Grand Rapids Press, June 9, 2009: Difference between revisions

From The Elvis Costello Wiki
Jump to navigationJump to search
(formatting)
(,Michigan publications index)
Line 1: Line 1:
{{Bibliography header}}
{{Bibliography header}}
{{Bibliography index}}
{{:Bibliography index}}
{{:The Grand Rapids Press index}}
{{:Grand Rapids Press index}}
{{:Newspaper index}}
{{:Michigan publications index}}
{{Bibliography article header}}
{{Bibliography article header}}
<center><h3> Secret, Profane & Sugarcane </h3></center>
<center><h3> Secret, Profane & Sugarcane </h3></center>

Revision as of 19:28, 20 March 2015

... Bibliography ...
727677787980818283
848586878889909192
939495969798990001
020304050607080910
111213141516171819
202122232425 26 27 28


Grand Rapids Press

Michigan publications

-

Secret, Profane & Sugarcane

Elvis Costello

John Sinkevics

3-stars (out of 4) reviews3-stars (out of 4) reviews3-stars (out of 4) reviews3-stars (out of 4) reviews

Elvis Costello is getting better at this country shtick.

With an intense and long-abiding interest in rootsy American twang, Costello first surprised critics way back in 1981 with Almost Blue, his take on material by Hank Williams, George Jones and the like. As a rocker bowled over by Costello's new wave bite, I must concede Almost Blue befuddled me.

But that's Costello, who would also go on to tackle classical, pop-soul, chamber opera and other genres in side projects in a perpetual quest to push boundaries and test new territories.

Perhaps it's that experience that's served him well, because the T Bone Burnett-produced Secret, Profane & Sugarcane, sounds as authentic in its country approach as anything Costello has done as one of rock's most influential personalities.

Costello's songwriting, vocals and supporting cast — Jerry Douglas, Stuart Duncan, Jim Lauderdale, Emmylou Harris — make this 13-track project (often historical in nature, including songs about the life of Hans Christian Andersen) a reasonable, legitimate entry in the traditional country and alt-country catalog.

And the classic "Complicated Shadows," "My All Time Doll" and "Sulphur to Sugarcane" deftly incorporate rock sensibility with rootsy acoustic elements, a testament to Burnett and Costello's musical prowess.

This album doesn't match the delightful romp of last year's Momofuku (recorded with the Imposters), but it's a charming Nashville social call.

-

The Grand Rapids Press, June 9, 2009


John Sinkevics reviews Secret, Profane & Sugarcane.


-



Back to top

External links