Classic Rock, June 2020: Difference between revisions

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{{:UK & Irish magazines index}}
{{:UK & Irish magazines index}}
{{Bibliography article header}}
{{Bibliography article header}}
<center><h3>Elvis Costello And The Imposters</h3></center>
<center><h3> Elvis Costello And The Imposters </h3></center>
<center>London Hammersmith Apollo</center>
<center> '''London Hammersmith Apollo </center>
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<center> Mark Beaumont </center>
<center> Mark Beaumont </center>
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'''Crisis? What crisis?'''
'''Crisis? What crisis?'''
{{Bibliography text}}
{{Bibliography text}}
''Forget about Buddha, Allah, Jesus and Jehovah/ Hurry down doomsday, the bugs are taking over…''’ Like a new wave Nostradamus, Elvis Costello has a song for every calamity. He opens one  of the last encores the UK will see before its live music shutdown with 1991’s B-movie vision of insect invasion Hurry Down Doomsday (The Bugs Are Taking Over), as close to a pandemic primer as rock’n’roll has produced.
''"Forget about Buddha, Allah, Jesus and Jehovah / Hurry down doomsday, the bugs are taking over…"''


Thanking us for “risking life and limb” to be here, Costello promises to “keep playing till they shut us down”, and dives into the set with a hurtling-towards-the-abyss-urgency. Leaning heavily on 1981’s ''Trust'', he opens with a burst of early favourites that threatens to outpace his voice he seems dragged along by the bumpers of Accidents Will Happen and (I Don’t Want To Go To) Chelsea but still savours the dynamic drawls of Green Shirt. He’s more comfortable mid-set, letting his tremulous voice fly on sedate, soulful recent songs such as Burnt Sugar Is So Bitter, or previewing his in-the-works musical with the stirring title track A Face In The Crowd. More bridging material from his arch, caustic beard years (’86 to ’94) would have softened the clash between snarl and croon, but it’s a stylistic jolt Costello has pulled off many times, and a closing run involving Pump It Up, Oliver’s Army and (What’s So Funny ‘Bout) Peace, Love And Understanding remains a well-honed pulse pumper. In your face, doomsday.  
Like a new wave Nostradamus, Elvis Costello has a song for every calamity. He opens one  of the last encores the UK will see before its live music shutdown with 1991's B-movie vision of insect invasion "Hurry Down Doomsday (The Bugs Are Taking Over)," as close to a pandemic primer as rock 'n' roll has produced.
 
Thanking us for "risking life and limb" to be here, Costello promises to "keep playing till they shut us down," and dives into the set with a hurtling-towards-the-abyss-urgency. Leaning heavily on 1981's ''Trust'', he opens with a burst of early favourites that threatens to outpace his voice he seems dragged along by the bumpers of "Accidents Will Happen" and "(I Don't Want To Go To) Chelsea" but still savours the dynamic drawls of "Green Shirt." He's more comfortable mid-set, letting his tremulous voice fly on sedate, soulful recent songs such as "Burnt Sugar Is So Bitter," or previewing his in-the-works musical with the stirring title track "A Face In The Crowd." More bridging material from his arch, caustic beard years ('86 to '94) would have softened the clash between snarl and croon, but it's a stylistic jolt Costello has pulled off many times, and a closing run involving "Pump It Up," "Oliver's Army" and "(What's So Funny 'Bout) Peace, Love And Understanding" remains a well-honed pulse pumper. In your face, doomsday.


