Fort Lauderdale Sun-Sentinel, May 16, 1996: Difference between revisions
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<center><h3> Elvis Costello's | <center><h3> Elvis Costello's back again, and it's a 'Beauty' </h3></center> | ||
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<center> Thor Christensen / Dallas Morning News </center> | <center> Thor Christensen / Dallas Morning News </center> | ||
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{{Bibliography text}} | {{Bibliography text}} | ||
It's been a decade since Elvis Costello's last stroke of genius (the one-two punch of ''King of America'' and ''Blood | It's been a decade since Elvis Costello's last stroke of genius (the one-two punch of ''King of America'' and ''Blood & Chocolate'' in 1986), which is long enough to wonder if the singer who once dubbed himself "This Year's Model" is now just yesterday's fashion. | ||
Not so fast. ''All This Useless Beauty'' (Warner Bros.), his 17th studio album, is an often-stunning work filled with the same spit and spark he showed in the late '70s. | Not so fast. ''All This Useless Beauty'' (Warner Bros.), his 17th studio album, is an often-stunning work filled with the same spit and spark he showed in the late '70s. | ||
Costello originally wrote half the 12 songs on Beauty for other singers — some (Johnny Cash, Paul McCartney and Sam Moore) never released their versions and some did (Roger McGuinn issued "You Bowed Down" on his last solo album, and Til Tuesday put out "Other End of the Telescope" in 1988). But musically, he refuses to confine himself to any one theme. | Costello originally wrote half the 12 songs on ''Beauty'' for other singers — some (Johnny Cash, Paul McCartney and Sam Moore) never released their versions and some did (Roger McGuinn issued "You Bowed Down" on his last solo album, and Til Tuesday put out "Other End of the Telescope" in 1988). But musically, he refuses to confine himself to any one theme. | ||
Working mostly with his old band, the Attractions, Costello moves effortlessly from avant-gospel-rock ("Shallow Grave," co-written with McCartney) to shimmering psychedelic pop (the suitably Byrds-ish "You Bowed Down") to an elegant blues inspired by Beethoven's "Moonlight Sonata" ("Poor Fractured Atlas"). | Working mostly with his old band, the Attractions, Costello moves effortlessly from avant-gospel-rock ("Shallow Grave," co-written with McCartney) to shimmering psychedelic pop (the suitably Byrds-ish "You Bowed Down") to an elegant blues inspired by Beethoven's "Moonlight Sonata" ("Poor Fractured Atlas"). | ||
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Elvis might not be the king anymore, but on ''All This Useless Beauty'', he has recaptured a lot of his old power. | Elvis might not be the king anymore, but on ''All This Useless Beauty'', he has recaptured a lot of his old power. | ||
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{{tags}}[[All This Useless Beauty]] {{-}} [[You Bowed Down]] {{-}} [[The Other End Of The Telescope]] {{-}} [[Shallow Grave]] {{-}} [[It's Time]] {{-}} [[Poor Fractured Atlas]] {{-}} [[I Want To Vanish]] {{-}} [[King Of America]] {{-}} [[Blood & Chocolate]] {{-}} [[This Year's Model]] {{-}} [[Warner Bros.]] {{-}} [[Johnny Cash]] {{-}} [[Paul McCartney]] {{-}} [[Sam Moore]] {{-}} [[Roger McGuinn]] {{-}} [['Til Tuesday]] {{-}} [[The Attractions]] {{-}} [[The Byrds]] {{-}} [[Ludwig Van Beethoven|Beethoven]] {{-}} [[The Brodsky Quartet]] | |||
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{{Bibliography notes}} | {{Bibliography notes}} | ||
{{Bibliography next | |||
|prev = Fort Lauderdale Sun-Sentinel, April 4, 1995 | |||
|next = Fort Lauderdale Sun-Sentinel, February 6, 1997 | |||
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'''The Sun-Sentinel, May 16, 1996 | '''The Sun-Sentinel, May 16, 1996 | ||
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Latest revision as of 17:40, 6 April 2021
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