Las Palmas Provincia, June 27, 2008: Difference between revisions
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El Auditorio Alfredo Kraus celebra la próxima semana los dos únicos conciertos que Elvis Costello & The Imposters ofrecen en España </center> | El Auditorio Alfredo Kraus celebra la próxima semana los dos únicos conciertos que Elvis Costello & The Imposters ofrecen en España </center> | ||
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{{GT | link = https://translate.google.com/translate?sl=es&tl=en&u=http%3A%2F%2Fwww.elviscostello.info%2Fwiki%2Findex.php%2FLas_Palmas_Provincia%2C_June_27%2C_2008}} | |||
<center>Diego F. Hernández</center><br> | <center>Diego F. Hernández</center><br> | ||
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[[Diego F. Hernández]] previews Elvis Costello and the Imposters on Monday [[Concert 2008-06-30 Canary Islands|30 June 2008]] at [[Alfredo Kraus Auditorium]], [[Las Palmas De Gran Canaria]]. Spain. | [[Diego F. Hernández]] previews Elvis Costello and the Imposters on Monday [[Concert 2008-06-30 Canary Islands|30 June 2008]] at [[Alfredo Kraus Auditorium]], [[Las Palmas De Gran Canaria]]. Spain. | ||
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<small>Page scan - Photo credit [[Zac Cordner]]</small> | |||
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LAS Palmas. It is a mistake to try to do things as if you were younger than you are. The truth is that none of these twelve new songs and could have written 22 years. If people associate the two sounds is because we are almost the same musicians, but there is no premeditation about it. " | |||
It is the sincere word of Elvis Costello (London, 1954) in a recent interview with El País regarding the release of their new studio album, [[Momofuku]] (Universal), recorded with [[The Imposters]], and the only two concerts that the British made in Spain on [[Concert 2008-06-30 Canary Islands|June 30]] and [[Concert 2008-07-01 Canary Islands|July 1]] at the Auditorio Alfredo Kraus. A treat for the end of the sixth meeting of the reef Music that has had this year in addition to the presence of artists like Angelique Kidjo, Perla Batalla, Teofilo Chantre, Dino Saluzzi Trio and Archangel. | |||
The performance will be the first in the British Isles is embellished with a dozen new songs that Declan Patrick MacManus (his real name) has returned to redirect his career away from exe4rcises around classical music, country, opera and where jazz has dealt in recent years. In Momofuku recovered (although he says he had never lost) phlegm Costello made his trademark as a rocker who attended the advent of punk and new wave, and without being infected by any of these styles. Energetic Pop fresh vitamin which youth and rock tempos flowing by the great myths of modern music, timeless classics with this Briton reinvindica again as a leftover alchemist of all time. | |||
Not that remain regarding the pose of rock and video is always associated with a young [[Buddy Holly]] reconverted to punk, but in his case, and seen has looped his discography, projects and collaborations of diverse nature , alternation and experimentation have been decisive in the whole creation. | |||
"Those my other facets only irritate people with little curiosity Indeed, these alternative projects have always been present. I recorded [[My Funny Valentine]] in 1978 and the album [[Imperial Bedroom| Imperial bedroom]], 1982, and included some like tango and jazz. happens that opportunities have grown over the years, especially from the turn of the century," said Elvis Costello when El Pais asked about whether the rock was still their primary source. His return is a hello again after a threat of dismissal that came before recruiting cooking again The Imposters (band militate in two of his former collaborators like The Attractions bassist [[Davey Faragher]] and pianist [[Steve Nieve| Stevey Nieve]], besides the battery [[Pete Thomas]], with whom he celebrated this tour). | |||
Costello makes good his legend, the restless and unpredictable creator, whose next move only knows its protagonist. Momofuku is, in short, his return to the rhythmic structures pop genre a tremendous spokesperson proclaimed in an era of cultural changes that he was no stranger. This presents to Momofuku raging guitars musician, and composer who likes reposado measured over short distances. The first cut, highly incendiary and catchy pieces reminiscent of Costello's early years with [[The Attractions]] as [[American Gangster Time|The american gangsters]], [[Stella Hurt| Stella hurts]] are, [[Drum & Bone|Drum & bone]] or [[Turpentine]]; while its intimate pose leaves jewels caliber [[Harry Worth]], [[Flutter & Wow | Flutter & Wow]], [[Mr. Feathers]] (the huge shadow of The Kinks) or [[Song With Rose | Song with rose ]], all without losing its identity. | |||
On tour. As a clear warning to those who long ago lost confidence in the creative capacity of Costello, at least not repeated in his speech pop, the disc closes with Go away, an invitation to continue to enjoy your current verb, which will keep you time dealing with The Imposters on a tour of the United States, after passing through the capital of Gran Canaria, with [[The Police]]. | |||
Momofuku is this Elvis Costello, who looks after the British again delve successfully into jazz with works such as [[The River In Reverse| The river in reverse]] (2006) by [[Allen Toussaint]]. and discovered as a composer for ballet [[Il Sogno|Il sogno]] (2004), among other works outside their natural range that have happened in his discography as [[For The Stars|For the stars]] (2001), with mezzo-soprano [[Anne Sofie von Otter | Anne-Sofie von Otter]]; [[Painted From Memory | Painted from memory]] (1998), with [[Burt Bacharach]]; [[The Juliet Letters| The Juliet letters]] (1993), with [[The Brodsky Quartet]]; [[Deep Dead Blue|Deep dead blue]] (1995) and [[The Sweetest Punch| The sweetest punch]] (1998), both with jazz guitarist [[Bill Frisell]], among others. | |||
With almost 40 albums, Elvis Costello is a big figure in modern music. He was a producer rather than an artist, and his entry into Stiff Records, British label with which published its exciting debut [[My Aim Is True]] (1977), she became the protagonist of the secondary roads opened to British music in the shadow of the phenomenon media that inspired Sex Pistols. In his hands, among other productions, would the self-titled [[The Specials]], almost nothing. | |||
If left clear in 1977 her letters and the type of music he wanted to pursue, the coming years would be decisive in his fruitful career. As a band with The Attractions, Costello billed disk arrivals per year through the 90s of last century, and in the ranks of Warner and knocking on the doors of the American market. Thus one after another appeared This year's model (1978), [[Armed Forces| Armed forces]] (1979), [[Get Happy!!| Get Happy]] (1980), four basic titles (more My aim is true) in the foundation of his work, [[Trust]] (1981), [[Almost Blue|Almost blue]] (1981), Imperial bedroom (1982), [[Punch The Clock|Punch the Clock]] (1983), [[Goodbye Cruel World]] (1984), [[King Of America|King of America]] (1986), your bet by country, [[Blood & Chocolate|Blood and chocolate]] (1986) and [[Spike]] (1986), and solo, in a head to head with [[Paul McCartney]]. | |||
And more discs, correct and regular, solo and with The Imposters, and collaborations in different directions. Perhaps the enjoyment that has been reported is their wedding in 2003 with singer [[Diana Krall]]. Although, those who know him well, at least musically, the couple say they will not change the character. | |||
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Latest revision as of 16:45, 28 March 2020
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