Billboard, March 3, 1979: Difference between revisions
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<center><h3>Elvis Costello<br> Ray Campi & The | <center><h3> Elvis Costello <br> Ray Campi & The Rockabilly Rebels </h3></center> | ||
<center>''Palomino, Los Angeles</center> | <center> ''Palomino, Los Angeles </center> | ||
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<center>Paul Grein</center> | <center> Paul Grein </center> | ||
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Both headliner and opening act took swipes at current music industry trends in their sets here Feb. 16. | Both headliner and opening act took swipes at current music industry trends in their sets here [[Concert 1979-02-16 Los Angeles (early)|Feb. 16]]. | ||
The day after losing the Grammy award as best new artist to A Taste Of Honey, Costello had this to say in introducing "Radio, Radio," his vitriolic attack on conservative radio attitudes: "Radio has changed since last time I was here - it's gotten a lot worse." | The day after losing the [[Grammy Awards|Grammy]] award as best new artist to A Taste Of Honey, Costello had this to say in introducing "[[Radio, Radio]]," his vitriolic attack on conservative radio attitudes: "Radio has changed since last time I was here - it's gotten a lot worse." | ||
The song's key lyric: | The song's key lyric: ''"Radio's in the hands of such a lot of fools / Tryin' to anesthetize the way that you feel."'' | ||
The five-man Rockabilly Rebels also mock current country practices in the song - "Rockabilly Rebel," while at the same time paying tribute by name to such pioneers as Carl Perkins, Jerry Lee Lewis and Elvis Presley: | The five-man Rockabilly Rebels also mock current country practices in the song - "Rockabilly Rebel," while at the same time paying tribute by name to such pioneers as [[Carl Perkins]], [[Jerry Lee Lewis]] and [[Elvis Presley]]: ''"The Nashville sound has gotten sugary sweet / They've watered it down, eliminated the beat / Sounds like they've had too much rehearsal / Now it's time for a big reversal."'' | ||
While there was a message of malcontent in the music, the emphasis in both sets was on unbridled rock energy. | While there was a message of malcontent in the music, the emphasis in both sets was on unbridled rock energy. | ||
Costello's 19 song, hour-long set was one of six soldout appearances in Southern California during the week, along with dates at the Long Beach Arena, Santa Barbara's Arlington Theatre and San Diego's Fox Theatre. | Costello's 19 song, hour-long set was one of six soldout appearances in Southern California during the week, along with dates at the [[Concert 1979-02-14 Long Beach|Long Beach Arena]], Santa Barbara's [[Concert 1979-02-17 Santa Barbara|Arlington Theatre]] and San Diego's [[Concert 1979-02-18 San Diego|Fox Theatre]]. | ||
The 24-year old singer went out of his way to bring his new wave music more in line with the country orientation of the famed nightclub. | The 24-year old singer went out of his way to bring his new wave music more in line with the country orientation of the famed nightclub. | ||
He added a steel guitar player, John McFee, to augment his basic three-man band, the Attractions, which consists of Steve Naive, keyboards; Pete Thomas, drums and Bruce Thomas, bass. | He added a steel guitar player, [[John McFee]], to augment his basic three-man band, the Attractions, which consists of [[Steve Nieve|Steve Naive]], keyboards; [[Pete Thomas]], drums and [[Bruce Thomas]], bass. | ||
The Englishman also did a cover of the Jim Reeves country classic "He'll Have To Go" and a version of a macabre novelty by Leon Payne, "Psycho," about a twisted individual with a penchant for killing. (Yet ironically for someone who favors uncensored music, he toned down the song-clinching final line to "Mama, better let them lock me up" from the gallows humor of the original: "Mama - why don't you wake up?") | The Englishman also did a cover of the Jim Reeves country classic "[[He'll Have To Go]]" and a version of a macabre novelty by [[Leon Payne]], "[[Psycho]]," about a twisted individual with a penchant for killing. (Yet ironically for someone who favors uncensored music, he toned down the song-clinching final line to ''"Mama, better let them lock me up"'' from the gallows humor of the original: ''"Mama - why don't you wake up?"'') | ||
Costello concentrated on material from his new | Costello concentrated on material from his new ''[[Armed Forces]]'' LP though he also included some favorites from his first two Columbia albums, notably "[[Alison]]" and "[[Mystery Dance]]." | ||
The show ended on a puzzling note, with Costello declining to appear for a second encore despite overwhelming demand. | The show ended on a puzzling note, with Costello declining to appear for a second encore despite overwhelming demand. | ||
The Rockabilly Rebels, which is signed to Radar Records in England (along with Costello and Nick Lowe), is fronted by two lead singers, Campi and Colin Winski. Also in the lineup are Gerry Sikorski, lead guitar; Steve Clark, drums; and Kevin Fennell, rhythm guitar. | The Rockabilly Rebels, which is signed to Radar Records in England (along with Costello and [[Nick Lowe]]), is fronted by two lead singers, Campi and Colin Winski. Also in the lineup are Gerry Sikorski, lead guitar; Steve Clark, drums; and Kevin Fennell, rhythm guitar. | ||
Its 40-minute set consisted of 15 tunes. | Its 40-minute set consisted of 15 tunes. | ||
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'''Billboard, March 3, 1979 | '''Billboard, March 3, 1979 | ||
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[[Paul Grein]] reviews Elvis Costello & The Attractions and [[Ray Campi & His Rockabilly Rebels|Ray Campi | [[Paul Grein]] reviews Elvis Costello & [[The Attractions]] and opening act [[Ray Campi & His Rockabilly Rebels|Ray Campi & The Rockabilly Rebels]], Friday, [[Concert 1979-02-16 Los Angeles (early)|February 16, 1979]], The Palomino, Los Angeles, CA. | ||
The | The ''Talent Talk'' section previews the [[April 1|April 1st, 1979]] shows in New York. | ||
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[[image:1979-03-03 Billboard review.jpg| | [[image:1979-03-03 Billboard review.jpg|120px]] | ||
<br><small>Clipping.</small><br> | <br><small>Clipping.</small><br> | ||
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<center><h3> Talent Talk </h3></center> | |||
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Elvis Costello may be planning a blitzkrieg tour of three clubs in one night on [[April 1|April 1st, 1979]] in New York, the night after his scheduled appearance at the Palladium. Clubs he is expected to play are [[Concert 1979-04-01 New York (2nd show)|the Bottom Line]], CBGB's and [[Concert 1979-04-01 New York (1st show)|the Lone Star]]. | |||
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{{Bibliography notes footer}} | {{Bibliography notes footer}} | ||
Revision as of 13:42, 26 April 2013
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