Los Angeles Times, December 10, 2017: Difference between revisions
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''My introduction to Gloria Grahame came when I saw Oklahoma! when I was 7 or 8 ... | |||
I never saw ''Oklahoma!'' Who wrote that? | |||
''Really? Rodgers & Hammerstein. | |||
I was always more of a Rodgers & Hart. I know the songs. "Surrey With the Fringe on Top" I know from Sonny Rollins. | |||
I'm not that big on gingham. Also, I don't like this. [Costello enthusiastically slaps his knee.] That move always put me off. People ask me, "Why haven't you written a musical until now?" It's because of the knee slapping. That should be in the music, not an emphatic gesture before the music. [Pause] I'm joking. | |||
''Mostly. | |||
Mostly. My favorite musical is ''My Fair Lady'', by a long way. My role model, Stanley Holloway. Fashion tips? Stanley Holloway. Always. | |||
''So you don't know Ado Annie. I'm guessing you knew Gloria Grahame then through In A Lonely Place or The Bad And the Beautiful. | |||
You want to hear a strange coincidence? Paul McGuigan [director of ''Film Stars Don't Die''] and [producer] Barbara Broccoli came to the London Palladium last summer to talk to me about this movie. I was doing a four-night stand there. Twenty minutes into the show, I'm introducing a song called "Church Underground," which is about a girl who dreams of being famous but instead finds salvation in the music coming up from an underground dive. And as a visual cue, I used a picture of Gloria Grahame. I always liked her self-possession. Anyway, when they saw that, they just jumped out of their skins. | |||
''What intrigued you about the movie? | |||
Conflicts and contradictions. Those are gifts to songwriters. Gloria is vain, but also vulnerable. She takes quick offense when the difference in their ages is pointed out, but you later come to understand that and why it's poignant. I won't say writing the song was easy. But all the cues were there. | |||
''Your performance of the song is quite moving. It's not something you probably could have sung as well 20 years ago. | |||
I've never been bothered about remaining some facsimile of how I looked as a kid. I like actors with interesting faces. I like singers with character in their voices. Quirks occur. Jimmy Durante singing "September Song." You can't be 25 and sing that song. Or "A Very Good Year" by Sinatra later on. I'm not there yet, necessarily. | |||
''You don't want to be the face of the AARP tomorrow? | |||
Truth is, I was writing those songs 20 years ago. I wrote a song called "I Want to Vanish," which I always imagined I wanted Judy Garland to record. | |||
I remember taking my mother to see Bob Dylan in Liverpool when she turned 70. And I remember being struck, sitting with my mother when she was 70, younger than Bob is now, by how many images of mortality were within his lyrics. | |||
''And now he's singing the Great American Songbook. | |||
I love his performances of those songs. It's utterly sincere and presented with fine drama. I saw him do a show at Albert Hall 18 months ago and it was one of the best shows I've ever seen. | |||
''Do you spend any time on music streaming services like Spotify? | |||
I don't know anything about them. | |||
''Could you guess what's your most popular song by far on Spotify? | |||
It'd be "She." | |||
''Yes. It has more than twice as many hits as your next song, "Alison." | |||
That song is a calling card. An international passport. There are countries I never would have visited without it. Korea. Macau. | |||
[''Notting Hill'' director] Richard Curtis said he was going to ruin my reputation with that song. But I told him, "Go ahead and try." Because I had been doing ballads from the very start. | |||
I cut a live version of the Burt Bacharach song, "I Just Don't Know What to Do With Myself" in 1977. At that time, when people did songs from that period, they were mostly being ironic. I wasn't being ironic. I cut "My Funny Valentine" in 1978. | |||
