Boston Phoenix, March 18, 1986: Difference between revisions

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{{:US publications by state index}}
{{:US publications by state index}}
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<center><h3> King Of America </h3></center>
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<center> ''Boston Phoenix'' </center>
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{{3.5stars}}
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His finest work since ''Imperial Bedroom'' (or maybe ''Get Happy!!''), this forlorn. guilt-ridden record mingles the allure Of America with the temptation of fame, and it yearns for the possibility of being heard clearly in a career that has slipped away from Costello. ''"They pulled him out of the cold, cold ground / And they put him in a suit of lights,"'' goes the pivotal track on the record, Producer T-Bone Burnett provides full-bodied yet spare support from a cast of players who center on rock's sources in C & W, blues, and jazz; anchored by a spooky cover of the Animals' "Don't Let Me Be Misunderstood," the album catches a marriage breaking up ("Indoor Fireworks"), England choking to a halt ("Little Palaces"), and a host of American dreams gone haywire ("American Without Tears," "Eisenhower Blues," "Brilliant Mistake"). Although too long and scattered, ''King of America'' gives its pervasive self-pity and drunken buffoonery a perverse eloquence. Clowntime is over.
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'''Boston Phoenix, March 18, 1986
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Includes a capsule review of ''[[King Of America]]''.
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A reader nitpicks [[Joyce Millman]]'s March 4th ''KOA'' [[Boston Phoenix, March 4, 1986|review]].
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[[image:1986-03-18 Boston Phoenix page 35 clipping 01.jpg|360px|border]]
<br><small>Clipping.</small>
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<center><h3> Burying Elvis </h3></center>
<center><h3> Burying Elvis </h3></center>
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[[image:1986-03-18 Boston Phoenix page 04.jpg|320px|140px|border|right]]
To Joyce Millman:  
To Joyce Millman:  


How is it exactly, as you state so unequivocally in your Elvis Costello piece (Arts, March 4), that Costello's "Elvis is king" proclamation seemed "like a brash and scrappy dance on Elvis Presley's still warm grave," when in fact Mr. Presley had a few months to go on this planet when ''My Aim Is True'' was released? The point being, the Elvis campaign was intended as a gibe, a poke, not an "unceremonious burial." The name Elvis Costello was the choice of Stiff Records; and Declan MacManus went along for the ride. Regrets? He's had a few.  
How is it exactly, as you state so unequivocally in your Elvis Costello piece (Arts, [[Boston Phoenix, March 4, 1986|March 4]]), that Costello's "Elvis is king" proclamation seemed "like a brash and scrappy dance on Elvis Presley's still warm grave," when in fact Mr. Presley had a few months to go on this planet when ''My Aim Is True'' was released? The point being, the Elvis campaign was intended as a gibe, a poke, not an "unceremonious burial." The name Elvis Costello was the choice of Stiff Records; and Declan MacManus went along for the ride. Regrets? He's had a few.  


How about you, Joyce?  
How about you, Joyce?  
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Oh, and he didn't revert to Declan Patrick Aloysius MacManus. He was born without "Aloysius" — added it later.  
Oh, and he didn't revert to Declan Patrick Aloysius MacManus. He was born without "Aloysius" — added it later.  


— Dawn Larson<br>
— Dawn Larson, Brighton  
Brighton  




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No regrets. By the time ''My Aim Is True'' hit <i>Billboard</i>'s album charts, Elvis Presley was well and truly dead; what I said was that the "Elvis is king" legend seemed a certain way, not that it was intended a certain way. I'll stand by that observation. I'll also stand by my report that "Aloysius" is part of the album's credits, which is all I did report. When the point is how many times MacManus has changed his name, who cares whether he's changed it another time?  
No regrets. By the time ''My Aim Is True'' hit <i>Billboard</i>'s album charts, Elvis Presley was well and truly dead; what I said was that the "Elvis is king" legend seemed a certain way, not that it was intended a certain way. I'll stand by that observation. I'll also stand by my report that "Aloysius" is part of the album's credits, which is all I did report. When the point is how many times MacManus has changed his name, who cares whether he's changed it another time?  


