El Pais, July 26, 2013: Difference between revisions
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<center><h3> Elvis Costello, enorme y esencial </h3></center> | <center><h3> Elvis Costello, enorme y esencial </h3></center> | ||
<center>El concierto, más eléctrico que en visitas anteriores, recopiló las esencias de su trayectoria </center> | <center>El concierto, más eléctrico que en visitas anteriores, recopiló las esencias de su trayectoria </center> | ||
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<small>Elvis Cosello en su concierto del Festival de Jazz de San Sebastián. / Javier Hernández</small> | <small>Elvis Cosello en su concierto del Festival de Jazz de San Sebastián. / Javier Hernández</small> | ||
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<center><h3> | <center><h3> Elvis Costello, huge and essential </h3></center> | ||
<center> </center> | <center>The concert, more electric than on previous visits, collected the essences of his career </center> | ||
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Elvis Costello, huge, has returned to give a memorable concert at the Festival de Jazz de San Sebastián, this time with a collection of essences of his long career, a career supported by a direct magnificent. The performance, the first mini-tour by Spain, was sheltered by a few thousand followers on Zurriola beach in the later hours of a day that also featured music quintet Steve Swallov and Madrid's Jorge Pardo at Plaza de la Trinidad. | |||
Costello offered in his two previous stops in the Heineken Jazz Festival in 2007 with [[Allen Toussaint]] and in 2010 with [[The Sugarcanes]], different facets to this year, it has opted for a much more electric concert, which has toured the epicenter of creative story accompanied by new [[Imposters]]. The British artist has realized the most genuine of his almost boundless list of songs, in which there have been titles like [[Alison]], [[She]], [[(I Don't Want To Go To) Chelsea|Chelsea]] and [[I Can't Stand Up For Falling Down|I Can not Stand Up for Falling Down]], with which he opened with British punctuality, 30 minutes after midnight, his impressive performance. | |||
A frenetic pace happened after a review of their 80 subjects. When [[Bedlam]] arrived had repeatedly changed guitar, but after this one took a turn. Costello greeted the audience, said it is a pleasure to return to San Sebastián but was doing in "such sad circumstances," the day after the rail tragedy of Santiago de Compostela. A has honored the victims with [[Shipbuilding]], accompanied only by piano. He continued in this theme, sung beautifully as the rest, and then growing again pace, [[A Slow Drag With Josephine]] and [[Oliver's Army]]. [[Almost Blue]] came with the slow time again, the music for his wife, [[Diana Krall]], who recalled that next Sunday will be the closing day of the Heineken Jazz Festival. | |||
Not all who were on the beach, one of the free stages of the Festival, chanted the issues of the British artist, many were not even born when they did some of his compositions, but the unstoppable power of this great musician has remained vigilant in sand, though almost imperceptible rain was seeping slowly. The final, pure energy. A [[(The Angels Wanna Wear My) Red Shoes|Red Shoes]], linked with a version of [[Purple Rain]], [[Prince]], [[Pump It Up|Pum it Up]] followed and the fabulous [[(What's So Funny 'Bout) Peace, Love And Understanding?|Peace, Love and Understanding]], [[Nick Lowe]], who has long incorporated to its repertoire. Costello conceded their program on time and just average. There was no encore. | |||
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Revision as of 20:11, 19 June 2014
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