London Independent, May 28, 2009: Difference between revisions
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(Create page for review of Secret, Profane & Sugarcane in The Independent) |
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{{:UK & Irish newspapers index}} | {{:UK & Irish newspapers index}} | ||
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<center><h3> | <center><h3> Secret, Profane & Sugarcane </h3></center> | ||
<center>''' Elvis Costello </center> | |||
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<center>Andy Gill </center> | <center> Andy Gill </center> | ||
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{{Bibliography text}} | {{Bibliography text}} | ||
Elvis Costello albums seem to arrive with increasing frequency these days, their diversity appearing more like compensation for their patchiness. | Elvis Costello albums seem to arrive with increasing frequency these days, their diversity appearing more like compensation for their patchiness. | ||
If you didn't like him singing with a string quartet, maybe you'd care for him in a jazz suite? No? How about collaborations with Burt Bacharach? Allen Toussaint? Anne Sophie von Otter? Or, as here, hooking up with T-Bone Burnette for some of those rootsy string-band settings that proved popular for Plant & Krauss? Though far from the most daunting prospect in his sprawling catalogue, this proves no better in practice, partly because Costello's voice has a mean-spirited tone devoid of the siren lure of Plant & Krauss's harmonies, and it's a rag-bag of material that simply doesn't hang together. There's a bluegrass cover of "Complicated Shadows" | If you didn't like him singing with a string quartet, maybe you'd care for him in a jazz suite? No? How about collaborations with Burt Bacharach? Allen Toussaint? Anne Sophie von Otter? Or, as here, hooking up with T-Bone Burnette for some of those rootsy string-band settings that proved popular for Plant & Krauss? Though far from the most daunting prospect in his sprawling catalogue, this proves no better in practice, partly because Costello's voice has a mean-spirited tone devoid of the siren lure of Plant & Krauss's harmonies, and it's a rag-bag of material that simply doesn't hang together. There's a bluegrass cover of "Complicated Shadows," from 1996's ''All This Useless Beauty''; a fast string-band shuffle of "Hidden Shame," written for Johnny Cash; several tedious, self-pitying romantic country pastiches, one ("I Felt The Chill") co-written with Loretta Lynn; and four tracks written for an abortive opera project about Hans Christian Andersen's love affair with singer Jenny Lind. But it's a shoddy set of barrel-scrapings overall, lacking both focus and impetus. | ||
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'''Download this: "Red Cotton," "The Crooked Line" | |||
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'''The Independent, May 28, 2009 | '''The Independent, May 28, 2009 | ||
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[[Andy Gill]] reviews ''Secret, Profane & Sugarcane''. | [[Andy Gill]] reviews ''[[Secret, Profane & Sugarcane]]''. | ||
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[[image:Secret Profane & Sugarcane album cover.jpg| | [[image:Secret Profane & Sugarcane album cover.jpg|240px|border]] | ||
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*[http://en.wikipedia.org/wiki/The_Independent Wikipedia: The Independent] | *[http://en.wikipedia.org/wiki/The_Independent Wikipedia: The Independent] | ||
{{DEFAULTSORT:London Independent 2009-05-28}} | |||
{{DEFAULTSORT:Independent 2009-05-28}} | |||
[[Category:Bibliography]] | [[Category:Bibliography]] | ||
[[Category:Bibliography 2009]] | [[Category:Bibliography 2009]] | ||
[[Category:London Independent| Independent 2009-05-28]] | [[Category:London Independent| London Independent 2009-05-28]] | ||
[[Category:Newspaper articles]] | [[Category:Newspaper articles]] | ||
[[Category:Album reviews]] | [[Category:Album reviews]] | ||
[[Category:Secret, Profane & Sugarcane reviews]] | [[Category:Secret, Profane & Sugarcane reviews]] |