London Daily Mail, November 9, 1994: Difference between revisions

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<center><h3> Muffled or not, Elvis is still a great attraction </h3></center>
<center><h3> Muffled or not, Elvis is still a great attraction </h3></center>
<center>''' Elvis Costello And The Attractions ''' / Shepherd's Bush Empire </center>
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<center> Spencer Bright </center>
<center> Spencer Bright </center>
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''' Elvis Costello And The Attractions <br>
Shepherd's Bush Empire
{{Bibliography text}}
{{Bibliography text}}
Together again and mates once more, Elvis Costello And The Attractions set out to prove that they may be edging 40 but young whippersnappers don't have half the fighting spirit.  
Together again and mates once more, Elvis Costello And The Attractions set out to prove that they may be edging 40 but young whippersnappers don't have half the fighting spirit.  
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He wasn't about to slacken for songs like "Watching The Detectives" that might have benefited from melodic contemplation And even when he strapped on an acoustic guitar and you expected a little respite, he was just as harsh with "Deep Dark Truthful Mirror."
He wasn't about to slacken for songs like "Watching The Detectives" that might have benefited from melodic contemplation And even when he strapped on an acoustic guitar and you expected a little respite, he was just as harsh with "Deep Dark Truthful Mirror."


This last, and other songs from the recent album ''Brutal Youth''. are extraordinary in that despite being new, they feel like familiar friends.  
This last, and other songs from the recent album ''Brutal Youth'', are extraordinary in that despite being new, they feel like familiar friends.  


"Pony Street" had all the lyrical and rhythmic variety you expect of a good Costello song.  
"Pony Street" had all the lyrical and rhythmic variety you expect of a good Costello song.  


"Rocking Horse Road" was where it all finally gelled — classic Attractions interplay with the superb Pete Thomas's drums, Bruce Thomas's backbone bass, a plucked guitar and Steve Sieve's pulsating keyboards.  
"Rocking Horse Road" was where it all finally gelled — classic Attractions interplay with the superb Pete Thomas's drums, Bruce Thomas's backbone bass, a plucked guitar and Steve Nieve's pulsating keyboards.  


Only here, and during the encores with standards like "Alison" and "Oliver's Army," when they had nothing to prove but how to have a good time, did the music find its own comfortable, unselfconscious pace.
Only here, and during the encores with standards like "Alison" and "Oliver's Army," when they had nothing to prove but how to have a good time, did the music find its own comfortable, unselfconscious pace.


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{{tags}}[[Concert 1994-11-04 London|Shepherds Bush Empire]] {{-}} [[London]] {{-}} [[The Attractions]] {{-}} [[Brutal Youth]] {{-}} [[I Want You]] {{-}} [[Watching The Detectives]] {{-}} [[Deep Dark Truthful Mirror]] {{-}} [[Pony St.]] {{-}} [[Rocking Horse Road]] {{-}} [[Pete Thomas]] {{-}} [[Bruce Thomas]] {{-}} [[Steve Nieve]] {{-}} [[Alison]] {{-}} [[Oliver's Army]]
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{{Bibliography notes}}
{{Bibliography next
|prev = London Daily Mail, July 7, 1991
|next = London Daily Mail, April 14, 2002
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'''Daily Mail, November 9, 1994
'''Daily Mail, November 9, 1994
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*[http://www.dailymail.co.uk DailyMail.co.uk]
*[http://www.dailymail.co.uk DailyMail.co.uk]
*[http://en.wikipedia.org/wiki/Daily_Mail Wikipedia: Daily Mail]
*[http://en.wikipedia.org/wiki/Daily_Mail Wikipedia: Daily Mail]
*[https://www.flickr.com/photos/littletriggers/51108607407/in/album-72157718912671881/ Flickr:] [[Stephen McCathie]]


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Latest revision as of 16:39, 11 January 2022

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London Daily Mail

UK & Ireland newspapers

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Muffled or not, Elvis is still a great attraction


Spencer Bright

Elvis Costello And The Attractions
Shepherd's Bush Empire

Together again and mates once more, Elvis Costello And The Attractions set out to prove that they may be edging 40 but young whippersnappers don't have half the fighting spirit.

However, there's an element of protesting too much in all this and not allowing the folds of age to allow for some reflection.

Elvis and chums were somewhat frenetic in their delivery of old and new. This was not helped by a sound system so muffled that I couldn't help wondering whether this was by design, just to recreate that old pub-rock, new-wave feel, but decided in the end that someone had miscalculated.

Costello was in one of his no-mercy moods, flourishing a lacerating fuzzy guitar on "I Want You" and a punk scream that set the pogoing tone for certain sections of the crowd.

Head bowed and legs apart, the pose harked back to the stroppy bespectacled youth who first made waves in the late Seventies.

He wasn't about to slacken for songs like "Watching The Detectives" that might have benefited from melodic contemplation And even when he strapped on an acoustic guitar and you expected a little respite, he was just as harsh with "Deep Dark Truthful Mirror."

This last, and other songs from the recent album Brutal Youth, are extraordinary in that despite being new, they feel like familiar friends.

"Pony Street" had all the lyrical and rhythmic variety you expect of a good Costello song.

"Rocking Horse Road" was where it all finally gelled — classic Attractions interplay with the superb Pete Thomas's drums, Bruce Thomas's backbone bass, a plucked guitar and Steve Nieve's pulsating keyboards.

Only here, and during the encores with standards like "Alison" and "Oliver's Army," when they had nothing to prove but how to have a good time, did the music find its own comfortable, unselfconscious pace.


Tags: Shepherds Bush EmpireLondonThe AttractionsBrutal YouthI Want YouWatching The DetectivesDeep Dark Truthful MirrorPony St.Rocking Horse RoadPete ThomasBruce ThomasSteve NieveAlisonOliver's Army

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Daily Mail, November 9, 1994


Spencer Bright reviews Elvis Costello & The Attractions, Friday, November 4, 1994, Shepherds Bush Empire, London, England.

Images

1994-11-09 London Daily Mail clipping 01.jpg
Clipping.


Photographer unknown.
1994-11-09 London Daily Mail photo 01.jpg

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