Grand Rapids Press, June 9, 2009: Difference between revisions

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The Grand Rapids Press index

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Album review: Elvis Costello's 'Secret, Profane & Sugarcane'


3 out of 4 stars

John Sinkevics

Elvis Costello is getting better at this country shtick.

With an intense and long-abiding interest in rootsy American twang, Costello first surprised critics way back in 1981 with "Almost Blue," his take on material by Hank Williams, George Jones and the like. As a rocker bowled over by Costello's new wave bite, I must concede "Almost Blue" befuddled me.

But that's Costello, who would also go on to tackle classical, pop-soul, chamber opera and other genres in side projects in a perpetual quest to push boundaries and test new territories.

Perhaps it's that experience that's served him well, because the T Bone Burnett-produced "Secret, Profane & Sugarcane," sounds as authentic in its country approach as anything Costello has done as one of rock's most influential personalities.

Costello's songwriting, vocals and supporting cast -- Jerry Douglas, Stuart Duncan, Jim Lauderdale, Emmylou Harris -- make this 13-track project (often historical in nature, including songs about the life of Hans Christian Andersen) a reasonable, legitimate entry in the traditional country and alt-country catalog.

And the classic "Complicated Shadows," "My All Time Doll" and "Sulphur to Sugarcane" deftly incorporate rock sensibility with rootsy acoustic elements, a testament to Burnett and Costello's musical prowess.

This album doesn't match the delightful romp of last year's "Momofuku" (recorded with the Imposters), but it's a charming Nashville social call.

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The Grand Rapids Press, June 9, 2009


John Sinkevics reviews Secret, Profane & Sugarcane


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