Edinburgh Scotsman, June 8, 2022: Difference between revisions

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<center><h3>Music review: Elvis Costello & the Imposters, Glasgow Royal Concert Hall </h3></center>
<center><h3> Elvis Costello & the Imposters </h3></center>
<center> '''Glasgow Royal Concert Hall </center>
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<center> Fiona Shepherd</center>
<center> Fiona Shepherd </center>
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'''They may have been around the block a few times now, but Elvis Costello and his bandmates have bottled the vigour of youth and alchemized it with the wisdom of experience, writes Fiona Shepherd'''
'''They may have been around the block a few times now, but Elvis Costello and his bandmates have bottled the vigour of youth and alchemized it with the wisdom of experience, writes Fiona Shepherd <br>
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Elvis Costello & the Imposters, Glasgow Royal Concert Hall {{4stars}}
With impeccable/inevitable timing, there always seems to be some Boris Johnson news to impart whenever Elvis Costello is in town, providing grist to his mill. One memorable Barrowland appearance was fuelled with cold fury by the announcement that Johnson had been made Foreign Secretary; on this occasion, Costello greeted the Prime Minister's latest travails with withering sarcasm but kept some scorn in reserve for a certain honorary Scot's performance at the Platinum Jubilee concert.


With impeccable/inevitable timing, there always seems to be some Boris Johnson news to impart whenever Elvis Costello is in town, providing grist to his mill. One memorable Barrowland appearance was fuelled with cold fury by the announcement that Johnson had been made Foreign Secretary; on this occasion, Costello greeted the Prime Minister’s latest travails with withering sarcasm but kept some scorn in reserve for a certain honorary Scot’s performance at the Platinum Jubilee concert.
Overall though, this latest edition of the Elvis roadshow was a good-natured affair, with Costello enjoying the usual intuitive relationship with his Imposters wingmen Steve Nieve on keys, Davey Faragher on bass and indefatigable drummer Pete Thomas ("the senior member of the band by three weeks"). Stage left they were joined by a special guest, the hip (relatively) young gunslinger Charlie Sexton, a guitarist used to navigating the arcane cues of the Bob Dylan band, so essentially on holiday here providing inspired, dexterous embellishment and piercing backing vocals.


Overall though, this latest edition of the Elvis roadshow was a good-natured affair, with Costello enjoying the usual intuitive relationship with his Imposters wingmen Steve Nieve on keys, Davey Faragher on bass and indefatigable drummer Pete Thomas (“the senior member of the band by three weeks”). Stage left they were joined by a special guest, the hip (relatively) young gunslinger Charlie Sexton, a guitarist used to navigating the arcane cues of the Bob Dylan band, so essentially on holiday here providing inspired, dexterous embellishment and piercing backing vocals.
The glorious setlist comprised two hours of songs old and new, with a healthy complement of Nick Lowe offerings – not least "Heart of the City" to kick off and the air-punching "(What's So Funny 'Bout) Peace, Love and Understanding" to end. Elsewhere, Costello ranged freely from the martial drums and cheesy synth arpeggios of "Green Shirt" via the western swing of "Hey Clockface" – from one of a number of recent albums which Costello could reasonably describe as "the new record" – to the classic country heartbreak of "Good Year for the Roses."


The glorious setlist comprised two hours of songs old and new, with a healthy complement of Nick Lowe offerings – not least Heart of the City to kick off and the air-punching (What’s So Funny ’Bout) Peace, Love and Understanding to end. Elsewhere, Costello ranged freely from the martial drums and cheesy synth arpeggios of Green Shirt via the western swing of Hey Clockface – from one of a number of recent albums which Costello could reasonably describe as “the new record” – to the classic country heartbreak of Good Year for the Roses.
Among the older favourites, a luminous "Alison," heartfelt "Indoor Fireworks" and stealthy jazz arrangement of "Shipbuilding" hushed the room, while new wave classic "(I Don't Want To Go To) Chelsea" and the trim wigout of "Pump It Up" maintained the taut energy from a band who have bottled the vigour of youth and alchemized it with the wisdom of experience.


