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| <center>''' Cool Jazz Fest </center> | | <center>''' Cool Jazz Fest </center> |
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| <center> João Tomé </center> | | {{GT | link = https://translate.google.com/translate?sl=pt&tl=en&js=y&prev=_t&hl=en&ie=UTF-8&u=http%3A%2F%2Fwww.elviscostello.info%2Fwiki%2Findex.php%2FDestak%2C_July_29%2C_2010&edit-text=}} |
| | <center> {{nm}} João Tomé </center> |
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| {{Bibliography text}} | | {{Bibliography text}} |
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| [[image:2010-07-29 Destak photo 01 epa.jpg|360px]] | | [[image:2010-07-29 Destak photo 01 epa.jpg|360px|border]] |
| <br><small>Photo by EPA.</small> | | <br><small>Photo by [[Juan Herrero]]/EPA.</small> |
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| <center><h3> Elvis, the storyteller </h3></center>
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| <center>''' Cool Jazz Fest </center>
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| <center> ''English via Google Translate </center>
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| Folk, Rhythm and Blues, Rock and other variants of pure music inspired Elvis Costello telling beautiful and sweet stories in his deep, distinctive voice and confident in a concert at Cascais in the perfect environment.
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| Warm summer evening, a participant public when so had to be a gorgeous natural setting with beautiful prints and illuminated trees, a starry sky, as it should always be and moon to illuminate the levamente Marechal Carmona Park for a matching concert.
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| Elvis began an appointment for 40 minutes that was not more than a preparation for a first encore came a concert that was not even there to captivate all he could.
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| Second encore after concert
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| Talkative, friendly, eager to tell us their stories through songs and words before them, Mr. Elvis Costello spoke only in concert with sad, calm music that gave previously in Portugal, Elvis paid tribute to the music of the period of the 1920s and 1930s that both enjoy.
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| With "[[A Slow Drag With Josephine|Slow Drag with Josephine]]" took a vaudeville concert tone and explained: "This is how rock and roll sounded in 1921". "[[Blame It On Cain|Blame it on Cain]]" was another good time as "[[New Amsterdam]]," the version of [[the Beatles]]' "[[You've Got To Hide Your Love Away|You've Got to Hide Your Love Away]]" and "[[I Want You]]," gave vibration to a night that was better at growing.
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| Accompanied by the band to your style with various instruments, [[The Sugarcanes]], never leaving his hat that is already and brand image with several references to Portugal and Cascais, Elvis took the audience to come up most of the seats along the stage, created an environment more intimate and gave his best — and his best is a rare quality and the purest that music has.
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| Between new and old songs, never lacked coherence and references to seasons, as "[[Jimmie Standing In The Rain|Jimmie Standing in the Rain]]," about 1937. There was still time for some rock music that stirred the public, a second encore and the music of singer — reference, "[[She]]."
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| "At the last concert in Portugal sang songs so sad that sometimes it seemed that the audience said 'shhh, shhh.' "This was the theme song for She, who put a shooting and others, accompanied the body rocking in the most romantic moment of the night, a summer concert that took two hours of great music.
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| {{Bibliography notes footer}} | | {{Bibliography notes footer}} |