Allentown Morning Call, December 12, 1987: Difference between revisions

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<center><h3> Roddy Frame changes Aztec Camera's focus <br> to graceful pop soul </h3></center>
<center><h3> Roddy Frame changes Aztec Camera's focus <br> to graceful pop soul </h3></center>

Revision as of 23:54, 13 August 2016

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Allentown Morning Call

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University publications

Magazines and alt. weeklies


US publications by state
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Roddy Frame changes Aztec Camera's focus
to graceful pop soul


Len Righi

Extract:

To his detractors, singer-songwriter Roddy Frame is to pop music what George Bush is to politics — the quintessential wimp — and Aztec Camera's airy, pristine, soft-focus post-punk pop is just too precious for words. However, Frame has his share of staunch defenders, including a pretty fair songwriter named Elvis Costello, who used Aztec Camera to open his 1983 Punch The Clock tour in Allentown. (The Costello crowd at the Fairgrounds that night was restive, although Roddy, acoustic guitar in hand, sang valiantly in the face of indifference.) Frame partisans point to his mellifluous melodies and clever lyrics and lauded for his poetic sensibility and originality.


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Allentown Morning Call, December 12, 1987


Len Righi's profile of Roddy Frame mentions August 3, 1983, Allentown Fairgrounds, PA, with Aztec Camera opening for Elvis Costello.


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