Hartford Courant, August 29, 1982: Difference between revisions

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Costello opened his show with "Accidents Will Happen," and performed a wide ranging selection from his eight albums from the past five years. Heavily plugged was his latest, ''Imperial Bedroom''. No one seemed to mind, probably because it is one of the best albums of the year. Songs like "Long Honeymoon," "Kid About It," "Man Out of Time," and "Shabby Doll" received not only top renditions but, in many cases, extended play.
Costello opened his show with "Accidents Will Happen," and performed a wide ranging selection from his eight albums from the past five years. Heavily plugged was his latest, ''Imperial Bedroom''. No one seemed to mind, probably because it is one of the best albums of the year. Songs like "Long Honeymoon," "Kid About It," "Man Out of Time," and "Shabby Doll" received not only top renditions but, in many cases, extended play.


Costello also played a fair selection of cover material such as the O'Jay's "Backstabbers," Smokey Robinson's "Head to Toe" and James Brown's "I Got You."
Costello also played a fair selection of cover material such as the O'Jays' "Back Stabbers," Smokey Robinson's "Head to Toe" and James Brown's "I Got You."


Costello was backed by the Attractions, his top-flight band of Pete Thomas on drums ("The General Motors of drums," said Costello), Bruce Thomas on bass ("The future of the four-string,") and Costello's arranger Steve Nieve on keyboards ("A man with as many names as he has faces," he said enigmatically.) Nieve played hot and real-cool-man piano throughout the show.
Costello was backed by the Attractions, his top-flight band of Pete Thomas on drums ("The General Motors of drums," said Costello), Bruce Thomas on bass ("The future of the four-string,") and Costello's arranger Steve Nieve on keyboards ("A man with as many names as he has faces," he said enigmatically.) Nieve played hot and real-cool-man piano throughout the show.
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It was a typical, hang-the-rules gesture that was in keeping with that Costello attitude. Maybe it's best that he does keep his smiles to himself after all.
It was a typical, hang-the-rules gesture that was in keeping with that Costello attitude. Maybe it's best that he does keep his smiles to himself after all.


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{{tags}}[[Jai-Alai Fronton]] {{-}} [[Bridgeport]], [[CT|Connecticut]] {{-}} [[The Attractions]] {{-}} [[Bruce Thomas]] {{-}} [[Pete Thomas]] {{-}} [[Steve Nieve]] {{-}} [[Accidents Will Happen]] {{-}} [[The Long Honeymoon]] {{-}} [[Imperial Bedroom]] {{-}} [[Kid About It]] {{-}} [[Man Out Of Time]] {{-}} [[Shabby Doll]] {{-}} [[The O'Jays]] {{-}} [[Back Stabbers]] {{-}} [[Smokey Robinson]] {{-}} [[From Head To Toe]] {{-}} [[James Brown]] {{-}} [[I Got You (I Feel Good)]] {{-}} [[Concert 1978-03-02 Hamden|Quinnipiac College]] {{-}} [[Concert 1977-12-11 New Haven|Oxford Ale House]]
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{{cx}}


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{{Bibliography images}}
{{Bibliography images}}


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<br><small>Clipping.</small>
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<small>Photo by [[Anacleto Rapping]].</small><br>
<small>Photo by [[Anacleto Rapping]].</small><br>
[[image:1982-08-29 Hartford Courant photo 01 ar.jpg|360px|border]]
[[image:1982-08-29 Hartford Courant photo 01 ar.jpg|340px|border]]




<small>Page scan.</small><br>
[[image:1982-08-29 Hartford Courant page C2.jpg|x120px|border]]
[[image:1982-08-29 Hartford Courant page C2.jpg|x120px|border]]
<br><small>Page scan.</small>


{{Bibliography notes footer}}
{{Bibliography notes footer}}

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Innovative rock star shines in Bridgeport


Frank Rizzo

A lot of it has to do with attitude.

Elvis Costello used to be disgusted. Then he was amused. Now he seems simply stunned. The 27-year-old musician always had the cheeky confidence of a man who knew he was one of the best in his field. But his just-business, often humorless, always mysterious, attitude seemed more of a shield than necessary — especially when he was in the safe company of several thousand adoring fans.

