Atlanta Journal-Constitution, January 26, 1981: Difference between revisions
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Costello's guitar work came to the front of the sound mix only occasionally, but The Attractions (supplemented during the last portion of the show by a member of The Rumour, Graham Parker's band) churned out a tight, danceable backing that relied on licks taken from '50s rock 'n' roll, mid-'60s British Invasion music and Motown and Stax soul music. Nieve's work on organ was particularly outstanding. | Costello's guitar work came to the front of the sound mix only occasionally, but The Attractions (supplemented during the last portion of the show by a member of The Rumour, Graham Parker's band) churned out a tight, danceable backing that relied on licks taken from '50s rock 'n' roll, mid-'60s British Invasion music and Motown and Stax soul music. Nieve's work on organ was particularly outstanding. | ||
The enthusiastic young audience — a cross section ranging from those in | The enthusiastic young audience — a cross section ranging from those in full punk regalia to couples who'd look at home at a Falcons game — spent the early and later portions of the performance on its feet. | ||
By the time "Pump It Up," the last of three encores, ended the 75-minute show, the majority of the crowd was bouncing up and down to the music and shouting along with the chorus. | By the time "Pump It Up," the last of three encores, ended the 75-minute show, the majority of the crowd was bouncing up and down to the music and shouting along with the chorus. | ||
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{{Bibliography notes}} | {{Bibliography notes}} | ||
{{Bibliography next | |||
|prev = Atlanta Journal-Constitution, January 18, 1981 | |||
|next = Atlanta Journal-Constitution, January 16, 1982 | |||
}} | |||
'''The Atlanta Constitution, January 26, 1981 | '''The Atlanta Constitution, January 26, 1981 | ||
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Latest revision as of 06:17, 13 August 2023
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