So when Richard asked me to cut "She," I thought, "What the hell." Charles Aznavour is a great songwriter. If the composer can play against type and contrast a harsher emotion with a beautiful melody, I sure as hell could sing it. | |||
''In the movie High Fidelity, John Cusack's record store owner loves to make music lists. For "Top Five Angry Songs About Women," he says, "You kind of have to start with Elvis Costello, but where?" Did you appreciate that line? | |||
I don't get that myself. I think it's in the eye of the beholder. "Alison" ... It's ''"I know the world is killing you,"'' not ''"I am killing you."'' I'm not being pedantic here. It says, ''"my aim is true."'' I am responsible. It's not like I want to kill you, but this love that we're in isn't going to work out. | |||
There's a lot of songs that are like that. People want to hear them as angry. I've even seen the "m-word" attached to my name lots of times. Misogynist. | |||
I think the songs are more about being a young man trying to work out what those feelings are supposed to be about. I'm not always writing the idyllic love song because maybe somebody does that better than me. Some of it's from real life. I've lived parts of those songs. But I don't think they're misogynistic. I wonder if the people who think that are the ones with the problem. | |||
''"Accidents Will Happen" plays for a few seconds in E.T. I read somewhere that you're still getting nice royalty checks for that. True or internet? | |||
I wish that were true. I remember going to see the movie, not knowing the context it was going to be used. And if you weren't looking for it, you'd miss it. | |||
''What do you remember about playing "Scarlet Tide" at the Oscars, the song you wrote with T{{nb}}Bone Burnett for Cold Mountain? | |||
They wanted the visual of T{{nb}}Bone and I playing in the band with Alison [Krauss]. And I decided because it was an old-sounding song that I would play my oldest guitar, a 1910 Gibson. | |||
And my memory of it is, Alison finished this beautiful performance and, as we hit the last chord, I decided I would contribute and put the guitar up to the microphone and play the final button of the song. And as I did it, the bridge of my guitar collapsed. The last chord was a complete discord on global television. Fortunately, the lights dimmed and no one noticed my clunker of a contribution. Perhaps that's why I don't get invited to awards shows. | |||
{{cx}} | |||
{{tags}}[[Concert 2017-11-12 Los Angeles|Hollywood Roosevelt Hotel Cinegrill Theatre]] {{-}} [[Los Angeles]] {{-}} [[Film Stars Don't Die In Liverpool]] {{-}} [[You Shouldn't Look At Me That Way]] {{-}} [[The Godfather Part III]] {{-}} [[Francis Ford Coppola]] {{-}} [[Miracle Man]] {{-}} [[Alison]] {{-}} [[Budd Schulberg]] {{-}} [[A Face In The Crowd]] {{-}} [[A Face In The Crowd (musical)]] {{-}} [[Richard Rodgers|Rodgers{{nb}}&]] [[Oscar Hammerstein II|Hammerstein]] {{-}} [[Richard Rodgers|Rodgers &]] [[Lorenz Hart|Hart]] {{-}} [[Sonny Rollins]] {{-}} [[Church Underground]] {{-}} [[Jimmy Durante]] {{-}} [[Frank Sinatra]] {{-}} [[I Want To Vanish]] {{-}} [[Bob Dylan]] {{-}} [[She]] {{-}} [[South Korea|Korea]] {{-}} [[Macau]] {{-}} [[Notting Hill: Music From The Motion Picture|Notting Hill]] {{-}} [[Richard Curtis]] {{-}} [[Burt Bacharach]] {{-}} [[I Just Don't Know What To Do With Myself]] {{-}} [[My Funny Valentine]] {{-}} [[Charles Aznavour]] {{-}} [[High Fidelity: Original Soundtrack]] {{-}} [[Accidents Will Happen]] {{-}} [[E.T. The Extra-Terrestrial]] {{-}} [[The Scarlet Tide]] {{-}} [[TV 2004-02-29 Academy Awards|Academy Awards]] {{-}} [[T{{nb}}Bone Burnett]] {{-}} [[Cold Mountain: Music From The Miramax Motion Picture|Cold Mountain]] {{-}} [[Alison Krauss]] | |||
{{cx}} | |||
{{Bibliography notes header}} | {{Bibliography notes header}} | ||
{{Bibliography notes}} | {{Bibliography notes}} | ||
'''Los Angeles Times, The Envelope, December | {{Bibliography next | ||
|prev = Los Angeles Times, April 3, 2016 | |||
|next = Los Angeles Times, September 10, 2021 | |||
}} | |||
'''Los Angeles Times, The Envelope, December 10, 2017 | |||
