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The Observer index
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Elvis Costello & The Imposters: Look Now review – pretty but patchy
(Concord)
Kitty Empire
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“I sang every note of the new record after I got the diagnosis,” Elvis Costello confided recently. Last July, he cancelled a handful of dates after he toured too soon after surgery to remove a small tumour. Unsurprisingly, at its best, Look Now – Costello’s 31st album – comes freighted with vivid feeling as well as sophisticated instrumentation and arrangements.
Stripping Paper is a tremendous vignette that peels back the layers of a relationship, from the first flushes of a liaison (“my back against the rococo wall”) through the kiddy wallpaper to latter-day blankness. The excellent single Unwanted Number, meanwhile, details a fraught process of romantic mismatching with Motown-style backing vocals. In 2017, Costello toured his Imperial Bedroom album of 1982; Look Now bears some resemblance to that first chamber-pop outing, in which relationships loomed large.
Costello has collaborated here with Burt Bacharach (two tracks) and Carole King (one), and in bowing to these giants of American song a surfeit of schmaltz creeps into his narrative voice. The album’s title speaks of urgency; its nearest song, Don’t Look Now, details the unwanted advances that bedevil a model. But the episode twinkles a little too prettily for the subject matter.
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‘Freighted with vivid feeling’: Elvis Costello. Photo credit: James O'Mara
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