Goldmine, March 2014: Difference between revisions

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<center><h3> ELVIS COSTELLO AND THE ROOTS  </h3></center>
<center><h3> Wise Up Ghost </h3></center>
<center>''' WISE UP GHOST </center>
<center>''' Elvis Costello and The Roots </center>
<center>Blue Note (1875002)</center>
 
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<center>John M. Borack</center>
<center> John M. Borack </center>
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Elvis Costello has made a career out of refusing to be pigeonholed and also of constantly reinventing himself. From angry, young, new waver to country crooner, R&B shouter to sophisticated singer-songwriter to name just a few stops on his musical journey Costello's body of work is nothing, if not diverse.
 
ELVIS COSTELLO has made a career out of refusing to be pigeonholed and also of constantly reinventing himself. From angry, young, new waver to country crooner, R&B shouter to sophisticated singer-songwriter - to name just a few stops on his musical journey - Costello's body of work is nothing, if not diverse.


With "''Wake Up Ghost''" - a stirring collaboration with critically acclaimed hip-hop combo [[The Roots]] - Costello has done it again. The grooves are deep and plentiful, his voice is alternatingly caustic and smooth, and the thought-provoking lyrics bite and sting, as usual. It's a lyrical powder keg of a record, with Costello often spitting out his lyrics á lá Bob Dylan. Check "[[Refuse To Be Saved|Refuse to Be Saved]]," which finds him winkingly referencing Roger Miller and Disco Tex and the Sex-O-Lettes (look 'em up if you don't remember) while also firing offlines such as, "Incidentally the revolution will be televised/with one head for business and another for good looks/until they started arriving with their rubber aprons and butcher's hooks."
With ''Wake Up Ghost'' a stirring collaboration with critically acclaimed hip-hop combo [[The Roots]] Costello has done it again. The grooves are deep and plentiful, his voice is alternatingly caustic and smooth, and the thought-provoking lyrics bite and sting, as usual. It's a lyrical powder keg of a record, with Costello often spitting out his lyrics á lá Bob Dylan. Check "[[Refuse To Be Saved|Refuse to Be Saved]]," which finds him winkingly referencing Roger Miller and Disco Tex and the Sex-O-Lettes (look 'em up if you don't remember) while also firing offlines such as, "Incidentally the revolution will be televised/with one head for business and another for good looks/until they started arriving with their rubber aprons and butcher's hooks."


Even though the overall sound is relatively sparse, it doesn't sound bare bones by any means; the production (by Costello, the Roots' [[Questlove|Ahmir "?uestlove" Thompson]] and [[Steven Mandel|Steve Mandel]]) gives each instrument and Costello's voice room to breathe and shine. The beautifully trancelike "[[Tripwire]]" - one of a handful of songs on "''Wise Up Ghost''" that samples or contains excerpts from one of Costello's old tunes - masterfully blends horns, bells, female backing vocals, chimes and keyboards into a simply gorgeous melody, topped with a wonderfully fragile lead vocal from Costello. The disc-closing "[[If I Could Believe]]" is a devastatingly heartbreaking ballad, while the ominous title cut and the first single, "[[Walk Us Uptown]]," provide some of the semisneering Costello-isms that his fans have come to know and love. "''Wise Up Ghost''" is light years away from "''Armed Forces''" and "''This Year's Model''," but that's as it should be; Costello has always been an artist unafraid to push the envelope and grow. This album is relevant, modern, forceful and a fine addition to Costello's peerless catalog. Note for collectors: The deluxe edition contains three bonus tracks and a booklet with lyrics, notes, photos and credits.
Even though the overall sound is relatively sparse, it doesn't sound bare bones by any means; the production (by Costello, the Roots' [[Questlove|Ahmir "?uestlove" Thompson]] and [[Steven Mandel|Steve Mandel]]) gives each instrument and Costello's voice room to breathe and shine. The beautifully trancelike "[[Tripwire]]" one of a handful of songs on ''Wise Up Ghost'' that samples or contains excerpts from one of Costello's old tunes masterfully blends horns, bells, female backing vocals, chimes and keyboards into a simply gorgeous melody, topped with a wonderfully fragile lead vocal from Costello. The disc-closing "[[If I Could Believe]]" is a devastatingly heartbreaking ballad, while the ominous title cut and the first single, "[[Walk Us Uptown]]," provide some of the semisneering Costello-isms that his fans have come to know and love. ''Wise Up Ghost'' is light years away from ''Armed Forces'' and ''This Year's Model'', but that's as it should be; Costello has always been an artist unafraid to push the envelope and grow. This album is relevant, modern, forceful and a fine addition to Costello's peerless catalog. Note for collectors: The deluxe edition contains three bonus tracks and a booklet with lyrics, notes, photos and credits.


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<br><small>Cover and contents page.</small>
<br><small>Cover and contents page.</small>
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Revision as of 22:47, 4 October 2016

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Goldmine

Magazines
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Wise Up Ghost

Elvis Costello and The Roots

John M. Borack

4-star reviews4-star reviews4-star reviews4-star reviews

Elvis Costello has made a career out of refusing to be pigeonholed and also of constantly reinventing himself. From angry, young, new waver to country crooner, R&B shouter to sophisticated singer-songwriter — to name just a few stops on his musical journey — Costello's body of work is nothing, if not diverse.

With Wake Up Ghost — a stirring collaboration with critically acclaimed hip-hop combo The Roots — Costello has done it again. The grooves are deep and plentiful, his voice is alternatingly caustic and smooth, and the thought-provoking lyrics bite and sting, as usual. It's a lyrical powder keg of a record, with Costello often spitting out his lyrics á lá Bob Dylan. Check "Refuse to Be Saved," which finds him winkingly referencing Roger Miller and Disco Tex and the Sex-O-Lettes (look 'em up if you don't remember) while also firing offlines such as, "Incidentally the revolution will be televised/with one head for business and another for good looks/until they started arriving with their rubber aprons and butcher's hooks."

Even though the overall sound is relatively sparse, it doesn't sound bare bones by any means; the production (by Costello, the Roots' Ahmir "?uestlove" Thompson and Steve Mandel) gives each instrument and Costello's voice room to breathe and shine. The beautifully trancelike "Tripwire" — one of a handful of songs on Wise Up Ghost that samples or contains excerpts from one of Costello's old tunes — masterfully blends horns, bells, female backing vocals, chimes and keyboards into a simply gorgeous melody, topped with a wonderfully fragile lead vocal from Costello. The disc-closing "If I Could Believe" is a devastatingly heartbreaking ballad, while the ominous title cut and the first single, "Walk Us Uptown," provide some of the semisneering Costello-isms that his fans have come to know and love. Wise Up Ghost is light years away from Armed Forces and This Year's Model, but that's as it should be; Costello has always been an artist unafraid to push the envelope and grow. This album is relevant, modern, forceful and a fine addition to Costello's peerless catalog. Note for collectors: The deluxe edition contains three bonus tracks and a booklet with lyrics, notes, photos and credits.

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Goldmine, No. 839, March 2014


John M. Borack reviews Wise Up Ghost.

Images

2014-03-00 Goldmine page 18.jpg
Page scan

2014-03-00 Goldmine cover.jpg 2014-03-00 Goldmine contents page.jpg
Cover and contents page.

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