London Guardian, October 30, 1981: Difference between revisions
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{{:Bibliography index}} | {{:Bibliography index}} | ||
{{:London Guardian index}} | {{:London Guardian index}} | ||
{{:UK & | {{:UK & Ireland newspapers index}} | ||
{{Bibliography article header}} | {{Bibliography article header}} | ||
<center><h3> | <center><h3> Almost Blue </h3></center> | ||
<center> | <center>''' Elvis Costello </center> | ||
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<center> Robin Denselow </center> | <center> Robin Denselow </center> | ||
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{{Bibliography text}} | {{Bibliography text}} | ||
Costello takes a chance but as ever | Costello takes a chance but as ever doesn't put a foot wrong. He's never hidden his love for country music, and after providing a song for George Jones to record it was obvious that sooner or later he'd indulge in a country album of his own. | ||
It's been a year in which post-punk celebrities have been taking musical holidays with Joe Jackson reviving Forties big band jazz and Ian Dury recording with reggae stars in the West Indies, so why shouldn't Elvis Costello take his band off to Nashville to record a full album of other people's country songs, using Billy Sherrill himself as producer? The results should provide the biggest boost for country music among rock fans since Dylan recorded ''Nashville Skyline''. | |||
Costello handles the material superbly, singing in a dry, no-nonsense voice that works best against a simple pared-down backing (though strings are added on some songs). There is no mawkishness or cloying country sweetness or emotion added, which is just as well when most of the songs are | Costello handles the material superbly, singing in a dry, no-nonsense voice that works best against a simple pared-down backing (though strings are added on some songs). There is no mawkishness or cloying country sweetness or emotion added, which is just as well when most of the songs are tearjerkers with titles like "Tonight The Bottle Let Me Down" or "Success (Has Made A Failure Of Our Home)." | ||
The weepies (mostly with wailing steel guitar added) are interspersed with a surprisingly lively version of | The weepies (mostly with wailing steel guitar added) are interspersed with a surprisingly lively version of "Why Don't You Love Me (Like You Used To Do)?," and "Honey Hush," which sounds more like an R&B stomper. | ||
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{{tags}}[[Almost Blue]] {{-}} [[Stranger In The House]] {{-}} [[George Jones]] {{-}} [[Joe Jackson]] {{-}} [[Ian Dury]] {{-}} [[Billy Sherrill]] {{-}} [[Bob Dylan]] {{-}} [[Tonight The Bottle Let Me Down]] {{-}} [[Success]] {{-}} [[Why Don't You Love Me (Like You Used To Do)?]] {{-}} [[Honey Hush]] | |||
{{cx}} | {{cx}} | ||
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{{Bibliography notes}} | {{Bibliography notes}} | ||
{{Bibliography next | |||
|prev = London Guardian, March 30, 1981 | |||
|next = London Guardian, December 24, 1981 | |||
}} | |||
'''The Guardian, October 30, 1981 | '''The Guardian, October 30, 1981 | ||
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{{Bibliography images}} | {{Bibliography images}} | ||
[[image:1981-10-30 London Guardian clipping 01.jpg| | [[image:1981-10-30 London Guardian page 10 clipping 01.jpg|380px]] | ||
<br><small>Clipping.</small> | <br><small>Clipping.</small> | ||
[[image:1981-10-30 London Guardian page 10.jpg| | <small>Page scan.</small><br> | ||
[[image:1981-10-30 London Guardian page 10.jpg|x120px]] | |||
{{Bibliography notes footer}} | {{Bibliography notes footer}} | ||
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*[http://www.guardian.co.uk/ Guardian.co.uk] | *[http://www.guardian.co.uk/ Guardian.co.uk] | ||
*[http://en.wikipedia.org/wiki/London_Guardian Wikipedia: London Guardian] | *[http://en.wikipedia.org/wiki/London_Guardian Wikipedia: London Guardian] | ||
*[https://en.wikipedia.org/wiki/Robin_Denselow Wikipedia: Robin Denselow] | |||
{{DEFAULTSORT:London Guardian 1981-10-30}} | {{DEFAULTSORT:London Guardian 1981-10-30}} |