Among the older favourites, a luminous Alison, heartfelt Indoor Fireworks and stealthy jazz arrangement of Shipbuilding hushed the room, while new wave classic (I Don’t Want To Go To) Chelsea and the trim wigout of Pump It Up maintained the taut energy from a band who have bottled the vigour of youth and alchemized it with the wisdom of experience.
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{{tags}}[[The Imposters]] {{-}} [[Glasgow Royal Concert Hall]] {{-}} [[Barrowland Ballroom]] {{-}} [[Rod Stewart]] {{-}} [[Steve Nieve]] {{-}} [[Davey Faragher]] {{-}} [[Pete Thomas]] {{-}} [[Charlie Sexton]] {{-}} [[Bob Dylan]] {{-}} [[Nick Lowe]] {{-}} [[Heart Of The City]] {{-}} [[(What's So Funny 'Bout) Peace, Love And Understanding?]] {{-}} [[Green Shirt]] {{-}} [[Hey Clockface / How Can You Face Me?|Hey Clockface]] {{-}} [[Good Year For The Roses]] {{-}} [[Alison]] {{-}} [[Indoor Fireworks]] {{-}} [[Shipbuilding]] {{-}} [[(I Don't Want To Go To) Chelsea]] {{-}} [[Pump It Up]]
{{tags}}[[The Imposters]] {{-}} [[Glasgow Royal Concert Hall]] {{-}} [[Barrowland Ballroom]] {{-}} [[Rod Stewart]] {{-}} [[Steve Nieve]] {{-}} [[Davey Faragher]] {{-}} [[Pete Thomas]] {{-}} [[Charlie Sexton]] {{-}} [[Bob Dylan]] {{-}} [[Nick Lowe]] {{-}} [[Heart Of The City]] {{-}} [[(What's So Funny 'Bout) Peace, Love And Understanding?]] {{-}} [[Green Shirt]] {{-}} [[Hey Clockface / How Can You Face Me?|Hey Clockface]] {{-}} [[Good Year For The Roses]] {{-}} [[Alison]] {{-}} [[Indoor Fireworks]] {{-}} [[Shipbuilding]] {{-}} [[(I Don't Want To Go To) Chelsea]] {{-}} [[Pump It Up]]
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'''The Scotsman, June 8, 2022
'''The Scotsman, June 8, 2022
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[[Fiona Shepherd]] reviews Elvis Costello and The Imposters with Charlie Sexton on Tuesday [[Concert 2022-06-07 Glasgow|June 7, 2022]] at the Royal Concert Hall, Glasgow, Scotland.
[[Fiona Shepherd]] reviews Elvis Costello & [[The Imposters]] with [[Charlie Sexton]], Tuesday, [[Concert 2022-06-07 Glasgow|June 7, 2022]], Royal Concert Hall, Glasgow, Scotland.


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[[image:2022-01-07 The Scotsman photo 01 ms.jpg|380px|border]]
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<br><small>Photo credit: [[Mark Seliger]]</small>
<br><small>Photo credit: [[Mark Seliger]]</small> -->


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[[Category:Edinburgh Scotsman| Edinburgh Scotsman 2022-06-08]]
[[Category:Edinburgh Scotsman| Edinburgh Scotsman 2022-06-08]]
[[Category:Newspaper articles]]
[[Category:Newspaper articles]]
[[Category:Concert reviews]]
[[Category:2022 concert reviews]]
[[Category:2022 concert reviews]]
[[Category:The Boy Named If & Other Favourites Tour|~Edinburgh Scotsman 2022-06-08]]

Latest revision as of 23:35, 8 March 2023

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Edinburgh Scotsman

UK & Ireland newspapers

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Elvis Costello & the Imposters

Glasgow Royal Concert Hall

Fiona Shepherd

They may have been around the block a few times now, but Elvis Costello and his bandmates have bottled the vigour of youth and alchemized it with the wisdom of experience, writes Fiona Shepherd
4 stars (out of 4) reviews4 stars (out of 4) reviews4 stars (out of 4) reviews4 stars (out of 4) reviews

With impeccable/inevitable timing, there always seems to be some Boris Johnson news to impart whenever Elvis Costello is in town, providing grist to his mill. One memorable Barrowland appearance was fuelled with cold fury by the announcement that Johnson had been made Foreign Secretary; on this occasion, Costello greeted the Prime Minister's latest travails with withering sarcasm but kept some scorn in reserve for a certain honorary Scot's performance at the Platinum Jubilee concert.

Overall though, this latest edition of the Elvis roadshow was a good-natured affair, with Costello enjoying the usual intuitive relationship with his Imposters wingmen Steve Nieve on keys, Davey Faragher on bass and indefatigable drummer Pete Thomas ("the senior member of the band by three weeks"). Stage left they were joined by a special guest, the hip (relatively) young gunslinger Charlie Sexton, a guitarist used to navigating the arcane cues of the Bob Dylan band, so essentially on holiday here providing inspired, dexterous embellishment and piercing backing vocals.

The glorious setlist comprised two hours of songs old and new, with a healthy complement of Nick Lowe offerings – not least "Heart of the City" to kick off and the air-punching "(What's So Funny 'Bout) Peace, Love and Understanding" to end. Elsewhere, Costello ranged freely from the martial drums and cheesy synth arpeggios of "Green Shirt" via the western swing of "Hey Clockface" – from one of a number of recent albums which Costello could reasonably describe as "the new record" – to the classic country heartbreak of "Good Year for the Roses."

Among the older favourites, a luminous "Alison," heartfelt "Indoor Fireworks" and stealthy jazz arrangement of "Shipbuilding" hushed the room, while new wave classic "(I Don't Want To Go To) Chelsea" and the trim wigout of "Pump It Up" maintained the taut energy from a band who have bottled the vigour of youth and alchemized it with the wisdom of experience.


Tags: The ImpostersGlasgow Royal Concert HallBarrowland BallroomRod StewartSteve NieveDavey FaragherPete ThomasCharlie SextonBob DylanNick LoweHeart Of The City(What's So Funny 'Bout) Peace, Love And Understanding?Green ShirtHey ClockfaceGood Year For The RosesAlisonIndoor FireworksShipbuilding(I Don't Want To Go To) ChelseaPump It Up

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The Scotsman, June 8, 2022


Fiona Shepherd reviews Elvis Costello & The Imposters with Charlie Sexton, Tuesday, June 7, 2022, Royal Concert Hall, Glasgow, Scotland.



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