Melody Maker, June 11, 1983: Difference between revisions

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{{Bibliography article header}}
{{Bibliography article header}}
<center><h3> Elvis Costello And The Attractions </h3></center>
<center><h3> Elvis Costello And The Attractions </h3></center>
<center>''' Mayfield Leisure Centre, Belfast </center>
<center></center>
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<center> Barry McIlheney </center>
<center> Barry McIlheney </center>
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'''Mayfield Leisure Centre, Belfast
{{Bibliography text}}
{{Bibliography text}}
It was quite a heady mixture. With such an outstanding legacy to draw on, any Elvis Costello concert is going to contain its fair share of quality pop music, and tonight there was the added attraction of a number of new nuggets on display. Sometimes, however, even quality pop isn't quite enough, and it is only right and proper to turn proceedings into a party political broadcast. And the unemployment nightmare of Belfast, six days before polling, obviously offered too perfect an opportunity for the emerging campaign leader to ignore.
It was quite a heady mixture. With such an outstanding legacy to draw on, any Elvis Costello concert is going to contain its fair share of quality pop music, and tonight there was the added attraction of a number of new nuggets on display. Sometimes, however, even quality pop isn't quite enough, and it is only right and proper to turn proceedings into a party political broadcast. And the unemployment nightmare of Belfast, six days before polling, obviously offered too perfect an opportunity for the emerging campaign leader to ignore.


It all started with an initially inoffensive sound on the tapedeck. Gradually, however, a few key insults emerged and it was clear that we were being treated to a healthy dose of pills and soap. There followed a near marathon examination of slightly less public politics, with the various targets being lined up, all under attack from a highly supple display of musical manoeuvres and the usual wonderfully controlled lyrical violence.
It all started with an initially inoffensive sound on the tapedeck. Gradually, however, a few key insults emerged and it was clear that we were being treated to a healthy dose of pills and soap. There followed a near marathon examination of slightly less public politics, with the various targets being lined up, all under attack from a highly supple display of musical manoeuvres and the usual wonderfully controlled lyrical violence.


For this is surely where the Elvis magic lies. In contrast to the more strident polemicists who deal in the same line of business, Costello merely nudges and hints at the vagaries of everyday life with a difference, smiling and staring all the while like some demented Eric Morecambe with a hammer up his sleeve. It helps, of course, when you have the original Midnight Runners [[The TKO Horns|brass section]] behind you, no strangers to such a highly charged atmosphere, and presumably feeling very much at home now that they have finally found another soul rebel with the necessary bite to burn it down once and for all.
For this is surely where the Elvis magic lies. In contrast to the more strident polemicists who deal in the same line of business, Costello merely nudges and hints at the vagaries of everyday life with a difference, smiling and staring all the while like some demented Eric Morecambe with a hammer up his sleeve. It helps, of course, when you have the original Midnight Runners brass section behind you, no strangers to such a highly charged atmosphere, and presumably feeling very much at home now that they have finally found another soul rebel with the necessary bite to burn it down once and for all.


And after nearly two hours of all this, "Oliver's Army," and more, it was time for a little shipbuilding, with Costello's despairing vocals drifting out into the night, perhaps to disappear under the enormous bulk of Europe's largest dry dock crane just a mile down the road.
And after nearly two hours of all this, "Oliver's Army," and more, it was time for a little shipbuilding, with Costello's despairing vocals drifting out into the night, perhaps to disappear under the enormous bulk of Europe's largest dry dock crane just a mile down the road.
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It is undoubtedly a sign of youthful naivety and optimism to read too much into such performances, but if ever there was a time and place for such qualities to playfully reassert themselves, it is surely here and now. A night for movement for the head, heart and feet, and a very welcome last chance for some radical dancing on the campaign trail.
It is undoubtedly a sign of youthful naivety and optimism to read too much into such performances, but if ever there was a time and place for such qualities to playfully reassert themselves, it is surely here and now. A night for movement for the head, heart and feet, and a very welcome last chance for some radical dancing on the campaign trail.


{{cx}}
{{tags}}[[Concert 1983-06-03 Belfast|Maysfield Leisure Centre]] {{-}} [[Belfast]] {{-}} [[Northern Ireland]] {{-}} [[Pills And Soap]] {{-}} [[The{{nb}}Attractions]] {{-}} [[The TKO Horns]] {{-}} [[Oliver's Army]] {{-}} [[Shipbuilding]] {{-}} [[Dexys Midnight Runners]]
{{cx}}
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{{Bibliography notes}}
{{Bibliography notes}}
{{Bibliography next
{{Bibliography next
|prev = Melody Maker, May 28, 1983
|prev = Melody Maker, June 4, 1983
|next = Melody Maker, July 2, 1983
|next = Melody Maker, July 2, 1983
}}
}}
'''Melody Maker, June 11 1983
'''Melody Maker, June 11, 1983
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[[Barry McIlheney]] reports on Elvis Costello & [[The Attractions]] with [[The TKO Horns]], Friday, [[Concert 1983-06-03 Belfast|June 3, 1983]], Maysfield Leisure Centre, Belfast, Northern Ireland.
[[Barry McIlheney]] reports on Elvis Costello & [[The Attractions]] with [[The TKO Horns]], Friday, [[Concert 1983-06-03 Belfast|June{{nb}}3, 1983]], Maysfield Leisure Centre, Belfast, Northern Ireland.


