Melody Maker, April 30, 1994: Difference between revisions
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{{Bibliography article header}} | {{Bibliography article header}} | ||
<center><h3> Get this!! </h3></center> | <center><h3> Get this!! </h3></center> | ||
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<center> Jim Arundel </center> | <center> Jim Arundel </center> | ||
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'''Elvis Costello & the Attractions <br> | |||
Get Happy!! | |||
{{Bibliography text}} | {{Bibliography text}} | ||
Just the other day, over "lunch," a bunch of us were chewing the quorn about the new Blur album and I chipped in that, while "Girls And Boys" was excellent, ''Parklife'' as a whole suffered from a surfeit of pastiche. "The lyrics go nowhere and it all sounds like an exercise in recreation rather than creation," I announced. | Just the other day, over "lunch," a bunch of us were chewing the quorn about the new Blur album and I chipped in that, while "Girls And Boys" was excellent, ''Parklife'' as a whole suffered from a surfeit of pastiche. "The lyrics go nowhere and it all sounds like an exercise in recreation rather than creation," I announced. | ||
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It flopped like a bastard. | It flopped like a bastard. | ||
But it's fascinating that all the vices that spoil Costello's ''oeuvre'' | But it's fascinating that all the vices that spoil Costello's ''oeuvre'' — too little editing, spewing out puns and aphorisms, self-conscious fandom — are all present in bucketloads and yet, for me — unlike any other Costello album — it works perfectly. One factor in its favour is that The Attractions were outrageously good by this time — facilitative, tough and tight — and would never sound as supple again. The production is sparse and spontaneous but warm and full of a sense of place, just like the Stax tracks it aspired to. Highlights are the croonsome "Secondary Modern," the yearning "Clowntime Is Over," the look-at-us-we-can-do-the-MGs "Temptation" and the blazing "Can't Stand Up For Falling Down." Each track has something to recommend it. And, if you don't like one, there'll be another along in a minute. | ||
For your further listening pleasure, Demon have tacked on another 11 tracks (including an unlisted demo at the end), most of which have seen service in the past on B-sides and compilations. Of particular note are the slow version of "Clowntime," the similarly goose-pimply "Just A Memory," the caffeine-injected version of "Getting Mighty Crowded," and the marimba-spooked "Ghost Train." All very fine tunes, but this extra batch of songs weakens the taut power of the original album. | For your further listening pleasure, Demon have tacked on another 11 tracks (including an unlisted demo at the end), most of which have seen service in the past on B-sides and compilations. Of particular note are the slow version of "Clowntime," the similarly goose-pimply "Just A Memory," the caffeine-injected version of "Getting Mighty Crowded," and the marimba-spooked "Ghost Train." All very fine tunes, but this extra batch of songs weakens the taut power of the original album. | ||
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{{Bibliography notes}} | {{Bibliography notes}} | ||
{{Bibliography next | {{Bibliography next | ||
|prev = Melody Maker, April | |prev = Melody Maker, April 23, 1994 | ||
|next = Melody Maker, July | |next = Melody Maker, July 2, 1994 | ||
}} | }} | ||
'''Melody Maker, April 30, 1994 | '''Melody Maker, April 30, 1994 | ||
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[[Jim Arundel]] reviews the | [[Jim Arundel]] reviews the Demon reissue of ''[[Get Happy!!]]''. | ||
{{Bibliography images}} | {{Bibliography images}} | ||
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<small> | <small>[[Concert 1978-12-18 London|1978]] photo by [[Gus Stewart]].</small><br> | ||
[[image:1994-04-30 Melody Maker photo 01 gs.jpg| | [[image:1994-04-30 Melody Maker photo 01 gs.jpg|300px]] | ||
<small>Cover and page scan.</small><br> | <small>Cover and page scan.</small><br> | ||
[[image:1994-04-30 Melody Maker cover.jpg|x120px | [[image:1994-04-30 Melody Maker cover.jpg|x120px]] | ||
[[image:1994-04-30 Melody Maker page 36.jpg|x120px | [[image:1994-04-30 Melody Maker page 36.jpg|x120px]] | ||
{{Bibliography notes footer}} | {{Bibliography notes footer}} |
Latest revision as of 16:47, 4 February 2024
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