Ann Arbor News, April 24, 1984

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An acoustic Elvis Costello is intellectually red hot


Harmon Mitchell

He has owe of the most versatile and les• prunes badge group' be Me lennans hot is est of &la at In hart tan at Atudinism EMMY night • re• lain and able* Erne Crigelis proved Mt, nee without tbIKS. be to WM a pswhmen wolf atirnetiona

L a tour de bores demoestredin at somwritim tang and moat preen* Conde performed Met 111 tiles that covered tea mom trim "Mame thresh Ile lane see., Meg willumer wrens beg writers as Anne as June Mbar Ned Chien BM.

The mug me • dose tbgt was mad. st•Pilly Prot bat Plrliereellar col Int, seatedows with donne Menthe fan "lath by Leh"), somettmse with socio-petting nidemene. And tf the MN be pro-pane far Me teat album, 'Nancy With Ma Leaerles Face)," is a Ion It nom be to as toter tad as ever to the politics of reletiondigs, whether they be UM-personal or beternadonal.

The two new soap he tntroduced may well have bees the high paints of the eyei-ng. "Worthen Ttdeg• Mates • mode bermes grown perverse, citing the '14emble grave robbers sob Las Vegas body manner^ who flguradvety ;An-der theorem of tds hem eke

Ber saved Ins Mown new 'Conroe.* der Ss very close ot the whew, as he ole-grin It 'Pesos be Our Time that peace hey hem to be purchased at the MOM pmesle pried observing cutlery • Ile American Mang acme "You've airsady apt • sperman to the Whits Hone - what you want another as for?•

Moving among • grand-piano, an scum to guitar, an electric piano and an elec-tric guitar (a row of Minns guitars stood unned at the back of the stage 1, Costello proved to be full at morns, starting ertth his appearance onstage • mere 15 minutes after the end at T-Beet Barnett's fine opening set As mot of the audience scrambled back to their ants, Cogan (droned to a black leather jacket, black meta, and red and Mack 'bowl sang "Accidents Will Happen"

Eves though met of the useenbied could probably claim to be finny faithful fan, they gamed surprised by the peen of Cotale'a vocals,

SW, Costello tampered the somewhat awestruck air of Ins audience with ho-mer. Bumping his electric guitar with his acoustic, be touched the intogs ho atop their ringlx4 admonishing. "There's no Jamming In this band." At the beittnnIng of the meted swam (there were three to all - each a abort set to itaeliL T-Bonn Burnett Johan Costello, who introduced them as the "Coward Brothers."

The tour Is as much a departure for Burnett as It is for Costello, and both ay that, after lin tour, they have • be at wort wading for then*, as Burnett pre-parea to produce • couple of groups (le-Minted • Los Lone album I and Congo will return to the 11.8, with the Attrac-tions to support the new album

Backstage after the show, Costello said that the brief tour was et:menial he'd wanted to do for a loos time, adding, -1 haven't played alone to eight years," ad that decking bow to structure the show had him at something of a Ion Cassithw-beg his receded repertoire gads at well over IN wogs for his nine album" and =- marten singles, the crift10217 is wrier-ganclable.

Be was aim quite modest am the stelect of riming m play piano onstage,. Maim hog it was largely to alleviate any palmitin boredom rearing trim • pittor-drani-nated show "r m not a very good pion player," he said, adding -Bet Mee. rin no Segovia_ either "

ft is flinty safe to assume that few, if any. hataverable comparisons to Van Ch-burn or Segovia were voiced at htill Aug-torium. In rock musk, Mere are ts-dards of artistic, creative and ismicad achievement as demanding as asp clan cal Menne. Sunday night, Elvis Car lade met - and raked - Men Mr Ouch


.co t'S COST/ LO Oence kftoor we 9.■••.• • Ng. •■.”, •••.‘ ■•• Omm sr, a* A.anorwom

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The Ann Arbor News, April 24, 1984


Harmon Mitchell reviews Elvis Costello, solo, Sunday, April 22, 1984, Hill Auditorium, University Of Michigan, Ann Arbor, MI.

Images

1984-04-24 Ann Arbor News clipping 01.jpg
Clippings.

1984-04-24 Ann Arbor News clipping 02.jpg


Backstage with Elvis Costello


Harmon Mitchell

In what was looking more and more like a trial re-staging of the stateroom scene from the Marx Brothers' A Night at the Opera. the backstage reception room at Auditorium grew more and more crowded with at least two (and quite possibly three) dozen fans. media people and crew. Every time you turned around, more people were trying to come through the door. It was where the food was It wag where the beer was.

But moat of all, it was where Elvis Costello was.

There he sat, at a closed and covered grand piano. He seamed a little bit bored but more than willing to be friendly and answer just about any question that anyone in the room had to ask.

Almost any question that is. As people surged through the room, the atmosphere was a little like a press conference. Except for the fact that most of the people in the room were complimenting him on the show and asking questions like, "Did you have to take voice lessons to save your mice?" To which Costello would drawl in a London accent, "No, actually my voice sounds stronger because it's easier to sing without trying to sing over the band."

One woman, right behind the front row of questioners. bobbed up and waved her arm. "Oh Elvis! Elvis!" she called brightly.

"Yes?"

"My friend here," she said, pulling a man forward by the arm, "is having his birthday today, and it would be so nice if you could sing 'Happy Birthday' to him."

The conversation in the room ground to a halt. Costello had just performed for well over 90 minutes, and the request seemed, well, a little gauche.

But Costello merely smiled and diffused the moment with a mild Joke about not knowing how to play the song on the piano and the room went back to its rather protozoan surging and question asking.

Amid the constant autograph signing and congratulations, a few serious questions were asked — although they didn't always get serious answers.

His next album would be called "Reagan Go Home!" be joshed. Now come on, what's it really going to be called?

With a cryptic smile, be answered "Nancy (With the Laughing Face)." And with that dual Reagan/Sinatra joke, he went back to the more serious questions.

The idea of the solo acoustic tour "was something I'd wanted to do for some time," he said. "I finally had a chance finishing the new album and we booked the dates."

But the album won't be solo, and "we'll be coming back around again in the summer."

Finally both Costello and T-Bone Burnett went out in back of Hill Auditorium and signed autographs before getting in their limousine and leaving. From someone who used to combine the obsessive privacy of a Garbo with add invective, the novelty of such normalcy Is downright revelatory.

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