Berlingske Tidende, January 24, 2005: Difference between revisions
(update index link, category and image link) |
(spacing) |
||
(5 intermediate revisions by the same user not shown) | |||
Line 3: | Line 3: | ||
{{:Berlingske Tidende index}} | {{:Berlingske Tidende index}} | ||
{{:Denmark publications index}} | {{:Denmark publications index}} | ||
{{:European publications by country index}} | |||
{{Bibliography article header}} | {{Bibliography article header}} | ||
<center><h3> En aften med Elvis</h3></center> | <center><h3> En aften med Elvis</h3></center> | ||
---- | ---- | ||
<center> Thomas Søie Hansen</center> | {{GT | link = https://translate.google.com/translate?sl=da&tl=en&js=y&prev=_t&hl=en&ie=UTF-8&u=http%3A%2F%2Fwww.elviscostello.info%2Fwiki%2Findex.php%2FBerlingske_Tidende%2C_January_24%2C_2005&edit-text= }} | ||
<center> {{mm}} Thomas Søie Hansen</center> | |||
---- | ---- | ||
'''Det var den ustoppelige spillemand, den runde mand uden den store vrede, Elvis Costello viste frem i Vega under en fin men langt fra uforglemmelig koncert. <br> | '''Det var den ustoppelige spillemand, den runde mand uden den store vrede, Elvis Costello viste frem i Vega under en fin men langt fra uforglemmelig koncert. <br> | ||
Line 15: | Line 16: | ||
Vist har Elvis Costello fyldt halvdelen af sit produktive karriereforløb med eksperimenter grænsende til det pinagtige. Men når han er god, så er han i reglen både fremragende og unik. Det var han dag også i glimt foran et publikum på 1.500 i København. | Vist har Elvis Costello fyldt halvdelen af sit produktive karriereforløb med eksperimenter grænsende til det pinagtige. Men når han er god, så er han i reglen både fremragende og unik. Det var han dag også i glimt foran et publikum på 1.500 i København. | ||
Lille, firskåren, gemt bag jakkesæt og solbriller med orangefarvet styrkeglas. Ingen hat denne aften | Lille, firskåren, gemt bag jakkesæt og solbriller med orangefarvet styrkeglas. Ingen hat denne aften — men masser af guitar, masser af rock, punket beskidt blues og møskønne ballader. | ||
Ustoppelig var han sammen med sine gamle kumpaner, hvoraf tangentbokseren Steve Nieve i lange perioder overstrålede sin chef. Det var ikke småting, den arkitektlignende wizard lavede af minimalistiske fills, af store dundertunge klangflader og alt der i mellem. Ikke for børn og ikke noget man i dag overhovedet bruger tid på | Ustoppelig var han sammen med sine gamle kumpaner, hvoraf tangentbokseren Steve Nieve i lange perioder overstrålede sin chef. Det var ikke småting, den arkitektlignende wizard lavede af minimalistiske fills, af store dundertunge klangflader og alt der i mellem. Ikke for børn og ikke noget man i dag overhovedet bruger tid på — den slags har man computere og tilhørende programmer til. Nieve er en mand af en svunden tid. Men hvilken tid. | ||
Nyere materiale som den seneste og langt fra uefne ''The Delivery Man''-skive var der bunkevis af i Vega. Tilmed lidt for meget, men Elvis ville spille. I mere end to timer plus de to timer han brugte til at spille sig varm under lydprøven. Generøst delte han ud af sit katalog, hvorfra traverne (det er kærligt ment): "[[Radio, Radio|Radio Radio]], "[[(I Don't Want To Go To) Chelsea|(I don't want to go to) Chelsea]]" og især "[[Watching The Detectives|Watching the detectives]]" naglede sig fast under huden natten ud. Stor kunst fra en lille mand sunget med et organ, som hele verden med rette misunder. | Nyere materiale som den seneste og langt fra uefne ''The Delivery Man''-skive var der bunkevis af i Vega. Tilmed lidt for meget, men Elvis ville spille. I mere end to timer plus de to timer han brugte til at spille sig varm under lydprøven. Generøst delte han ud af sit katalog, hvorfra traverne (det er kærligt ment): "[[Radio, Radio|Radio Radio]], "[[(I Don't Want To Go To) Chelsea|(I don't want to go to) Chelsea]]" og især "[[Watching The Detectives|Watching the detectives]]" naglede sig fast under huden natten ud. Stor kunst fra en lille mand sunget med et organ, som hele verden med rette misunder. | ||
Line 37: | Line 38: | ||
{{Bibliography images}} | {{Bibliography images}} | ||
Line 59: | Line 58: | ||
He was unstoppable with his old cronies, although a number of times overshadowed by his piano player Steve Nieve. The architect looking wizard created minimalist fills, giant clanging sounds, and everything in between. Not kids stuff, and not normally things that one would use a lot of time on to learn – one has computers and other programs that can handle that type of stuff. Nieve is a man of a forgotten time. But which time? | He was unstoppable with his old cronies, although a number of times overshadowed by his piano player Steve Nieve. The architect looking wizard created minimalist fills, giant clanging sounds, and everything in between. Not kids stuff, and not normally things that one would use a lot of time on to learn – one has computers and other programs that can handle that type of stuff. Nieve is a man of a forgotten time. But which time? | ||
There was plenty of newer material, like the most recent and far from bad ''The Delivery Man'' record, maybe a little too much, but Elvis wanted to play it. For more than two hours in addition to the two hours he used to warm up during the sound check. He generously drew from his catalogue, where standards (positively meant) like [[Radio, | There was plenty of newer material, like the most recent and far from bad ''The Delivery Man'' record, maybe a little too much, but Elvis wanted to play it. For more than two hours in addition to the two hours he used to warm up during the sound check. He generously drew from his catalogue, where standards (positively meant) like "[[Radio, Radio]]," "[[(I Don't Want To Go To) Chelsea]]" and especially "[[Watching The Detectives]]" got under one’s skin throughout the night. Great art from a little man sung with an instrument that the rest of the world rightfully is in envy of. | ||
Such highpoints were there unfortunately too few of this evening that in its entirety was neither unforgettable nor decidedly magic. | Such highpoints were there unfortunately too few of this evening that in its entirety was neither unforgettable nor decidedly magic. | ||
Line 74: | Line 73: | ||
==External links== | ==External links== | ||
*[http://www.b.dk/kultur/en-aften-med-elvis | *[http://www.b.dk/kultur/en-aften-med-elvis B.dk] | ||
*[http://en.wikipedia.org/w/index.php?title=Berlingske_Tidende Wikipedia: Berlingske Tidende] | *[http://en.wikipedia.org/w/index.php?title=Berlingske_Tidende Wikipedia: Berlingske Tidende] | ||
*[http://www.elviscostello.info/articles/a-c/berlingske_tidende.050124.php elviscostello.info] | *[http://www.elviscostello.info/articles/a-c/berlingske_tidende.050124.php elviscostello.info] |
Latest revision as of 16:40, 25 June 2020
|