Entertainment Weekly, October 16, 2015

Bibliography   72 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 00 01 02 03 04 05 06 07 08 09 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 UK & Ireland weeklies UK & Ireland magazines UK & Ireland newspapers US newspapers US rock magazines US music magazines US magazines US alternative weeklies European magazines European newspapers Canada  •  Mexico  •  Asia Australia  •  New Zealand South America  •  Africa Blogs  •  Fanzines  •  Books Online publications Entertainment Weekly  1990 November 2 1991 May 10 1993 January 29 1993 November 5 1994 March 11 1994 March 18 1995 May 12 1996 May 17 1996 July 26 1996 December 20  1997 May 30 1998 October 2 1999 Winter 2001 April 30 2002 April 26 2002 May 13 2002 May 17 2003 September 26 2004 February 13 2004 July 16 2004 August 20  2004 September 18  2006 June 9 2015 March 9 2015 October 16 2018 October 5 Magazines  Concerto Details Entertainment Weekly Esquire Forbes Il giornale della musica GQ Interview magazine Life Music Maker The Nation New Yorker Newsweek Nöjesguiden Opera News People Spy Time Total Guitar Uncut Vanity Fair Village Voice Vox The Word — Unfaithful Music & Disappearing Ink Elvis Costello Clark Collis It is one of the great wonders of pop culture that the undeniably talented but also bespectacled, politically minded, and — in his youth — acid-tongued Elvis Costello should have become a pop star on both sides of the Atlantic. But equally miraculous is that he lived long enough to achieve songwriting-icon status, given how much booze he and his band the Attractions put away in the '70s and '80s. Unfaithful Music is at its most vivid when detailing what Costello calls the band's "young and drunk" period. Here is an inebriated Elvis being led from the stage at a show after forgetting the second line of his classic tune "Alison." And here is Attractions drummer Pete Thomas turning up so hungover to record the track "Beyond Belief" that Costello warns him, "You've got one take and then you're going for a little lie-down." Thomas proceeded to unleash a percussive assault of such titanic proportions that, Costello recalls, actress Mary-Louise Parker once told him it made her want to "get drunk and f--- the wrong person." (Note to aspiring drummers: The chances of Thomas' approach working for you may be less than zero.) If this hefty tome's second half could benefit more from the conciseness of Costello's songwriting, the author remains a winningly droll and good-natured guide to his life and many works through-out. At one point, he notes that the problem with writing an autobiography is that the writer ends up not much caring for his subject. It is a problem Costello fans will not have reading this. B+ Entertainment Weekly, No. 1385 / 1386, October 16 / 23, 2015 Clark Collis reviews Unfaithful Music & Disappearing Ink. Images Cover Cover

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