International Musician, September 1977: Difference between revisions

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{{:Bibliography index}}
{{:Bibliography index}}
{{:International Musician index}}
{{:International Musician index}}
{{:Magazine index}}
{{:UK & Ireland magazines index}}
{{Bibliography article header}}
{{Bibliography article header}}
<center><h3> My Aim Is True </h3></center>
<center><h3> My Aim Is True </h3></center>
<center>''' Elvis Costello </center>
<center>''' Elvis Costello </center>
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<center> .Tony Bacon </center>
<center> Tony Bacon </center>
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{{Bibliography text}}
{{Bibliography text}}
"Help us hype Elvis," proclaim Stiff on an inside sheet. Well they don't seem to be doing too badly themselves. 'Course, if you like posters composed of parts of music weeklies, then stroll on. I remember reading some high-up in a record company explaining in great detail how Neil Young's image was the fact that he didn't have an image, the "anti-image," if you like. Funny, though, how some of the best acts start life as a doodle on a record company exec's blotter — the example that comes straight to mind is Brinsley Schwartz. And it's all worth it for Elvis Costello, too.
"Help us hype Elvis," proclaim Stiff on an inside sheet. Well they don't seem to be doing too badly themselves. 'Course, if you like posters composed of parts of music weeklies, then stroll on. I remember reading some high-up in a record company explaining in great detail how Neil Young's image was the fact that he didn't have an image, the "anti-image," if you like. Funny, though, how some of the best acts start life as a doodle on a record company exec's blotter — the example that comes straight to mind is Brinsley Schwarz. And it's all worth it for Elvis Costello, too.


But Elvis Costello? I remember when this geezer was strutting his stuff fronting one of the best pub bands in London, Flip City. This album, following a swift change of name and band, doesn't represent too much of a change from the sort of thing Flip City were doing. They're all Costello originals, and they're all excellent.
But Elvis Costello? I remember when this geezer was strutting his stuff fronting one of the best pub bands in London, Flip City. This album, following a swift change of name and band, doesn't represent too much of a change from the sort of thing Flip City were doing. They're all Costello originals, and they're all excellent.
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Superb record. Buy it, borrow it, steal it etc. etc.  
Superb record. Buy it, borrow it, steal it etc. etc.  


{{cx}}
{{tags}}[[My Aim Is True]] {{-}} [[:image:1977 Stiff Records Help Us Hype Elvis form.jpg|Help Us Hype Elvis]] {{-}} [[Flip City]] {{-}} [[Stiff Records]] {{-}} [[:image:1977-07-23 Sounds pages 12-13 advertisement.jpg|Posters composed of parts of music weeklies]] {{-}} [[Welcome To The Working Week]] {{-}} [[Miracle Man]] {{-}} [[No Dancing]] {{-}} [[Blame It On Cain]] {{-}} [[Alison]] {{-}} [[Sneaky Feelings]] {{-}} [[(The Angels Wanna Wear My) Red Shoes]] {{-}} [[Less Than Zero]] {{-}} [[A{{nb}}Bunch Of Stiff Records]] {{-}} [[Mystery Dance]] {{-}} [[Pay It Back]] {{-}} [[I'm Not Angry]] {{-}} [[Waiting For The End Of The World]] {{-}} [[Phil Spector]] {{-}} [[Brinsley Schwarz]] {{-}} [[Van Morrison]] {{-}} [[Neil Young]] {{-}} [[Graham Parker]] {{-}} [[Bruce Springsteen]] {{-}} [[Lowell George]] {{-}} [[Elvis Is King]]
{{cx}}
{{cx}}


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{{Bibliography notes}}
{{Bibliography notes}}
{{Bibliography next
|prev = :Category:International Musician
|next = International Musician, June 1978
}}
'''International Musician and Recording World, September 1977
'''International Musician and Recording World, September 1977
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{{Bibliography images}}
{{Bibliography images}}


[[image:1977-09-00 International Musician page 89.jpg|360px|border]]
[[image:1977-09-00 International Musician page 89.jpg|380px|border]]
<br><small>Page scan.</small>
<br><small>Page scan.</small>