{{Bibliography images}}
{{Bibliography images}}


[[image:1983-06-11 Melody Maker page 15 clipping.jpg|360px|border]]
[[image:1983-06-11 Melody Maker page 15 clipping.jpg|380px|border]]
<br><small>Clipping.</small>
<br><small>Clipping.</small>


[[image:1983-06-11 Melody Maker photo 01.jpg|360px|border]]
 
 
[[image:1983-06-11 Melody Maker photo 01.jpg|300px|border]]
<br><small>Photo.</small>
<br><small>Photo.</small>


<small>Cover and page scan.</small><br>
[[image:1983-06-11 Melody Maker cover.jpg|x120px|border]]
[[image:1983-06-11 Melody Maker cover.jpg|x120px|border]]
<br><small>Cover.</small>
[[image:1983-06-11 Melody Maker page 15.jpg|x120px|border]]


{{Bibliography notes footer}}
{{Bibliography notes footer}}
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==External links==
==External links==
*[http://en.wikipedia.org/wiki/Melody_Maker Wikipedia: Melody Maker]
*[http://en.wikipedia.org/wiki/Melody_Maker Wikipedia: Melody Maker]
*[https://www.flickr.com/photos/nothingelseon/48720883521/in/album-72157710207386956/ Flickr: nothingelseon][https://www.flickr.com/search/?user_id=89224990%40N00&view_all=1&text=Melody%20Maker%2C%2011%20June%201983 {{t}}]


{{DEFAULTSORT:Melody Maker 1983-06-11}}
{{DEFAULTSORT:Melody Maker 1983-06-11}}

Latest revision as of 16:53, 25 November 2023

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Melody Maker

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Elvis Costello And The Attractions


Barry McIlheney

Mayfield Leisure Centre, Belfast

It was quite a heady mixture. With such an outstanding legacy to draw on, any Elvis Costello concert is going to contain its fair share of quality pop music, and tonight there was the added attraction of a number of new nuggets on display. Sometimes, however, even quality pop isn't quite enough, and it is only right and proper to turn proceedings into a party political broadcast. And the unemployment nightmare of Belfast, six days before polling, obviously offered too perfect an opportunity for the emerging campaign leader to ignore.

It all started with an initially inoffensive sound on the tapedeck. Gradually, however, a few key insults emerged and it was clear that we were being treated to a healthy dose of pills and soap. There followed a near marathon examination of slightly less public politics, with the various targets being lined up, all under attack from a highly supple display of musical manoeuvres and the usual wonderfully controlled lyrical violence.

For this is surely where the Elvis magic lies. In contrast to the more strident polemicists who deal in the same line of business, Costello merely nudges and hints at the vagaries of everyday life with a difference, smiling and staring all the while like some demented Eric Morecambe with a hammer up his sleeve. It helps, of course, when you have the original Midnight Runners brass section behind you, no strangers to such a highly charged atmosphere, and presumably feeling very much at home now that they have finally found another soul rebel with the necessary bite to burn it down once and for all.

And after nearly two hours of all this, "Oliver's Army," and more, it was time for a little shipbuilding, with Costello's despairing vocals drifting out into the night, perhaps to disappear under the enormous bulk of Europe's largest dry dock crane just a mile down the road.

It is undoubtedly a sign of youthful naivety and optimism to read too much into such performances, but if ever there was a time and place for such qualities to playfully reassert themselves, it is surely here and now. A night for movement for the head, heart and feet, and a very welcome last chance for some radical dancing on the campaign trail.


Tags: Maysfield Leisure CentreBelfastNorthern IrelandPills And SoapThe AttractionsThe TKO HornsOliver's ArmyShipbuildingDexys Midnight Runners

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Melody Maker, June 11, 1983


Barry McIlheney reports on Elvis Costello & The Attractions with The TKO Horns, Friday, June 3, 1983, Maysfield Leisure Centre, Belfast, Northern Ireland.

Images

1983-06-11 Melody Maker page 15 clipping.jpg
Clipping.


1983-06-11 Melody Maker photo 01.jpg
Photo.

Cover and page scan.
1983-06-11 Melody Maker cover.jpg 1983-06-11 Melody Maker page 15.jpg

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