London Evening Standard, April 17, 2002: Difference between revisions
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I was thinking the worst of the man. He writes songs with Paul McCartney for no good reason, he writes songs for Wendy James for no reason at all. Only Steve Nieve, the great keyboard player de nos jours, kept this leaking boat afloat. | I was thinking the worst of the man. He writes songs with Paul McCartney for no good reason, he writes songs for Wendy James for no reason at all. Only Steve Nieve, the great keyboard player de nos jours, kept this leaking boat afloat. | ||
And then came the last song of the evening. It was called I Want You, and it is a desert-island essential. For the first time in the evening, Elvis bent to the task. He ripped the notes from the guitar, he sang those wobbly notes down his nose. This is the best thing anybody will see on stage this year, and I'm sorry if you missed it. It was a one song concert, but what a song. | And then came the last song of the evening. It was called "I Want You," and it is a desert-island essential. For the first time in the evening, Elvis bent to the task. He ripped the notes from the guitar, he sang those wobbly notes down his nose. This is the best thing anybody will see on stage this year, and I'm sorry if you missed it. It was a one song concert, but what a song. | ||
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Revision as of 05:31, 24 April 2015
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