Baltimore Sun index: Difference between revisions

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(+June 26, 1984)
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*[[Baltimore Sun, August 2, 1983|1983 August 2]]
*[[Baltimore Sun, August 2, 1983|1983 August 2]]
*[[Baltimore Sun, August 17, 1983|1983 August 17]]
*[[Baltimore Sun, August 17, 1983|1983 August 17]]
*[[Baltimore Sun, June 26, 1984|1984 June 26]]
*[[Baltimore Sun, September 26, 1986|1986 September 26]]
*[[Baltimore Sun, September 26, 1986|1986 September 26]]
*[[Baltimore Sun, March 5, 1989|1989 March 5]]
*[[Baltimore Sun, March 5, 1989|1989 March 5]]
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*[[Baltimore Sun, May 10, 2007|2007 May 10]]
*[[Baltimore Sun, May 10, 2007|2007 May 10]]
*[[Baltimore Sun, June 2, 2009|2009 June 2]]
*[[Baltimore Sun, June 2, 2009|2009 June 2]]
*[[Baltimore Sun, June 23, 2017|2017 June 23]][https://www.baltimoresun.com/entertainment/music/midnight-sun-blog/bs-fe-elvis-costello-wolf-trap-review-20170623-story.html {{t}}]
*[[Baltimore Sun, June 23, 2017|2017 June 23]]
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Elvis Costello earns trust while tinkering with old hits at Wolf Trap
Matthew Hay Brown
 
One of the many good things about seeing Elvis Costello perform is that he has never treated his songs as static works, locked in the time and place he produced them.
 
Throughout his 40-year career, he has turned his consistently sophisticated and adventurous compositions into great-sounding records. But live, he has treated the songs as organic, dynamic vehicles, and shown himself unafraid to rearrange, reorchestrate and reimagine even his most popular hits.
 
Which is to say that in concert, he mixes it up some.
 
So appearing with his backing band

Revision as of 20:36, 28 June 2019