Die Welt, October 24, 2003: Difference between revisions
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<center><h3>Until about two and otherwise in love with all ears</h3></center> | <center><h3>Until about two and otherwise in love with all ears</h3></center> | ||
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On the current CD "[[North]]" he trudges very softly through twelve love songs wearing a long trench coat in the rain. And sounds like someone who would like to fall in love, even if he has buried the hope for a long time and really know that if I rave too much of it, anyway just twist all annoyed eyes. | On the current CD "[[North]]" he trudges very softly through twelve love songs wearing a long trench coat in the rain. And sounds like someone who would like to fall in love, even if he has buried the hope for a long time and really know that if I rave too much of it, anyway just twist all annoyed eyes. | ||
What Costello arranged on CD with nine-member horn section and 28 strings and himself conducted the first time that he has spartan, thereby winning, staged : A two-man show with singers, his pianist, two guitars and three light cones. The light cones are important because you can step out of them: Being a little for themselves or snuggle close to the audience. So close, that a vocal mic would only interfere. Costello shakes the hand of the first violinist - today replaced by Costello's longtime sidekick [[Steve Nieve]] on piano - gives a friendly nod to the rhythm section (also Nieve), still tickles some drama out of the bass player (right:Nieve). Because Costello conducts itself the decay of the last chord: Short Wink , and only then can Nieve silence the Hall pedal of the wing tions | What Costello arranged on CD with nine-member horn section and 28 strings and himself conducted the first time that he has spartan, thereby winning, staged : A two-man show with singers, his pianist, two guitars and three light cones. The light cones are important because you can step out of them: Being a little for themselves or snuggle close to the audience. So close, that a vocal mic would only interfere. Costello shakes the hand of the first violinist - today replaced by Costello's longtime sidekick [[Steve Nieve]] on piano - gives a friendly nod to the rhythm section (also Nieve), still tickles some drama out of the bass player (right:Nieve). Because Costello conducts itself the decay of the last chord: Short Wink , and only then can Nieve silence the Hall pedal of the wing tions popping. And before the breathless devotional mood can take unpleasant abound, Costello coaxed the audience the final chorus sounds that therefore only jiggling from shy Gesäuseltem and brummelig the transposed. And suddenly go very well. Just like this former Angry Young Man over there, whose voice fills the hall also unamplified - matured for recital baritone. Also, if his suit still hangs like a little repositioned , but not yet sewn to it. 33 songs he will sing, from the jazzy reggae "[[Watching The Detectives]]" at the noisy guitar to the wonderful Bacharach ballade. " Only CDs will be signed," warns the sign on the stall in front of the fans at the post-concert autograph session. But then Costello signs "Elvis" on mundane things like tickets for 42 euros. No question: Elvis is in love. | ||
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[[Category:Deutsch]] | [[Category:Deutsch]] | ||
[[Category:Newspaper articles|Welt, Die 2003-10-24]] | [[Category:Newspaper articles|Welt, Die 2003-10-24]] | ||
[[Category:2003 concert reviews| Welt, Die 2003-10-24]] | [[Category:2003 concert reviews|Welt, Die 2003-10-24]] |
Revision as of 07:42, 5 August 2014
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