Costello was in such surroundings Saturday night at, of all places, the Bridgeport Jai Alai fronton. Though the place was far from sold out, the Costello contingent of fans was a musically discriminating one. This wasn't a let's-party crowd so much as it was an audience that appreciated Costello's complex efforts in the pop-rock format.

His dorky, horn-rimmed glasses were just one part of the don't-tread-on-me armor. The gawky Costello wore his traditional basic-black outfit, shirt buttoned to the top. His body language was reserved as well. It was a less theatrical performance than he gave in his previous Connecticut concerts (such as his 1978 gig at the Oxford Ale House in New Haven and in '79 at Quinnipiac College.)

On Saturday, Costello anchored close to the microphone for most the evening. On occasion he ran his fingers through his hair, wiped sweat from his brow or grimaced in anguish during a particularly emotional song. But, for the most part, his face was a tabula rasa, not a visage that endears. Because of this aloofness, no one is going to adopt Elvis Costello, but if they listen carefully, they will admire him.

During his two-hour show, he performed 40 songs — that's four-0 — an amazing number for two concerts, much less one. Costello has always been known as a prolific songwriter and recording artist and his keep-the-songs-coming concert was in keeping with his generous spirit. It was also refreshing and exhilarating, especially in the stinginess of the current rock marketplace.

Though his body was not that of the typical rock exhibitionist, Costello's voice was varied and compelling. It was a voice that adapted from raw rock, to punk, funk, country, folk and blues with ease. At Saturday's show, he sounded better, sharper and more in control than ever.

Costello opened his show with "Accidents Will Happen," and performed a wide ranging selection from his eight albums from the past five years. Heavily plugged was his latest, Imperial Bedroom. No one seemed to mind, probably because it is one of the best albums of the year. Songs like "Long Honeymoon," "Kid About It," "Man Out of Time," and "Shabby Doll" received not only top renditions but, in many cases, extended play.

Costello also played a fair selection of cover material such as the O'Jays' "Back Stabbers," Smokey Robinson's "Head to Toe" and James Brown's "I Got You."

Costello was backed by the Attractions, his top-flight band of Pete Thomas on drums ("The General Motors of drums," said Costello), Bruce Thomas on bass ("The future of the four-string,") and Costello's arranger Steve Nieve on keyboards ("A man with as many names as he has faces," he said enigmatically.) Nieve played hot and real-cool-man piano throughout the show.

The Jai Alai fronton was a bizarre place for musical groups to perform. The acoustic problems are similar to any barn. Also, its upper balconies sweep far into the back of the fronton, seemingly heading toward downtown Stratford.

And because of a moat of cocktail tables and chairs where no one was allowed to sit, the front row was more than 30 feet from the front microphone. Costello was aware of situation and upset by it. Halfway through the performance, he abruptly left the stage. When he returned, the barriers were removed and the crowd surged forward for a better view.

It was a typical, hang-the-rules gesture that was in keeping with that Costello attitude. Maybe it's best that he does keep his smiles to himself after all.


Tags: Jai-Alai FrontonBridgeport, ConnecticutThe AttractionsBruce ThomasPete ThomasSteve NieveAccidents Will HappenThe Long HoneymoonImperial BedroomKid About ItMan Out Of TimeShabby DollThe O'JaysBack StabbersSmokey RobinsonFrom Head To ToeJames BrownI Got You (I Feel Good)Quinnipiac CollegeOxford Ale House

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Hartford Courant, August 29, 1982


Frank Rizzo reviews Elvis Costello & The Attractions, Saturday, August 28, 1982, Jai-Alai Fronton, Bridgeport, Connecticut.

Images

1982-08-29 Hartford Courant page C2 clipping 01.jpg
Clipping.

Photo by Anacleto Rapping.
1982-08-29 Hartford Courant photo 01 ar.jpg


Page scan.
1982-08-29 Hartford Courant page C2.jpg

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