Fort Lauderdale Sun-Sentinel, May 16, 1996: Difference between revisions

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{{:Fort Lauderdale Sun-Sentinel index}}
{{:Fort Lauderdale Sun-Sentinel index}}
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{{Bibliography article header}}
<center><h3> Elvis Costello's back again, and it's a ''Beauty'' </h3></center>
<center><h3> Elvis Costello's back again, and it's a 'Beauty' </h3></center>
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<center> Thor Christensen / Dallas Morning News </center>
<center> Thor Christensen / Dallas Morning News </center>
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{{Bibliography text}}
{{Bibliography text}}
It's been a decade since Elvis Costello's last stroke of genius (the one-two punch of ''King of America'' and ''Blood and Chocolate'' in 1986), which is long enough to wonder if the singer who once dubbed himself "This Year's Model" is now just yesterday's fashion.
It's been a decade since Elvis Costello's last stroke of genius (the one-two punch of ''King of America'' and ''Blood & Chocolate'' in 1986), which is long enough to wonder if the singer who once dubbed himself "This Year's Model" is now just yesterday's fashion.


Not so fast. ''All This Useless Beauty'' (Warner Bros.), his 17th studio album, is an often-stunning work filled with the same spit and spark he showed in the late '70s.
Not so fast. ''All This Useless Beauty'' (Warner Bros.), his 17th studio album, is an often-stunning work filled with the same spit and spark he showed in the late '70s.


Costello originally wrote half the 12 songs on Beauty for other singers — some (Johnny Cash, Paul McCartney and Sam Moore) never released their versions and some did (Roger McGuinn issued "You Bowed Down" on his last solo album, and Til Tuesday put out "Other End of the Telescope" in 1988). But musically, he refuses to confine himself to any one theme.
Costello originally wrote half the 12 songs on ''Beauty'' for other singers — some (Johnny Cash, Paul McCartney and Sam Moore) never released their versions and some did (Roger McGuinn issued "You Bowed Down" on his last solo album, and Til Tuesday put out "Other End of the Telescope" in 1988). But musically, he refuses to confine himself to any one theme.


Working mostly with his old band, the Attractions, Costello moves effortlessly from avant-gospel-rock ("Shallow Grave," co-written with McCartney) to shimmering psychedelic pop (the suitably Byrds-ish "You Bowed Down") to an elegant blues inspired by Beethoven's "Moonlight Sonata" ("Poor Fractured Atlas").
Working mostly with his old band, the Attractions, Costello moves effortlessly from avant-gospel-rock ("Shallow Grave," co-written with McCartney) to shimmering psychedelic pop (the suitably Byrds-ish "You Bowed Down") to an elegant blues inspired by Beethoven's "Moonlight Sonata" ("Poor Fractured Atlas").
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Elvis might not be the king anymore, but on ''All This Useless Beauty'', he has recaptured a lot of his old power.
Elvis might not be the king anymore, but on ''All This Useless Beauty'', he has recaptured a lot of his old power.


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{{tags}}[[All This Useless Beauty]] {{-}} [[You Bowed Down]] {{-}} [[The Other End Of The Telescope]] {{-}} [[Shallow Grave]] {{-}} [[It's Time]] {{-}} [[Poor Fractured Atlas]] {{-}} [[I Want To Vanish]] {{-}} [[King Of America]] {{-}} [[Blood & Chocolate]] {{-}} [[This Year's Model]] {{-}} [[Warner Bros.]] {{-}} [[Johnny Cash]] {{-}} [[Paul McCartney]] {{-}} [[Sam Moore]] {{-}} [[Roger McGuinn]] {{-}} [['Til Tuesday]] {{-}} [[The Attractions]] {{-}} [[The Byrds]] {{-}} [[Ludwig Van Beethoven|Beethoven]] {{-}} [[The Brodsky Quartet]]
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{{Bibliography notes}}
{{Bibliography notes}}
{{Bibliography next
|prev = Fort Lauderdale Sun-Sentinel, April 4, 1995
|next = Fort Lauderdale Sun-Sentinel, February 6, 1997
}}
'''The Sun-Sentinel, May 16, 1996
'''The Sun-Sentinel, May 16, 1996
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Elvis Costello's back again, and it's a 'Beauty'


Thor Christensen / Dallas Morning News

It's been a decade since Elvis Costello's last stroke of genius (the one-two punch of King of America and Blood & Chocolate in 1986), which is long enough to wonder if the singer who once dubbed himself "This Year's Model" is now just yesterday's fashion.

Not so fast. All This Useless Beauty (Warner Bros.), his 17th studio album, is an often-stunning work filled with the same spit and spark he showed in the late '70s.

Costello originally wrote half the 12 songs on Beauty for other singers — some (Johnny Cash, Paul McCartney and Sam Moore) never released their versions and some did (Roger McGuinn issued "You Bowed Down" on his last solo album, and Til Tuesday put out "Other End of the Telescope" in 1988). But musically, he refuses to confine himself to any one theme.

Working mostly with his old band, the Attractions, Costello moves effortlessly from avant-gospel-rock ("Shallow Grave," co-written with McCartney) to shimmering psychedelic pop (the suitably Byrds-ish "You Bowed Down") to an elegant blues inspired by Beethoven's "Moonlight Sonata" ("Poor Fractured Atlas").

Yet he waits until track 11, "It's Time," to drop the big bomb: Elvis does hip-hop. Costello might not be ready to start going by M.C. Elvis (he sings the lyrics instead of rapping), but he gives up the funk on "It's Time" with such a passion you'd think he'd been hip-hoppin' for years.

Except for two or three duds (such as "I Want to Vanish," another boring collaboration with the Brodsky Quartet), he seems totally rejuvenated here: His prickly guitar work has improved immensely, his bizarre wordplay is as dazzling as ever and Costello has even toned down his trademark oversinging.

Elvis might not be the king anymore, but on All This Useless Beauty, he has recaptured a lot of his old power.


Tags: All This Useless BeautyYou Bowed DownThe Other End Of The TelescopeShallow GraveIt's TimePoor Fractured AtlasI Want To VanishKing Of AmericaBlood & ChocolateThis Year's ModelWarner Bros.Johnny CashPaul McCartneySam MooreRoger McGuinn'Til TuesdayThe AttractionsThe ByrdsBeethovenThe Brodsky Quartet

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The Sun-Sentinel, May 16, 1996


Thor Christensen reviews All This Useless Beauty.


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