El Pais, November 21, 2008: Difference between revisions
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From there, the public, which sold out weeks ago, settled into their seats to attend the recital of the leader of The Police, absolute protagonist of the assembly, and the adventures they had in store "simple" story about the power of music in general and opera in particular, as proclaimed playbill. Namely, boy, metalworker, find a girl, opera diva. Chico falls, given to the girl, everything she represents and he never will be, and plan to wait every night outside the theater. Chico receives the apparitions of ghosts lyric "Butterfly, Norma and Tuscany" and the sting opera hopelessly itchy. And yes, love triumphs despite the miserable police chief, an Elvis dramatic, exciting and excited Costello. | From there, the public, which sold out weeks ago, settled into their seats to attend the recital of the leader of The Police, absolute protagonist of the assembly, and the adventures they had in store "simple" story about the power of music in general and opera in particular, as proclaimed playbill. Namely, boy, metalworker, find a girl, opera diva. Chico falls, given to the girl, everything she represents and he never will be, and plan to wait every night outside the theater. Chico receives the apparitions of ghosts lyric "Butterfly, Norma and Tuscany" and the sting opera hopelessly itchy. And yes, love triumphs despite the miserable police chief, an Elvis dramatic, exciting and excited Costello. | ||
The dark, industrial and somewhat sparse scenery, Bernard Arnould, was for the pair of authors (him English musician Costello band from the seventies, she, writer and psychoanalyst) the culmination of a dream cherished since that day 2003 when they convinced that Sting participate in the project. | The dark, industrial and somewhat sparse scenery, Bernard Arnould, was for the pair of authors (him English musician Costello band from the seventies, she, writer and psychoanalyst) the culmination of a dream cherished since that day in 2003 when they convinced that Sting participate in the project. | ||
The thing already took shape last year with an album | The thing already took shape last year with an album with the confessional pop genius [[Robert Wyatt]], [[the Brodsky Quartet]] and the famous soprano [[Barbara Bonney]], besides, of course, the stars themselves who yesterday took to the stage of Châtelet and participated. | ||
The assembly comes after a decade of work and at a propitious time; this winter of discontent, when issues such as class struggle regain lost today. Not only that, to punish him for tables Châtelet not hard to imagine Sting build grimaces of Dionysus with a mirror in one hand and a business newspaper studded bad news about unemployment on the other. What is the recipe book for the refounding of ?: "The human voice, true salvation of man" capitalism as the | The assembly comes after a decade of work and at a propitious time; this winter of discontent, when issues such as class struggle regain lost today. Not only that, to punish him for tables Châtelet not hard to imagine Sting build grimaces of Dionysus with a mirror in one hand and a business newspaper studded bad news about unemployment on the other. What is the recipe book for the refounding of ?: "The human voice, true salvation of man" capitalism as the principal Sting said. | ||
Everyone (including [[Sylvia Schwartz]], the unknown and yet acclaimed Spanish soprano, beloved in question, nor did forget Bonney and this is honoured, or even tried) moved over a musical background with jazz , a lot of self-reference, point of dissonance and pop some memorable time. A mixture above the Gothic music or rock operas with their endless interludes, [[Kurt Weill]] remembered and forgotten discs Michael Mantler and Carla Bley seventies. And I could tell, as one critic noted, as a possible way for future opera. At least that falls in the category of "fusion" that proclaim their authors. Embrace. Or push, and at times succeeded night when it did not work the way the first few dates. | Everyone (including [[Sylvia Schwartz]], the unknown and yet acclaimed Spanish soprano, beloved in question, nor did forget Bonney and this is honoured, or even tried) moved over a musical background with jazz, a lot of self-reference, point of dissonance and pop some memorable time. A mixture above the Gothic music or rock operas with their endless interludes, [[Kurt Weill]] remembered and forgotten discs Michael Mantler and Carla Bley seventies. And I could tell, as one critic noted, as a possible way for future opera. At least that falls in the category of "fusion" that proclaim their authors. Embrace. Or push, and at times succeeded night when it did not work the way the first few dates. | ||
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[[Category:Bibliography|Pais 2008-11-21]] | [[Category:Bibliography|Pais 2008-11-21]] | ||
[[Category:Bibliography | [[Category:Bibliography 2008|Pais 2008-11-21]] | ||
[[Category:El Pais| Pais 2008-11-21]] | [[Category:El Pais| Pais 2008-11-21]] | ||
[[Category:Newspaper articles|Pais 2008-11-21]] | [[Category:Newspaper articles|Pais 2008-11-21]] |
Revision as of 17:51, 24 August 2014
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