---- | ---- | ||
[[Glenn Whipp]] | [[Glenn Whipp]] talks to Elvis Costello about movies and music, and reports briefly on his performance, Sunday, [[Concert 2017-11-12 Los Angeles|November 12, 2017]], Cinegrill Theatre, Hollywood Roosevelt Hotel, Los Angeles. | ||
{{Bibliography images}} | {{Bibliography images}} | ||
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<small>Page scans.</small><br> | <small>Page scans.</small><br> | ||
[[image:2017-12-10 Los Angeles Times, The Envelope page S18.jpg| | [[image:2017-12-10 Los Angeles Times, The Envelope page S18.jpg|x194px]][[image:2017-12-10 Los Angeles Times, The Envelope page S19.jpg|x194px]] | ||
[[image:2017-12-10 Los Angeles Times, The Envelope page S20.jpg| | [[image:2017-12-10 Los Angeles Times, The Envelope page S20.jpg|x193px|border]] | ||
[[image:2017-12-10 Los Angeles Times, The Envelope page S11.jpg|x193px|border]] | |||
<br><small>Page scan and advertisement.</small> | <br><small>Page scan and advertisement.</small> | ||
<!-- captions and pull quotes --- "Conflicts and contradictions. Those are gifts to songwriters," Elvis Costello says of ''Film Stars Don't Die in Liverpool'', for which he wrote a song. | |||
Film Stars Don't Die in Liverpool stars stars Annette Bening and Jamie Bell. | |||
"My favorite musical is "My Fair Lady," by a long way. My role model, Stanley Holloway.' -- Elvis Costello, musician --> | |||
<small>Photos by [[Mel Melcon]] / Los Angeles Times.</small><br> | <small>Photos by [[Mel Melcon]] / Los Angeles Times.</small><br> | ||
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[[image:2017-12-10 Los Angeles Times photo 03 mm.jpg| | [[image:2017-12-10 Los Angeles Times photo 03 mm.jpg|320px]] | ||
[[image:2017-12-10 Los Angeles Times photo 04 mm.jpg| | [[image:2017-12-10 Los Angeles Times photo 04 mm.jpg|320px]] | ||
[[image:2017-12-10 Los Angeles Times photo 05 mm.jpg| | [[image:2017-12-10 Los Angeles Times photo 05 mm.jpg|320px]] | ||
[[image:2017-12-10 Los Angeles Times photo 06 mm.jpg| | [[image:2017-12-10 Los Angeles Times photo 06 mm.jpg|320px]] | ||
<br><small>Photos by [[Mel Melcon]] / Los Angeles Times.</small> | <br><small>Photos by [[Mel Melcon]] / Los Angeles Times.</small> | ||
<br> | |||
[[image:2017-12-10 Los Angeles Times page E03.jpg|x120px|border]]{{t}} | |||
[[image:2017-12-10 Los Angeles Times, The Envelope page S03.jpg|x120px|border]] | [[image:2017-12-10 Los Angeles Times, The Envelope page S03.jpg|x120px|border]]{{t}} | ||
[[image:2017-12-10 Los Angeles Times, The Envelope page S07.jpg|x120px|border]] | [[image:2017-12-10 Los Angeles Times, The Envelope page S07.jpg|x120px|border]] | ||
<br><small> | <br><small>Calendar section front, ''The Envelope'' contents page and ''Film Stars'' advertisement.</small> | ||
{{Bibliography notes footer}} | {{Bibliography notes footer}} | ||
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==External links== | ==External links== | ||
*[https://www.latimes.com/entertainment/envelope/la-en-mn-elvis-costello-20171207-htmlstory.html LATimes.com] | *[https://www.latimes.com/entertainment/envelope/la-en-mn-elvis-costello-20171207-htmlstory.html LATimes.com] | ||
*[http://en.wikipedia.org/wiki/Los_Angeles_Times Wikipedia:Los Angeles Times] | *[https://www.chicagotribune.com/entertainment/music/la-en-mn-elvis-costello-20171207-htmlstory.html ChicagoTribune.com] | ||
*[http://en.wikipedia.org/wiki/Los_Angeles_Times Wikipedia: Los Angeles Times] | |||
{{DEFAULTSORT:Los Angeles Times 2017-12- | {{DEFAULTSORT:Los Angeles Times 2017-12-10}} | ||
[[Category:Bibliography]] | [[Category:Bibliography]] | ||
[[Category:Bibliography 2017]] | [[Category:Bibliography 2017]] | ||
[[Category:Los Angeles Times| Los Angeles Times 2017-12- | [[Category:Los Angeles Times| Los Angeles Times 2017-12-10]] | ||
[[Category:Newspaper articles]] | [[Category:Newspaper articles]] | ||
[[Category:Interviews]] | [[Category:Interviews]] | ||
[[Category:2017 interviews]] | [[Category:2017 interviews]] |
Latest revision as of 01:12, 13 January 2024
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