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{{tags}}[[The Imposters]] {{-}} [[Hammersmith Apollo]] {{-}} [[Hurry Down Doomsday (The Bugs Are Taking Over)]] {{-}} [[Trust]] {{-}} [[Accidents Will Happen]] {{-}} [[(I Don't Want To Go To) Chelsea]] {{-}} [[Green Shirt]] {{-}} [[Burnt Sugar Is So Bitter]] {{-}} [[A Face In The Crowd]] {{-}} [[Pump It Up]] {{-}} [[Oliver's Army]] {{-}} [[(What's So Funny 'Bout) Peace, Love And Understanding?]]  
{{tags}}[[The Imposters]] {{-}} [[Hammersmith Apollo]] {{-}} [[Hurry Down Doomsday (The Bugs Are Taking Over)]] {{-}} [[Trust]] {{-}} [[Accidents Will Happen]] {{-}} [[(I Don't Want To Go To) Chelsea]] {{-}} [[Green Shirt]] {{-}} [[Burnt Sugar Is So Bitter]] {{-}} [[A Face In The Crowd]] {{-}} [[Pump It Up]] {{-}} [[Oliver's Army]] {{-}} [[(What's So Funny 'Bout) Peace, Love And Understanding?]]  
{{cx}}
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'''Classic Rock, Issue 275, June 2020
'''Classic Rock, Issue 275, June 2020
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[[Mark Beaumont]] reviews Elvis Costello and the Imposters, with Briana Lee and Kitten Kuroi on Friday, [[Concert 2020-03-13 London|March 13, 2020]] at Eventim Apollo, Hammersmith, London, England.
[[Mark Beaumont]] reviews Elvis Costello & [[The Imposters]] with [[Briana Lee]] and [[Kitten Kuroi]], Friday, [[Concert 2020-03-13 London|March 13, 2020]], Eventim Apollo, Hammersmith, London, England.


{{Bibliography images}}
{{Bibliography images}}


[[image:2020-06-00 Classic Rock page 104.jpg|360px|border]]
[[image:2020-06-00 Classic Rock page 104.jpg|380px|border]]
<br><small>Page scan.</small>
<br><small>Page scan.</small>


<small>Cover.</small><br>
[[image:2020-06-00 Classic Rock cover.jpg|x120px|border]]
[[image:2020-06-00 Classic Rock cover.jpg|x120px|border]]
<br><small>Cover.</small>


{{Bibliography notes footer}}
{{Bibliography notes footer}}
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[[Category:Bibliography]]
[[Category:Bibliography]]
[[Category:Bibliography 2020]]
[[Category:Bibliography 2020]]
[[Category:Classic Rock| Classic Rock 2020-06-00 ]]
[[Category:Classic Rock| Classic Rock 2020-06-00]]
[[Category:Magazine articles]]
[[Category:Magazine articles]]
[[Category:2020 concert reviews]]
[[Category:2020 concert reviews]]

Revision as of 22:34, 13 July 2020

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Classic Rock

UK & Irish magazines index

-

Elvis Costello And The Imposters

London Hammersmith Apollo

Mark Beaumont

Crisis? What crisis?

"Forget about Buddha, Allah, Jesus and Jehovah / Hurry down doomsday, the bugs are taking over…"

Like a new wave Nostradamus, Elvis Costello has a song for every calamity. He opens one of the last encores the UK will see before its live music shutdown with 1991's B-movie vision of insect invasion "Hurry Down Doomsday (The Bugs Are Taking Over)," as close to a pandemic primer as rock 'n' roll has produced.

Thanking us for "risking life and limb" to be here, Costello promises to "keep playing till they shut us down," and dives into the set with a hurtling-towards-the-abyss-urgency. Leaning heavily on 1981's Trust, he opens with a burst of early favourites that threatens to outpace his voice — he seems dragged along by the bumpers of "Accidents Will Happen" and "(I Don't Want To Go To) Chelsea" but still savours the dynamic drawls of "Green Shirt." He's more comfortable mid-set, letting his tremulous voice fly on sedate, soulful recent songs such as "Burnt Sugar Is So Bitter," or previewing his in-the-works musical with the stirring title track "A Face In The Crowd." More bridging material from his arch, caustic beard years ('86 to '94) would have softened the clash between snarl and croon, but it's a stylistic jolt Costello has pulled off many times, and a closing run involving "Pump It Up," "Oliver's Army" and "(What's So Funny 'Bout) Peace, Love And Understanding" remains a well-honed pulse pumper. In your face, doomsday.


Tags: The ImpostersHammersmith ApolloHurry Down Doomsday (The Bugs Are Taking Over)TrustAccidents Will Happen(I Don't Want To Go To) ChelseaGreen ShirtBurnt Sugar Is So BitterA Face In The CrowdPump It UpOliver's Army(What's So Funny 'Bout) Peace, Love And Understanding?

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Classic Rock, Issue 275, June 2020


Mark Beaumont reviews Elvis Costello & The Imposters with Briana Lee and Kitten Kuroi, Friday, March 13, 2020, Eventim Apollo, Hammersmith, London, England.

Images

2020-06-00 Classic Rock page 104.jpg
Page scan.

Cover.
2020-06-00 Classic Rock cover.jpg

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