And the boot into beauty."'' | ||
Elvis has done an interesting thing with lyrics written on the sleeve of the LP. Certain lines or phrases are printed in bolder type than others. In the song "[[Charm School]]" I thought that the big line was ''"didn't they teach you anything except how to be cruel in that charm school."'' Typical Elvis, but the line he's got in bold is ''"TRYING TO MAKE A LIVING."'' The line seems to tie in with the title of the album, ''Punch the Clock''. "Punch the Clock" itself appears (in bold) in the song mentioned earlier, "The Greatest Thing" but, resolves Elvis, ''"I PUNCH THE CLOCK / and it's 0K / I KNOW A GIRL WHO TAKES MY BREATH AWAY."'' seems to be a grin and bear it attitude, and Elvis doesn't seem to be bearing too much clock punching these days — although he titled his tour, "Clocking in across America." Elvis is making a stab at getting back to roots. He used to " | Elvis has done an interesting thing with lyrics written on the sleeve of the LP. Certain lines or phrases are printed in bolder type than others. In the song "[[Charm School]]" I thought that the big line was ''"didn't they teach you anything except how to be cruel in that charm school."'' Typical Elvis, but the line he's got in bold is ''"TRYING TO MAKE A LIVING."'' The line seems to tie in with the title of the album, ''Punch the Clock''. "Punch the Clock" itself appears (in bold) in the song mentioned earlier, "The Greatest Thing" but, resolves Elvis, ''"I PUNCH THE CLOCK / and it's 0K / I KNOW A GIRL WHO TAKES MY BREATH AWAY."'' seems to be a grin and bear it attitude, and Elvis doesn't seem to be bearing too much clock punching these days — although he titled his [[:Category:Clocking In Across America Tour|tour]], "Clocking in across America." Elvis is making a stab at getting back to roots. He used to "punch the clock" as a computer programmer before he stormed onto the music scene in 1977. The cover photo also brings us back in time, with Elvis dressing and looking like Bob Dylan did on his first LP in 1961. | ||
In my opinion, ''Imperial Bedroom'' is the best record of all time, by anyone. ''Punch The Clock'' is by no means a letdown, however. It is at number 25 after only six weeks, which is an impressive achievement, and if the single really breaks, it could send the album soaring. | In my opinion, ''Imperial Bedroom'' is the best record of all time, by anyone. ''Punch The Clock'' is by no means a letdown, however. It is at number 25 after only six weeks, which is an impressive achievement, and if the single really breaks, it could send the album soaring. | ||
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[[image:1983-09-23 Albany Student Press clipping 01.jpg|360px|border]] | [[image:1983-09-23 Albany Student Press clipping 01.jpg|360px|border]] | ||
<br><small>Clipping.</small> | <br><small>Clipping.</small> | ||
<small>Photo by [[Nick Knight]].</small><br> | |||
[[image:1983-09-23 Albany Student Press photo 01 nk.jpg|360px|border]] | |||
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*[http://www.albanystudentpress.org/ AlbanyStudentPress.org] | *[http://www.albanystudentpress.org/ AlbanyStudentPress.org] | ||
*[http://en.wikipedia.org/wiki/Albany_Student_Press Wikipedia: Albany Student Press] | *[http://en.wikipedia.org/wiki/Albany_Student_Press Wikipedia: Albany Student Press] | ||
*[ | *[https://archives.albany.edu/concern/daos/9880vr57p?locale=en archives.albany.edu] | ||
{{DEFAULTSORT:Albany Student Press 1983-09-23}} | {{DEFAULTSORT:Albany Student Press 1983-09-23}} |
Latest revision as of 12:47, 27 September 2019
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