Irish Times, September 7, 2002: Difference between revisions

From The Elvis Costello Wiki
Jump to navigationJump to search
m (Zmuda moved page Irish Times, 2002-09-07 to Irish Times, September 7, 2002 without leaving a redirect)
 
(3 intermediate revisions by the same user not shown)
Line 1: Line 1:
Irish Times, 2002-09-07
{{Bibliography header}}
- Tony Clayton-Lea
{{:Bibliography index}}
{{:Irish Times index}}
{{:UK & Ireland newspapers index}}
{{Bibliography article header}}
<center><h3> Elvis Costello and The Imposters </h3></center>
----
<center> Tony Clayton-Lea </center>
----
''' National Stadium, Dublin
{{Bibliography text}}
Playing his first full-frontal assault rock gig in Dublin since 1994, Costello and The Imposters (The Attractions by any other name, as long time keyboardist Steve Naive and drummer Pete Thomas are present and correct; while new bassist Davey Faragher stoically steps into Bruce Thomas's hush puppies) book-ended the set proper with "Miracle Man" and "Alison," two songs from his debut album, ''My Aim Is True''. Sandwiched in-between and seeping out of the encores was The Elvis Costello Songbook, warts and all.


And it was a warts and all concert, make no mistake about it. Sound difficulties created a schism Costello just about plugged, although a PA buzz from beginning to end scuppered quieter material, such as "Almost Blue," "Good Year for the Roses" and "Alison."
National Stadium, Dublin


Playing his first full-frontal assault rock gig in Dublin since 1994, Costello and The Imposters (The Attractions by any other name, as long time keyboardist Steve Naive and drummer Pete Thomas are present and correct; while new bassist Davey Faragher stoically steps into Bruce Thomas's hush puppies) book-ended the set proper with Miracle Man and Alison, two songs from his debut album, My Aim Is True. Sandwiched in-between and seeping out of the encores was The Elvis Costello Songbook, warts and all.
Quiet, however, clearly wasn't writ large on Costello's set list, which was another minor problem, especially when his hands of concrete scraped out savage guitar riffs and notes in several displays of messy rock 'n' roll self-indulgence.


And it was a warts and all concert, make no mistake about it. Sound difficulties created a schism Costello just about plugged, although a PA buzz from beginning to end scuppered quieter material, such as Almost Blue, Good Year for the Roses and Alison. Quiet, however, clearly wasn't writ large on Costello's set list, which was another minor problem, especially when his hands of concrete scraped out savage guitar riffs and notes in several displays of messy rock 'n' roll self-indulgence. But such ungainly, typically cantankerous, strategies were balanced by many moments of unadulterated beauty. Lost gems from his back catalogue were played one after the other: You Little Fool, Human Hands, You Belong To Me, Home Is Anywhere You Hang Your Head, Uncomplicated, I Hope You're Happy Now - each of them furiously paced but exacting, controlled and incisive. A pin-dropping version of Shipbuilding, the blind fury of Radio Radio, the pop-perfect Tear Off Your Own Head, and a couple more rarities (My Mood Swings from The Big Lebowski soundtrack, The Judgement, a song written especially for Solomon Burke's latest album) were cast into the atmosphere and absorbed into the bloodstream.
But such ungainly, typically cantankerous, strategies were balanced by many moments of unadulterated beauty. Lost gems from his back catalogue were played one after the other: "You Little Fool," "Human Hands," "You Belong To Me," "Home Is Anywhere You Hang Your Head," "Uncomplicated," "I Hope You're Happy Now" — each of them furiously paced but exacting, controlled and incisive.
 
A pin-dropping version of "Shipbuilding," the blind fury of "Radio, Radio," the pop-perfect "Tear Off Your Own Head," and a couple more rarities ("My Mood Swings" from ''The Big Lebowski'' soundtrack, "The Judgement," a song written especially for Solomon Burke's latest album) were cast into the atmosphere and absorbed into the bloodstream.
 
{{cx}}
 
{{Bibliography notes header}}
 
{{Bibliography notes}}
{{Bibliography next
|prev = Irish Times, May 15, 2000
|next = Irish Times, September 18, 2003
}}
'''The Irish Times, September 7, 2002
----
[[Tony Clayton-Lea]] reviews Elvis Costello & [[The Imposters]], Monday, [[Concert 2002-09-02 Dublin|September 2, 2002]], National Stadium, Dublin, Ireland.
 
{{Bibliography no images}}
 
{{Bibliography notes footer}}
 
{{Bibliography footer}}
 
==External links==
*[http://www.irishtimes.com/ Irishtimes.com]
*[http://en.wikipedia.org/wiki/The_Irish_Times Wikipedia: The Irish Times]
 
{{DEFAULTSORT:Irish Times 2002-09-07}}
[[Category:Bibliography]]
[[Category:Bibliography 2002]]
[[Category:Irish Times| Irish Times 2002-09-07]]
[[Category:Newspaper articles]]
[[Category:2002 concert reviews]]
[[Category:2002 European Tour|~Irish Times 2002-09-07]]

Latest revision as of 01:10, 2 July 2023

... Bibliography ...
727677787980818283
848586878889909192
939495969798990001
020304050607080910
111213141516171819
202122232425 26 27 28


Irish Times

UK & Ireland newspapers

-

Elvis Costello and The Imposters


Tony Clayton-Lea

National Stadium, Dublin

Playing his first full-frontal assault rock gig in Dublin since 1994, Costello and The Imposters (The Attractions by any other name, as long time keyboardist Steve Naive and drummer Pete Thomas are present and correct; while new bassist Davey Faragher stoically steps into Bruce Thomas's hush puppies) book-ended the set proper with "Miracle Man" and "Alison," two songs from his debut album, My Aim Is True. Sandwiched in-between and seeping out of the encores was The Elvis Costello Songbook, warts and all.

And it was a warts and all concert, make no mistake about it. Sound difficulties created a schism Costello just about plugged, although a PA buzz from beginning to end scuppered quieter material, such as "Almost Blue," "Good Year for the Roses" and "Alison."

Quiet, however, clearly wasn't writ large on Costello's set list, which was another minor problem, especially when his hands of concrete scraped out savage guitar riffs and notes in several displays of messy rock 'n' roll self-indulgence.

But such ungainly, typically cantankerous, strategies were balanced by many moments of unadulterated beauty. Lost gems from his back catalogue were played one after the other: "You Little Fool," "Human Hands," "You Belong To Me," "Home Is Anywhere You Hang Your Head," "Uncomplicated," "I Hope You're Happy Now" — each of them furiously paced but exacting, controlled and incisive.

A pin-dropping version of "Shipbuilding," the blind fury of "Radio, Radio," the pop-perfect "Tear Off Your Own Head," and a couple more rarities ("My Mood Swings" from The Big Lebowski soundtrack, "The Judgement," a song written especially for Solomon Burke's latest album) were cast into the atmosphere and absorbed into the bloodstream.

-
<< >>

The Irish Times, September 7, 2002


Tony Clayton-Lea reviews Elvis Costello & The Imposters, Monday, September 2, 2002, National Stadium, Dublin, Ireland.


-



Back to top

External links