Glasgow Herald, February 16, 2005: Difference between revisions

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<center><h3> Elvis Costello & The Imposters,</h3></center>
<center><h3> Elvis Costello & The Imposters </h3></center>
<center> '''Usher Hall, Edinburgh</center>
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<center> Keith Bruce </center>
<center> Keith Bruce </center>
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'''Usher Hall, Edinburgh
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NEVER one to leave his audience wanting more (as I observed after having to hotfoot it from the Barrowland in [[Concert 2004-10-06 Glasgow|October]] to meet our deadline), EC is a value-for-money act. This has always been so, but now goes down particularly well with his constituency, burdened as we are by mortgages, the education of our children and the prospect of failing pension schemes.
Never one to leave his audience wanting more (as I observed after having to hotfoot it from the Barrowland in October to meet our deadline), EC is a value-for-money act. This has always been so, but now goes down particularly well with his constituency, burdened as we are by mortgages, the education of our children and the prospect of failing pension schemes.


Having sat tight for the full duration of this return visit of the promotional tour for ''The Delivery Man'' album, I can report a set of two-and-a-half hours without a break, comprising more than 30 tunes, and 10 different guitars. This last total included a recently-acquired feedback-prone $150 plank with pickups that doubled, bizarrely, as a vocal microphone on old rocker [[Hidden Charms]].
Having sat tight for the full duration of this return visit of the promotional tour for ''The Delivery Man'' album, I can report a set of two-and-a-half hours without a break, comprising more than 30 tunes, and 10 different guitars. This last total included a recently-acquired feedback-prone $150 plank with pickups that doubled, bizarrely, as a vocal microphone on old rocker "Hidden Charms."


In what was a much better paced and constructed set than the autumn one, that song invited comparison with his tune for [[Johnny Cash]], Hidden Shame, which itself is a cousin to the suite of songs on the new album, most of which had an airing.
In what was a much better paced and constructed set than the autumn one, that song invited comparison with his tune for Johnny Cash, "Hidden Shame," which itself is a cousin to the suite of songs on the new album, most of which had an airing.


In among them, however, there were enough other varieties of Elvis to tickle the fancy of any fan, from the opening salvo of [[Blue Chair]] and [[Uncomplicated]], by way of ''King of America's '' [[Suit Of Lights|Suit of Lights]] and ''North'''s [[You Turned To Me]], to the run home of older hits through [[Pump It Up|Pump it Up]], [[Shipbuilding]], [[Alison]], [[(What's So Funny 'Bout) Peace, Love And Understanding?|(What So Funny 'Bout) Peace, Love and Understanding]], and [[Oliver's Army]].
In among them, however, there were enough other varieties of Elvis to tickle the fancy of any fan, from the opening salvo of "Blue Chair" and "Uncomplicated," by way of ''King of America's '' "Suit of Lights" and <i>North</i>'s "You Turned To Me," to the run home of older hits through "Pump It Up," "Shipbuilding," "Alison," "(What's So Funny 'Bout) Peace, Love And Understanding?" and "Oliver's Army."


But although [[Good Year For The Roses|A Good Year for the Roses]] was sung with real feeling and a lovely loose organic ''When I Was Cruel'' benefited from the ditching of the drum machine, there was little of the visceral thrill of past gigs. That'll be our age, then.
But although "A Good Year for the Roses" was sung with real feeling and a lovely loose organic "When I Was Cruel" benefited from the ditching of the drum machine, there was little of the visceral thrill of past gigs. That'll be our age, then.


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{{tags}}[[Concert 2005-02-14 Edinburgh|Usher Hall]] {{-}} [[Edinburgh]] {{-}} [[Scotland]] {{-}} [[The Imposters]] {{-}} [[Concert 2004-10-06 Glasgow|Glasgow Barrowland]] {{-}} [[The Delivery Man]] {{-}} [[Hidden Charms]] {{-}} [[Johnny Cash]] {{-}} [[Hidden Shame]] {{-}} [[Blue Chair]] {{-}} [[Uncomplicated]] {{-}} [[King Of America]] {{-}} [[Suit Of Lights]] {{-}} [[North]] {{-}} [[You Turned To Me]] {{-}} [[Pump It Up]] {{-}} [[Shipbuilding]] {{-}} [[Alison]] {{-}} [[(What's So Funny 'Bout) Peace, Love And Understanding?]] {{-}} [[Oliver's Army]] {{-}} [[Good Year For The Roses]] {{-}} [[When I Was Cruel No. 2]]
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|prev = Glasgow Herald, September 4, 2002
|next = Glasgow Herald, October 26, 2010
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'''The Herald, February 16, 2005
'''The Herald, February 16, 2005
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==External links==
==External links==
*[http://www.heraldscotland.com HeraldScotland.com]
*[https://www.heraldscotland.com HeraldScotland.com]
*[http://www.elviscostello.info/articles/h-l/herald.050216.php EC Homepage]
*[https://en.wikipedia.org/wiki/The_Herald_(Glasgow) Wikipedia: The Herald (Glasgow)]
*[http://en.wikipedia.org/wiki/The_Herald_(Glasgow) Wikipedia: The Herald]
*[https://www.elviscostello.info/articles/h-l/herald.050216.php elviscostello.info]


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[[Category:Newspaper articles]]
[[Category:Newspaper articles]]
[[Category:2005 concert reviews]]
[[Category:2005 concert reviews]]
[[Category:2005 UK Tour|~Glasgow Herald 2005-02-16]]

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Glasgow Herald

UK & Ireland newspapers

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Elvis Costello & The Imposters


Keith Bruce

Usher Hall, Edinburgh

Never one to leave his audience wanting more (as I observed after having to hotfoot it from the Barrowland in October to meet our deadline), EC is a value-for-money act. This has always been so, but now goes down particularly well with his constituency, burdened as we are by mortgages, the education of our children and the prospect of failing pension schemes.

Having sat tight for the full duration of this return visit of the promotional tour for The Delivery Man album, I can report a set of two-and-a-half hours without a break, comprising more than 30 tunes, and 10 different guitars. This last total included a recently-acquired feedback-prone $150 plank with pickups that doubled, bizarrely, as a vocal microphone on old rocker "Hidden Charms."

In what was a much better paced and constructed set than the autumn one, that song invited comparison with his tune for Johnny Cash, "Hidden Shame," which itself is a cousin to the suite of songs on the new album, most of which had an airing.

In among them, however, there were enough other varieties of Elvis to tickle the fancy of any fan, from the opening salvo of "Blue Chair" and "Uncomplicated," by way of King of America's "Suit of Lights" and North's "You Turned To Me," to the run home of older hits through "Pump It Up," "Shipbuilding," "Alison," "(What's So Funny 'Bout) Peace, Love And Understanding?" and "Oliver's Army."

But although "A Good Year for the Roses" was sung with real feeling and a lovely loose organic "When I Was Cruel" benefited from the ditching of the drum machine, there was little of the visceral thrill of past gigs. That'll be our age, then.


Tags: Usher HallEdinburghScotlandThe ImpostersGlasgow BarrowlandThe Delivery ManHidden CharmsJohnny CashHidden ShameBlue ChairUncomplicatedKing Of AmericaSuit Of LightsNorthYou Turned To MePump It UpShipbuildingAlison(What's So Funny 'Bout) Peace, Love And Understanding?Oliver's ArmyGood Year For The RosesWhen I Was Cruel No. 2

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The Herald, February 16, 2005


Keith Bruce reviews Elvis Costello & The Imposters, Monday, February 14, 2005, Usher Hall, Edinburgh, Scotland.


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