<small>Cover and contents pages.</small><br>
[[image:1977-09-00 International Musician cover.jpg|x120px|border]]
[[image:1977-09-00 International Musician cover.jpg|x120px|border]]
[[image:1977-09-00 International Musician page 04.jpg|x120px|border]]
[[image:1977-09-00 International Musician page 04.jpg|x120px|border]]
[[image:1977-09-00 International Musician page 05.jpg|x120px|border]]
[[image:1977-09-00 International Musician page 05.jpg|x120px|border]]
<br><small>Cover and contents pages.</small>


{{Bibliography notes footer}}
{{Bibliography notes footer}}

Latest revision as of 16:50, 27 December 2022

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International Musician

UK & Ireland magazines

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My Aim Is True

Elvis Costello

Tony Bacon

"Help us hype Elvis," proclaim Stiff on an inside sheet. Well they don't seem to be doing too badly themselves. 'Course, if you like posters composed of parts of music weeklies, then stroll on. I remember reading some high-up in a record company explaining in great detail how Neil Young's image was the fact that he didn't have an image, the "anti-image," if you like. Funny, though, how some of the best acts start life as a doodle on a record company exec's blotter — the example that comes straight to mind is Brinsley Schwarz. And it's all worth it for Elvis Costello, too.

But Elvis Costello? I remember when this geezer was strutting his stuff fronting one of the best pub bands in London, Flip City. This album, following a swift change of name and band, doesn't represent too much of a change from the sort of thing Flip City were doing. They're all Costello originals, and they're all excellent.

Blast off with "Welcome To The Working Week," a short (just over a minute) intro that sticks in the mind — he sings "Welcome to my working week ..." anyway. "Miracle Man" follows, mixing a fine song with coarse, raw rhythm guitar, a touch of echo on the voice, bass you feel rather than hear, and good lyrics, viz.: "Why do you have to say that there's always someone that can do it better than I can..." The changes in "No Dancing" merge with a Spector-like, almost cliched backing track, whilst "Blame It on Cain" has Elvis U.K. riding the sophisticated beat, an American feel to the rhythm section (Now who could it be ...?) underpinning Costello's vocal mixture of Van Morrison, Graham Parker and Bruce Springsteen into a style truly his own.

One of my fave 45's of '77 follows, "Alison," you could almost hear Lowell George singing it if you're that way inclined, and the neat hook of an outro gives the album its title. Next to the run-off is "Sneaky Feelings," a riffy upbeat tuneola that'll stay with you hours after.

Side Two jerks into activity with "(The Angels Wanna Wear My) Red Shoes," good harmonies in there somewhere, followed by "Less Than Zero," the track that graced the interesting Bunch Of Stiffs sampler. "Mystery Dance" is shoved in next to prove that Elvis is King, and "Pay It Back" boasts Elvis telling us: "I tried so hard just to be myself / But I keep on fading away.." Best cut of all is saved for penultimate positioning, it's "I'm Not Angry," with a great intro, well-sussed guitar throughout and a chorus that sticks in the mind like pictures in a book. The song also contains the best line: "I got this camera clicking in my head..." "Waiting For The End Of The World" closes, a little more bizarre than elsewhere and enough to tempt a return to Side One.

Superb record. Buy it, borrow it, steal it etc. etc.


Tags: My Aim Is TrueHelp Us Hype ElvisFlip CityStiff RecordsPosters composed of parts of music weekliesWelcome To The Working WeekMiracle ManNo DancingBlame It On CainAlisonSneaky Feelings(The Angels Wanna Wear My) Red ShoesLess Than ZeroA Bunch Of Stiff RecordsMystery DancePay It BackI'm Not AngryWaiting For The End Of The WorldPhil SpectorBrinsley SchwarzVan MorrisonNeil YoungGraham ParkerBruce SpringsteenLowell GeorgeElvis Is King

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<< >>

International Musician and Recording World, September 1977


Tony Bacon reviews My Aim Is True.

Images

1977-09-00 International Musician page 89.jpg
Page scan.

Cover and contents pages.
1977-09-00 International Musician cover.jpg 1977-09-00 International Musician page 04.jpg 1977-09-00 International Musician page 05.jpg

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