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<br><br>
 
[[image:1986-03-18 Boston Phoenix page 35.jpg|x120px|border]]
{{Bibliography notes}}
'''Boston Phoenix, March 18, 1986
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Reader Dawn Larson quibbles over details in [[Joyce Millman]]'s [[Boston Phoenix, March 4, 1986|review]] of ''King Of America''.
 
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[[image:1986-03-18 Boston Phoenix page 04.jpg|320px|border]]
<br><small>Page scan.</small>
<br><small>Page scan.</small>


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*[http://thephoenix.com ThePhoenix.com]
*[http://thephoenix.com ThePhoenix.com]
*[http://en.wikipedia.org/wiki/The_Phoenix_(newspaper) Wikipedia: The Phoenix]
*[http://en.wikipedia.org/wiki/The_Phoenix_(newspaper) Wikipedia: The Phoenix]
*[https://news.google.com/newspapers?id=I5IuAAAAIBAJ&sjid=xocFAAAAIBAJ&pg=2577%2C5655343 news.google.com{{t}}][https://news.google.com/newspapers?id=I5IuAAAAIBAJ&sjid=xocFAAAAIBAJ&pg=4803%2C6150525 {{t}}]


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{{DEFAULTSORT:Boston Phoenix 1986-03-18}}
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[[Category:Boston Phoenix| Boston Phoenix 1986-03-18]]
[[Category:Boston Phoenix| Boston Phoenix 1986-03-18]]
[[Category:Magazine articles]]
[[Category:Magazine articles]]
[[Category:Album reviews]]
[[Category:King Of America reviews]]

Revision as of 21:49, 7 June 2018

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Boston Phoenix

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King Of America


Boston Phoenix

3½ star reviews3½ star reviews3½ star reviews3½ star reviews

His finest work since Imperial Bedroom (or maybe Get Happy!!), this forlorn. guilt-ridden record mingles the allure Of America with the temptation of fame, and it yearns for the possibility of being heard clearly in a career that has slipped away from Costello. "They pulled him out of the cold, cold ground / And they put him in a suit of lights," goes the pivotal track on the record, Producer T-Bone Burnett provides full-bodied yet spare support from a cast of players who center on rock's sources in C & W, blues, and jazz; anchored by a spooky cover of the Animals' "Don't Let Me Be Misunderstood," the album catches a marriage breaking up ("Indoor Fireworks"), England choking to a halt ("Little Palaces"), and a host of American dreams gone haywire ("American Without Tears," "Eisenhower Blues," "Brilliant Mistake"). Although too long and scattered, King of America gives its pervasive self-pity and drunken buffoonery a perverse eloquence. Clowntime is over.

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Boston Phoenix, March 18, 1986


Includes a capsule review of King Of America.


A reader nitpicks Joyce Millman's March 4th KOA review.

Images

1986-03-18 Boston Phoenix page 35 clipping 01.jpg
Clipping.


Burying Elvis


Boston Phoenix letters page

1986-03-18 Boston Phoenix page 04.jpg

To Joyce Millman:

How is it exactly, as you state so unequivocally in your Elvis Costello piece (Arts, March 4), that Costello's "Elvis is king" proclamation seemed "like a brash and scrappy dance on Elvis Presley's still warm grave," when in fact Mr. Presley had a few months to go on this planet when My Aim Is True was released? The point being, the Elvis campaign was intended as a gibe, a poke, not an "unceremonious burial." The name Elvis Costello was the choice of Stiff Records; and Declan MacManus went along for the ride. Regrets? He's had a few.

How about you, Joyce?

Oh, and he didn't revert to Declan Patrick Aloysius MacManus. He was born without "Aloysius" — added it later.

— Dawn Larson, Brighton


Joyce Millman replies:

No regrets. By the time My Aim Is True hit Billboard's album charts, Elvis Presley was well and truly dead; what I said was that the "Elvis is king" legend seemed a certain way, not that it was intended a certain way. I'll stand by that observation. I'll also stand by my report that "Aloysius" is part of the album's credits, which is all I did report. When the point is how many times MacManus has changed his name, who cares whether he's changed it another time?



1986-03-18 Boston Phoenix page 35.jpg
Page scan.

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