Arts Desk, June 20, 2010: Difference between revisions
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{{:UK online publications index}} | {{:UK online publications index}} | ||
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<center><h3> Elvis Costello | <center><h3> Elvis Costello, Royal Festival Hall </h3></center> | ||
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<center> Bruce Dessau </center> | <center> Bruce Dessau </center> | ||
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'''Elvis goes it alone but his aim is still true | |||
{{Bibliography text}} | {{Bibliography text}} | ||
In a recent posthumously published article on the Guardian's website, the late rock scribe Steven Wells fulminated about a crop of musicians who, he believed, were way past their sell-by date. Wells was a terrific journalist, positively brimming over with sulphuric wit and he had a point with Bob Dylan. But he was well wide of the mark when he suggested that Elvis Costello should have been given his P45 in 1979. If only Wells had been around for last night's magnificent solo Meltdown gig he might have revised his opinion.In fairness a lot of the peaks were drawn from Costello's first decade, but onstage the artist formerly known as Napoleon Dynamite was an explosive force to be reckoned with, working through pretty much every musical style in his two-hour set, from Nashville to reggae via swing, blues, soul and a sultry Sinatra croon on "All or Nothing at All." The only omission was jazz. I guess he leaves that to his wife, Diana Krall. | In a recent posthumously published article on the Guardian's website, the late rock scribe Steven Wells fulminated about a crop of musicians who, he believed, were way past their sell-by date. Wells was a terrific journalist, positively brimming over with sulphuric wit and he had a point with Bob Dylan. But he was well wide of the mark when he suggested that Elvis Costello should have been given his P45 in 1979. If only Wells had been around for last night's magnificent solo Meltdown gig he might have revised his opinion.In fairness a lot of the peaks were drawn from Costello's first decade, but onstage the artist formerly known as Napoleon Dynamite was an explosive force to be reckoned with, working through pretty much every musical style in his two-hour set, from Nashville to reggae via swing, blues, soul and a sultry Sinatra croon on "All or Nothing at All." The only omission was jazz. I guess he leaves that to his wife, Diana Krall. | ||
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{{Bibliography notes}} | {{Bibliography notes}} | ||
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'''The Arts Desk, June 20, 2010 | '''The Arts Desk, June 20, 2010 | ||
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==External links== | ==External links== | ||
*[https://theartsdesk.com/ | *[https://theartsdesk.com/reviews/elvis-costello-royal-festival-hall TheArtsDesk.com] | ||
*[https://en.wikipedia.org/wiki/The_Arts_Desk Wikipedia: The Arts Desk] | *[https://en.wikipedia.org/wiki/The_Arts_Desk Wikipedia: The Arts Desk] | ||
*[http://www.elviscostellofans.com/phpBB2/viewtopic.php?f=2&t=8257&start=50#p133903 Elvis Costello Fan Forum] | *[http://www.elviscostellofans.com/phpBB2/viewtopic.php?f=2&t=8257&start=50#p133903 Elvis Costello Fan Forum] | ||
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[[Category:Bibliography 2010]] | [[Category:Bibliography 2010]] | ||
[[Category:Arts Desk| Arts Desk 2010-06-20]] | [[Category:Arts Desk| Arts Desk 2010-06-20]] | ||
[[Category: | [[Category:Online articles]] | ||
[[Category:2010 concert reviews]] | [[Category:2010 concert reviews]] |
Latest revision as of 21:03, 8 March 2023
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