Montreal Devoir, February 3, 2007: Difference between revisions
(create page for Le Devoir article on TV Broadcast of extracts from From The Big Apple To The Big Easy: The Concert For New Orleans) |
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With [[The Crescent City Horns|the Crescent City Horns]] too. Hurricane brass. All there because of Katrina. For and against Katrina. "After giving us the worst of itself, Katrina will give us the best ..." said Toussaint. He was right. | With [[The Crescent City Horns|the Crescent City Horns]] too. Hurricane brass. All there because of Katrina. For and against Katrina. "After giving us the worst of itself, Katrina will give us the best ..." said Toussaint. He was right. | ||
Costello was beautiful to see, surly, a mission. His songs had signed a new lease, sounded otherwise, including the repertoire of punk years, who had found a future worthy battle. Nine of them, rearranged at its request by Toussaint, plunged into the pot of New Orleans and | Costello was beautiful to see, surly, a mission. His songs had signed a new lease, sounded otherwise, including the repertoire of punk years, who had found a future worthy battle. Nine of them, rearranged at its request by Toussaint, plunged into the pot of New Orleans and emerged stronger, solid brass and piano boogie, without losing their original pulse. Affected by grace. | ||
emerged | |||
Toussaint also enjoyed the occasion, radiant, lying across the ruins of a breach through which his music again, exulted openly for the greatest number. The "best" Katrina is that we could not get out of this room other than shocked, shocked, galvanized. More alive than before. | Toussaint also enjoyed the occasion, radiant, lying across the ruins of a breach through which his music again, exulted openly for the greatest number. The "best" Katrina is that we could not get out of this room other than shocked, shocked, galvanized. More alive than before. |
Revision as of 10:17, 29 June 2014
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