London Telegraph, June 3, 2006: Difference between revisions

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The Daily Telegraph , June 3 '06
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<center><h3> The River In Reverse </h3></center>
<center>''' Elvis Costello & Allen Toussaint </center>
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<center> Neil McCormick </center>
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In another story of the musical aftermath of Hurricane Katrina, 68-year-old New Orleans songwriting legend Allen Toussaint washed up in New York, where he fell in with the comparatively sprightly 51-year-old Elvis Costello.
 
The two performed at some benefit concerts, whereupon the irrepressibly enthusiastic and possibly workaholic Costello (this is his second album this year) thought it was about time someone recorded a Toussaint songbook, and it might as well be him. Backed by a classy band (Costello's Imposters, supplemented by a horn section under Toussaint's direction), they have created a rich, warm, live-sounding concoction that is more than mere tribute. If these are hardly the definitive versions — Costello's sometimes rough, overwrought vocals sitting uneasily with Toussaint's light, funky touch — the album takes flight on a clutch of soulful originals, on which two great songwriters tackle the aftermath of disaster, coming on like punk soul brothers.
 
Anger and disgust are among Costello's strongest emotional suits, and threatening horns drive him along as he sneers at political betrayal on "Broken Promise Land," while Toussaint's delicate piano underpins the hopeless bafflement of "Ascension Day."
 
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'''The Daily Telegraph, June 3, 2006
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[[Neil McCormick]] reviews ''[[The River In Reverse]]''.
 
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Elvis Costello & Allen Toussaint
[[image:The River In Reverse album cover.jpg|180px|border|link=The River In Reverse]]
The River In Reverse
Verve Forecast, £12.99


In another story of the musical aftermath of Hurricane Katrina, 68-year-old New Orleans songwriting legend Allen Toussaint washed up in New York, where he fell in with the comparatively sprightly 51-year-old Elvis Costello.
{{Bibliography notes footer}}


The two performed at some benefit concerts, whereupon the irrepressibly enthusiastic and possibly workaholic Costello (this is his second album this year) thought it was about time someone recorded a Toussaint songbook, and it might as well be him. Backed by a classy band (Costello's Imposters, supplemented by a horn section under Toussaint's direction), they have created a rich, warm, live-sounding concoction that is more than mere tribute. If these are hardly the definitive versions - Costello's sometimes rough, overwrought vocals sitting uneasily with Toussaint's light, funky touch - the album takes flight on a clutch of soulful originals, on which two great songwriters tackle the aftermath of disaster, coming on like punk soul brothers.
{{Bibliography footer}}


Anger and disgust are among Costello's strongest emotional suits, and threatening horns drive him along as he sneers at political betrayal on Broken Promise Land, while Toussaint's delicate piano underpins the hopeless bafflement of Ascension Day.
==External links==
*[http://www.telegraph.co.uk/culture/3652839/Pop-CDs-of-the-week-Irma-Thomas-Paul-Simon-and-more.html Telegraph.co.uk]
*[http://en.wikipedia.org/wiki/The_Daily_Telegraph Wikipedia: The Daily Telegraph]


Neil McCormick
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[[Category:Bibliography]]
[[Category:Bibliography 2006]]
[[Category:London Telegraph| London Telegraph 2006-06-03]]
[[Category:Newspaper articles]]
[[Category:Album reviews]]
[[Category:The River In Reverse reviews]]

Latest revision as of 05:41, 13 March 2020

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London Telegraph

UK & Ireland newspapers

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The River In Reverse

Elvis Costello & Allen Toussaint

Neil McCormick

In another story of the musical aftermath of Hurricane Katrina, 68-year-old New Orleans songwriting legend Allen Toussaint washed up in New York, where he fell in with the comparatively sprightly 51-year-old Elvis Costello.

The two performed at some benefit concerts, whereupon the irrepressibly enthusiastic and possibly workaholic Costello (this is his second album this year) thought it was about time someone recorded a Toussaint songbook, and it might as well be him. Backed by a classy band (Costello's Imposters, supplemented by a horn section under Toussaint's direction), they have created a rich, warm, live-sounding concoction that is more than mere tribute. If these are hardly the definitive versions — Costello's sometimes rough, overwrought vocals sitting uneasily with Toussaint's light, funky touch — the album takes flight on a clutch of soulful originals, on which two great songwriters tackle the aftermath of disaster, coming on like punk soul brothers.

Anger and disgust are among Costello's strongest emotional suits, and threatening horns drive him along as he sneers at political betrayal on "Broken Promise Land," while Toussaint's delicate piano underpins the hopeless bafflement of "Ascension Day."

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The Daily Telegraph, June 3, 2006


Neil McCormick reviews The River In Reverse.

Images

The River In Reverse album cover.jpg

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