London Independent, May 28, 2009: Difference between revisions

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<center><h3> ''Secret, Profane & Sugarcane'' </h3></center>
<center><h3> Secret, Profane & Sugarcane </h3></center>
<center>''' Elvis Costello </center>
<center>''' Elvis Costello </center>
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Elvis Costello albums seem to arrive with increasing frequency these days, their diversity appearing more like compensation for their patchiness.
Elvis Costello albums seem to arrive with increasing frequency these days, their diversity appearing more like compensation for their patchiness.


If you didn't like him singing with a string quartet, maybe you'd care for him in a jazz suite? No? How about collaborations with Burt Bacharach? Allen Toussaint? Anne Sophie von Otter? Or, as here, hooking up with T-Bone Burnette for some of those rootsy string-band settings that proved popular for Plant & Krauss? Though far from the most daunting prospect in his sprawling catalogue, this proves no better in practice, partly because Costello's voice has a mean-spirited tone devoid of the siren lure of Plant & Krauss's harmonies, and it's a rag-bag of material that simply doesn't hang together. There's a bluegrass cover of "Complicated Shadows," from 1996's ''All This Useless Beauty''; a fast string-band shuffle of "Hidden Shame," written for Johnny Cash; several tedious, self-pitying romantic country pastiches, one ("I Felt The Chill") co-written with Loretta Lynn; and four tracks written for an abortive opera project about Hans Christian Andersen's love affair with singer Jenny Lind. But it's a shoddy set of barrel-scrapings overall, lacking both focus and impetus.
If you didn't like him singing with a string quartet, maybe you'd care for him in a jazz suite? No? How about collaborations with Burt Bacharach? Allen Toussaint? Anne Sophie von Otter? Or, as here, hooking up with T{{nb}}Bone Burnette for some of those rootsy string-band settings that proved popular for Plant & Krauss?


Though far from the most daunting prospect in his sprawling catalogue, this proves no better in practice, partly because Costello's voice has a mean-spirited tone devoid of the siren lure of Plant & Krauss's harmonies, and it's a rag-bag of material that simply doesn't hang together. There's a bluegrass cover of "Complicated Shadows," from 1996's ''All This Useless Beauty''; a fast string-band shuffle of "Hidden Shame," written for Johnny Cash; several tedious, self-pitying romantic country pastiches, one ("I Felt The Chill") co-written with Loretta Lynn; and four tracks written for an abortive opera project about Hans Christian Andersen's love affair with singer Jenny Lind. But it's a shoddy set of barrel-scrapings overall, lacking both focus and impetus.
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'''Download this: "Red Cotton," "The Crooked Line"
'''Download this: "Red Cotton," "The Crooked Line"
{{tags}} [[Secret, Profane & Sugarcane]] {{-}} [[T{{nb}}Bone Burnett]] {{-}} [[Loretta Lynn]] {{-}} [[I Felt The Chill Before The Winter Came]] {{-}} [[Complicated Shadows]] {{-}} [[Hidden Shame]] {{-}} [[Johnny Cash]] {{-}} [[Red Cotton]] {{-}} [[The Crooked Line]] {{-}} [[The Secret Songs]] {{-}} [[Hans Christian Andersen]] {{-}} [[Jenny Lind]] {{-}} [[All This Useless Beauty]] {{-}} [[Anne Sofie von Otter]] {{-}} [[Burt Bacharach]] {{-}} [[Allen Toussaint]] {{-}} [[Robert Plant]] {{-}} [[Alison Krauss]]
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{{cx}}
{{Tags}} [[Secret, Profane & Sugarcane]] {{-}} [[Burt Bacharach]] {{-}} [[Allen Toussaint]] {{-}} [[Anne Sofie von Otter]] {{-}} [[T-Bone Burnett]] {{-}} [[Robert Plant]] {{-}} [[Alison Krauss]] {{-}} [[Complicated Shadows]] {{-}} [[All This Useless Beauty]] {{-}} [[Hidden Shame]] {{-}} [[Johnny Cash]] {{-}} [[I Felt The Chill Before The Winter Came]] {{-}} [[Loretta Lynn]] {{-}} [[The Secret Songs]] {{-}} [[Red Cotton]] {{-}} [[The Crooked Line]]
 
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[[image:Secret Profane & Sugarcane album cover.jpg|240px|border]]
[[image:Secret Profane & Sugarcane album cover.jpg|180px|link=Secret, Profane & Sugarcane]]


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{{Bibliography notes footer}}

Latest revision as of 18:46, 19 May 2021

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London Independent

UK & Ireland newspapers

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Secret, Profane & Sugarcane

Elvis Costello

Andy Gill

Elvis Costello albums seem to arrive with increasing frequency these days, their diversity appearing more like compensation for their patchiness.

If you didn't like him singing with a string quartet, maybe you'd care for him in a jazz suite? No? How about collaborations with Burt Bacharach? Allen Toussaint? Anne Sophie von Otter? Or, as here, hooking up with T Bone Burnette for some of those rootsy string-band settings that proved popular for Plant & Krauss?

Though far from the most daunting prospect in his sprawling catalogue, this proves no better in practice, partly because Costello's voice has a mean-spirited tone devoid of the siren lure of Plant & Krauss's harmonies, and it's a rag-bag of material that simply doesn't hang together. There's a bluegrass cover of "Complicated Shadows," from 1996's All This Useless Beauty; a fast string-band shuffle of "Hidden Shame," written for Johnny Cash; several tedious, self-pitying romantic country pastiches, one ("I Felt The Chill") co-written with Loretta Lynn; and four tracks written for an abortive opera project about Hans Christian Andersen's love affair with singer Jenny Lind. But it's a shoddy set of barrel-scrapings overall, lacking both focus and impetus.

Download this: "Red Cotton," "The Crooked Line"


Tags:  Secret, Profane & SugarcaneT Bone BurnettLoretta LynnI Felt The Chill Before The Winter CameComplicated ShadowsHidden ShameJohnny CashRed CottonThe Crooked LineThe Secret SongsHans Christian AndersenJenny LindAll This Useless BeautyAnne Sofie von OtterBurt BacharachAllen ToussaintRobert PlantAlison Krauss

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The Independent, May 28, 2009


Andy Gill reviews Secret, Profane & Sugarcane.

Images

Secret Profane & Sugarcane album cover.jpg

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