Las Palmas Provincia, June 27, 2008: Difference between revisions
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LAS Palmas. It is a mistake to try to do things as if you were younger than you are. The truth is that none of these twelve new songs and could have written 22 years. If people associate the two sounds is because we are almost the same musicians, but there is no premeditation about it. " | LAS Palmas. It is a mistake to try to do things as if you were younger than you are. The truth is that none of these twelve new songs and could have written 22 years. If people associate the two sounds is because we are almost the same musicians, but there is no premeditation about it. " | ||
It is the sincere word of Elvis Costello (London, 1954) in a recent interview with El País regarding the release of their new studio album, [[Momofuku]] (Universal), recorded with [[The Imposters]], and the only two concerts that the British made in Spain on June 30 and | It is the sincere word of Elvis Costello (London, 1954) in a recent interview with El País regarding the release of their new studio album, [[Momofuku]] (Universal), recorded with [[The Imposters]], and the only two concerts that the British made in Spain on [[Concert 2008-06-30 Canary Islands|June 30]] and [[Concert 2008-07-01 Canary Islands|July 1]] at the Auditorio Alfredo Kraus. A treat for the end of the sixth meeting of the reef Music that has had this year in addition to the presence of artists like Angelique Kidjo, Perla Batalla, Teofilo Chantre, Dino Saluzzi Trio and Archangel. | ||
The performance will be the first in the British Isles is embellished with a dozen new songs that Declan Patrick MacManus (his real name) has returned to redirect his career away from exercises around classical music, country, opera and where jazz has dealt in recent years. In Momofuku recovered (although he says he had never lost) phlegm Costello made his trademark as a rocker who attended the advent of punk and new wave, and without being infected by any of these styles. Energetic Pop fresh vitamin which youth and rock tempos flowing by the great myths of modern music, timeless classics with this Briton reinvindica again as a leftover alchemist of all time. | The performance will be the first in the British Isles is embellished with a dozen new songs that Declan Patrick MacManus (his real name) has returned to redirect his career away from exercises around classical music, country, opera and where jazz has dealt in recent years. In Momofuku recovered (although he says he had never lost) phlegm Costello made his trademark as a rocker who attended the advent of punk and new wave, and without being infected by any of these styles. Energetic Pop fresh vitamin which youth and rock tempos flowing by the great myths of modern music, timeless classics with this Briton reinvindica again as a leftover alchemist of all time. | ||
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Not that remain regarding the pose of rock and video is always associated with a young [[Buddy Holly]] reconverted to punk, but in his case, and seen has looped his discography, projects and collaborations of diverse nature , alternation and experimentation have been decisive in the whole creation. | Not that remain regarding the pose of rock and video is always associated with a young [[Buddy Holly]] reconverted to punk, but in his case, and seen has looped his discography, projects and collaborations of diverse nature , alternation and experimentation have been decisive in the whole creation. | ||
"Those my other facets only irritate people with little curiosity Indeed, these alternative projects have always been present. I recorded [[My Funny Valentine]] in 1978 and the album [[Imperial Bedroom| Imperial bedroom]], 1982, and included some like tango and jazz. happens that opportunities have grown over the years, especially from the turn of the century," said Elvis Costello when El Pais asked about whether the rock was still their primary source. His return is a hello again after a threat of dismissal that came before recruiting cooking again The Imposters (band militate in two of his former collaborators like The Attractions bassist [[Davey Faragher]] and pianist [[Steve Nieve | Stevey | "Those my other facets only irritate people with little curiosity Indeed, these alternative projects have always been present. I recorded [[My Funny Valentine]] in 1978 and the album [[Imperial Bedroom| Imperial bedroom]], 1982, and included some like tango and jazz. happens that opportunities have grown over the years, especially from the turn of the century," said Elvis Costello when El Pais asked about whether the rock was still their primary source. His return is a hello again after a threat of dismissal that came before recruiting cooking again The Imposters (band militate in two of his former collaborators like The Attractions bassist [[Davey Faragher]] and pianist [[Steve Nieve| Stevey Nieve]], besides the battery [[Pete Thomas]], with whom he celebrated this tour). | ||
Costello makes good his legend, the restless and unpredictable creator, whose next move only knows its protagonist. Momofuku is, in short, his return to the rhythmic structures pop genre a tremendous spokesperson proclaimed in an era of cultural changes that he was no stranger. This presents to Momofuku raging guitars musician, and composer who likes reposado measured over short distances. The first cut, highly incendiary and catchy pieces reminiscent of Costello's early years with [[The Attractions]] as [[American Gangster Time|The american gangsters]], [[Stella Hurt| Stella hurts]] are, [[Drum & Bone|Drum & bone]] or [[Turpentine]]; while its intimate pose leaves jewels caliber [[Harry Worth]], [[Flutter & Wow | Flutter & Wow]], [[Mr. Feathers]] (the huge shadow of The Kinks) or [[Song With Rose | Song with rose ]], all without losing its identity. | Costello makes good his legend, the restless and unpredictable creator, whose next move only knows its protagonist. Momofuku is, in short, his return to the rhythmic structures pop genre a tremendous spokesperson proclaimed in an era of cultural changes that he was no stranger. This presents to Momofuku raging guitars musician, and composer who likes reposado measured over short distances. The first cut, highly incendiary and catchy pieces reminiscent of Costello's early years with [[The Attractions]] as [[American Gangster Time|The american gangsters]], [[Stella Hurt| Stella hurts]] are, [[Drum & Bone|Drum & bone]] or [[Turpentine]]; while its intimate pose leaves jewels caliber [[Harry Worth]], [[Flutter & Wow | Flutter & Wow]], [[Mr. Feathers]] (the huge shadow of The Kinks) or [[Song With Rose | Song with rose ]], all without losing its identity. |
Revision as of 23:17, 25 September 2014
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